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Royal Commission for AlUla Seeks to Promote Region’s Food Culture

Royal Commission for AlUla Seeks to Promote Region’s Food Culture
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Royal Commission for AlUla Seeks to Promote Region’s Food Culture

Royal Commission for AlUla Seeks to Promote Region’s Food Culture

The Royal Commission for AlUla (RCU) and Slow Food, the Italy-based global food movement, have announced a new partnership to improve and promote the sustainable regeneration of AlUla’s agricultural and culinary ecosystem.

The partnership aims to highlight the economic, social, and health benefits of AlUla products, promote the region's food culture, ensure sustainability in agriculture, and support the production of sustainable food.

The collaboration follows successful food events in AlUla over the past two years, which positioned the region as an appealing destination for food enthusiasts and tourists. It also strengthened connections between northwest Arabia and Slow Food's global network that is active in 150 countries.

The announcement of the partnership coincides with the fifth edition of the AlUla Dates Season, offering significant economic opportunities for local farmers, families involved in cottage industries, and entrepreneurs, celebrating the region's cultural heritage.

As part of the season, Slow Food is hosting culinary demonstrations by Chef Hooryah Abdulqader and Chef Serhan Hasdemir, who presented dishes using AlUla dates last weekend and will continue this weekend on October 25-26 at the farmers' market in AlManshiyah plaza, AlUla.
Slow Food's philosophy emphasizes agroecology, natural resource conservation, and biodiversity preservation, aligning with the RCU's strategic agricultural goals of supporting farmers and opening new markets for their products.
Moreover, the forthcoming establishment of a culinary arts center within AlUla’s cultural oasis will enhance the partnership's long-term objectives. It will act as a hub for knowledge sharing, cooking, and organizing activities related to sustainable agriculture and culinary traditions, encouraging AlUla residents and visitors to embrace traditional practices.
By promoting cultural education and sustainable agricultural practices within food sectors, the collaboration between RCU and Slow Food will bolster AlUla's economy diversification and draw in tourists.

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Culture

'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
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'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)

The people of Saudi Arabia’s AlUla have long maintained a close relationship with nature, reflected in their careful observation of crescent moons and the determination of lunar months, particularly Ramadan and Shawwal (Eid). This tradition was carried out through a role locally known as the “Moon Spotter,” reflecting inherited astronomical knowledge passed down through generations.

Known for sharp eyesight and precise knowledge of celestial timings, the Moon Spotter relied on traditional methods, including placing a copper vessel filled with water at an elevated position to observe the reflections of the sun and moon, which helped determine the crescent's position with accuracy.

Upon sighting the crescent, he would mark the reflected point with a palm frond before notifying the relevant court to contribute to the official announcement, the Saudi Press Agency said.

This heritage is closely tied to AlUla's historically clear skies, which enabled residents to observe celestial bodies with clarity and fostered a lasting connection to astronomy as part of their cultural legacy.

Culture

Dutch Museum Makes ‘Needle in a Haystack’ Confirmation of Rembrandt Painting

Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
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Dutch Museum Makes ‘Needle in a Haystack’ Confirmation of Rembrandt Painting

Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo

A painting that was once rejected as a work by Rembrandt van Rijn has now been acknowledged as a work by the Dutch master, thanks to two years of scrutiny in the city where the then-27-year-old artist painted it in 1633, a museum announced Monday. 

The Netherlands' national art and history museum, the Rijksmuseum, unveiled the work, “Vision of Zacharias in the Temple,” and said painstaking analysis including high-tech scans has confirmed it was painted by Rembrandt after he moved to the capital, Amsterdam. 

The painting hasn't been on public display in decades after being bought by a private collector in 1961, a year after it was deemed not to be a Rembrandt, the museum said in a statement. From Wednesday, will go on show among other masterpieces at the Rijksmusuem, where it is on long-term loan. 

Director Taco Dibbits said the museum often gets emails from people asking if the painting they own might just be by the Golden Age master. 

“We always hope to find a new Rembrandt, but this happens rarely," he told The Associated Press. He said making such a discovery “is just like (finding) a needle in a haystack.” 

The owner, who has remained anonymous, initially asked the museum only if the painting was Dutch. 

“He really didn’t know what he had. And then to discover that it’s a Rembrandt is something that’s amazing to experience,” Dibbits said. 

An in-depth study of the work, including macro X-ray fluorescence scans and comparisons with other works by the artist, confirmed Rembrandt painted it, said the museum’s curator of 17th century Dutch paintings, Jonathan Bikker. 

“So the wood that was used for the panel on which it’s painted, that is definitely from a tree that was cut down before 1633, the date on the painting,” he said. 

"All the pigments, the paint in the painting were used by Rembrandt in other paintings. And the layers of paint and how he painted it, that is also precisely the same as in other works by Rembrandt,” he added. 

The work joins about 350 known Rembrandt paintings and raised the hope that there may be more. 

“We’re not actively looking for new paintings by Rembrandt, but I think this gives us hope — not just us, but everyone who’s interested in Rembrandt,” Bikker said. 

Culture

UNESCO-listed Golestan Palace in Tehran Damaged in Strikes

Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
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UNESCO-listed Golestan Palace in Tehran Damaged in Strikes

Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)

Iran's UNESCO-listed Golestan Palace in Tehran has been damaged in US and Israeli strikes, local media reported Monday.

"Following the joint US-Israeli attack on Arag square in southern Tehran on Sunday evening, parts of the Golestan Palace... were damaged," the ISNA news agency reported, adding that windows, doors, and mirrors were hit by reverberations from blasts.

Iran's Mehr news agency carried a similar report.