Morocco's Tribeswomen See Facial Tattoo Tradition Fade

Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
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Morocco's Tribeswomen See Facial Tattoo Tradition Fade

Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse

As a young girl growing up in the Atlas mountains, Hannou Mouloud's family took her to have her chin tattooed with the cherished lines that generations of Moroccan Amazigh tribeswomen wore.
"When I was six, they told me tattoos were pretty adornments," recalled the 67-year-old from Imilchil village of the once-common practice among women in North Africa's Amazigh groups, AFP reported.
Long referred to as Berbers, many tribespeople from the area prefer to be called Amazigh, or Imazighen, which means "free people".
Today, like in many of the Indigenous cultures across the world where facial tattoos were long prevalent, the practice has largely faded.
Many attribute the near-disappearance of facial tattoos to Morocco's changing religious attitudes in recent decades, with interpretations of Islam where inked skin and other body modifications like piercings are prohibited taking hold.
"We would use charcoal to draw the designs on our faces, then a woman would prick the drawing with a needle until blood came out," Mouloud told AFP, adding that they would rub the wound daily with a chewed green herb to deepen the tattoo's color.
The markings vary in design between the minority's tribes and were used to signify the wearer's origin while offering beauty and protection.
Being tattooed would hurt, said Hannou Ait Mjane, 71, and "we couldn't hold back our tears" but it "remains a tradition that our ancestors passed down to us".
Fundamentalism
Morocco has the largest Amazigh population in North Africa, with Tamazight, the community's language, recognised as an official language alongside Arabic.
According to the most recent census in 2014, more than a quarter of Morocco's 35 million inhabitants speak at least one dialect -- Tarifit, Tamazight or Tachelhit.
Abdelouahed Finigue, a geography teacher and researcher from Imilchil, told AFP that women often had their chins, foreheads or hands tattooed.
The designs held different meanings to the different communities.
"The woman, through her tattoos, expresses her beauty and her value as an individual independent of the man," he said, explaining what the different shapes can mean.
"The circle, for example, represents the universe and beauty, just like the moon and the sun which occupied an important place in local rites," he said.
But changing religious trends means fewer women are getting inked.
Bassou Oujabbour, member of local development association AKHIAM, said women with the markings have faced social pressure.
"Fundamentalists sometimes describe tattooing as the devil's book or as the first thing to be burned on the human body," he said.
"Some women even removed the tattoos long after getting them for fear of punishment after death."



Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.


Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
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Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)

Britain’s Prince William visited a number of historic, natural, and cultural sites in Saudi Arabia’s AlUla, accompanied by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Bader bin Abdullah bin Farhan, reported the Saudi Press Agency on Wednesday.

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development, in line with the objectives of Saudi Vision 2030.

During his tour, Prince William reviewed a number of environmental initiatives at Sharaan Nature Reserve, including ecosystem restoration and biodiversity conservation efforts. He was briefed on programs to rehabilitate natural habitats, restore ecological balance, and reintroduce species such as the Arabian oryx and mountain ibex, contributing to long-term goals for the recovery of the Arabian leopard in its natural environment.

He received an overview of the history of AlUla Old Town and the Incense Road, and the role of culture and arts as a bridge for cultural exchange between the two countries. The visit included viewing artworks at AlUla Arts Festival 2026.

Prince William met with Saudi youths participating in joint cultural programs and initiatives between the two countries. The visit also featured a tour of AlUla Oasis Cultural District.

The visit highlighted the strategic importance of the partnership between the Royal Commission for AlUla and British cultural institutions within an organized framework of cooperation encompassing cultural, educational, and environmental entities, supporting balanced and sustainable development in AlUla and reinforcing its status as a global destination for heritage, culture, and nature.


Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
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Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA

The Saudi Ministry of Culture organized a specialized workshop to review and develop the third edition of the Cultural Heritage Documentation and Digital Archiving Guide in the Kingdom.

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners, as part of the center’s efforts to standardize methodologies for documenting and archiving cultural heritage and to enhance institutional practices for managing national cultural memory.

The workshop forms part of the Ministry of Culture’s ongoing efforts to establish national standard frameworks for the management and digital documentation of cultural heritage, strengthen integration among entities, and equip practitioners with the necessary tools and methodologies.

These efforts reinforce the role of the Saudi cultural memory center in preserving the Kingdom’s cultural memory and support the objectives of the National Culture Strategy under Saudi Vision 2030.