Morocco's Tribeswomen See Facial Tattoo Tradition Fade

Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
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Morocco's Tribeswomen See Facial Tattoo Tradition Fade

Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse

As a young girl growing up in the Atlas mountains, Hannou Mouloud's family took her to have her chin tattooed with the cherished lines that generations of Moroccan Amazigh tribeswomen wore.
"When I was six, they told me tattoos were pretty adornments," recalled the 67-year-old from Imilchil village of the once-common practice among women in North Africa's Amazigh groups, AFP reported.
Long referred to as Berbers, many tribespeople from the area prefer to be called Amazigh, or Imazighen, which means "free people".
Today, like in many of the Indigenous cultures across the world where facial tattoos were long prevalent, the practice has largely faded.
Many attribute the near-disappearance of facial tattoos to Morocco's changing religious attitudes in recent decades, with interpretations of Islam where inked skin and other body modifications like piercings are prohibited taking hold.
"We would use charcoal to draw the designs on our faces, then a woman would prick the drawing with a needle until blood came out," Mouloud told AFP, adding that they would rub the wound daily with a chewed green herb to deepen the tattoo's color.
The markings vary in design between the minority's tribes and were used to signify the wearer's origin while offering beauty and protection.
Being tattooed would hurt, said Hannou Ait Mjane, 71, and "we couldn't hold back our tears" but it "remains a tradition that our ancestors passed down to us".
Fundamentalism
Morocco has the largest Amazigh population in North Africa, with Tamazight, the community's language, recognised as an official language alongside Arabic.
According to the most recent census in 2014, more than a quarter of Morocco's 35 million inhabitants speak at least one dialect -- Tarifit, Tamazight or Tachelhit.
Abdelouahed Finigue, a geography teacher and researcher from Imilchil, told AFP that women often had their chins, foreheads or hands tattooed.
The designs held different meanings to the different communities.
"The woman, through her tattoos, expresses her beauty and her value as an individual independent of the man," he said, explaining what the different shapes can mean.
"The circle, for example, represents the universe and beauty, just like the moon and the sun which occupied an important place in local rites," he said.
But changing religious trends means fewer women are getting inked.
Bassou Oujabbour, member of local development association AKHIAM, said women with the markings have faced social pressure.
"Fundamentalists sometimes describe tattooing as the devil's book or as the first thing to be burned on the human body," he said.
"Some women even removed the tattoos long after getting them for fear of punishment after death."



Music Commission's Saudi Trouq Program Highlights Kingdom's Artistic Diversity

The tour is part of the Music Commission’s efforts to preserve musical heritage - SPA
The tour is part of the Music Commission’s efforts to preserve musical heritage - SPA
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Music Commission's Saudi Trouq Program Highlights Kingdom's Artistic Diversity

The tour is part of the Music Commission’s efforts to preserve musical heritage - SPA
The tour is part of the Music Commission’s efforts to preserve musical heritage - SPA

The Saudi Trouq program, dedicated to preserving the heritage of traditional music, has concluded its documentary tour covering five distinct musical genres.

The tour involved three major trips across cities and governorates, including Jeddah, Makkah, Madinah, Yanbu, Al-Ahsa, and Al-Qatif, during which the team carefully observed and recorded musical traditions within their dynamic cultural and social settings, SPA reported.

Through its extensive documentary tour, the program captured 160 recordings representing five musical genres across five locations in six regions, with the participation of 196 specialists and artists, including leading practitioners of Saudi music.

This tour is part of the Music Commission’s efforts to preserve musical heritage and ensure its transmission across generations through visual, audio, and written materials that serve as resources for researchers and students, highlighting the Kingdom’s cultural and artistic diversity.


Makkah's Holy Quran Museum Showcases Rare 9th Century Manuscript

The Holy Quran Museum is showcasing a rare quarter of the Holy Quran estimated to date back to the 15th century. (SPA)
The Holy Quran Museum is showcasing a rare quarter of the Holy Quran estimated to date back to the 15th century. (SPA)
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Makkah's Holy Quran Museum Showcases Rare 9th Century Manuscript

The Holy Quran Museum is showcasing a rare quarter of the Holy Quran estimated to date back to the 15th century. (SPA)
The Holy Quran Museum is showcasing a rare quarter of the Holy Quran estimated to date back to the 15th century. (SPA)

The Holy Quran Museum in Makkah's Hira Cultural District is showcasing a rare quarter of the Holy Quran, specifically part 25, estimated to date back to the 15th century, reported the Saudi Press Agency on Wednesday.

Written in the Levantine Naskh script, the manuscript is distinguished by its intricate decorations and exquisite gilding.

Preserved at the King Faisal Center for Research and Islamic Studies, the exhibition is part of a collaborative effort to highlight Quranic treasures and rare manuscripts.


Al Bisht Al-Hasawi Festival Celebrates Saudi Heritage

Open daily, the festival offers cultural activities, including theatrical performances and interactive experiences about the bisht. (SPA)
Open daily, the festival offers cultural activities, including theatrical performances and interactive experiences about the bisht. (SPA)
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Al Bisht Al-Hasawi Festival Celebrates Saudi Heritage

Open daily, the festival offers cultural activities, including theatrical performances and interactive experiences about the bisht. (SPA)
Open daily, the festival offers cultural activities, including theatrical performances and interactive experiences about the bisht. (SPA)

Under the patronage of Governor of Saudi Arabia's Eastern Region Prince Saud bin Naif bin Abdulaziz, Deputy Governor Prince Saud bin Bandar bin Abdulaziz inaugurated

The third edition of Al Bisht Al-Hasawi Festival kicked off on Tuesday under the patronage of Governor of Eastern Region Prince Saud bin Naif bin Abdulaziz.

The event was inaugurated by Deputy Governor Prince Saud bin Bandar bin Abdulaziz and organized by the Heritage Commission. It runs for 11 days at Ibrahim Palace in Al-Ahsa.

The deputy governor highlighted the festival’s role in preserving traditional crafts and supporting artisans as essential to Saudi cultural identity.

At the festival, he met with bisht merchants from various countries and toured workshops by the Royal Institute of Traditional Arts (Wrth) and the children's area, which teaches children about bisht craftsmanship.

Open daily, the festival offers cultural activities, including theatrical performances and interactive experiences about the bisht. Visitors can wear the bisht and learn about the etiquette of color selection.

This year's edition marks the first national celebration of the bisht following its inclusion by UNESCO in December 2025 on the Representative List of the Intangible Cultural Heritage of Humanity.

The festival supports the Heritage Commission's mission to protect cultural heritage and promote handicrafts, highlighting Al-Ahsa’s global significance.