Britain Funding Sudanese Activists to Hide Sudan’s National Treasures

Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
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Britain Funding Sudanese Activists to Hide Sudan’s National Treasures

Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)

The British Council is using a £1.8 million ($2.3 million) grant to help prevent the pillaging of Sudan’s national museums during its ongoing civil war, Britain’s The Telegraph reported.

The grant from the tax-payer-funded body had been dedicated to conserving several heritage sites in Sudan before the war broke out, but has since been diverted to help civilian efforts to prevent the pillaging of national museums and historic sites, it said.

Museums across Sudan have been raided since the start of the civil war in 2023, and artifacts looted from significant sites have been sold on the illegal art market.

Museums linked to ancient cities and pyramids have had their artifacts relocated and hidden during the war, which has cost at least 20,000 lives, the newspaper said.

The move follows the looting and damaging of major museums in the country, including sites linked to British colonial expeditions in Sudan, which had received funding from the UK prior to the conflict.

“Our priority is the safety of our project teams and participants and we carefully monitor this, but we’re flexible where we can be to allow projects to continue their heritage protection activities where it’s feasible and safe to do so,” The Telegraph quoted Stephanie Grant, the director of the British Council in Sudan, as saying.

“Cultural heritage faces serious threats in times of conflict and it’s vital that there are global efforts to defend culture in crisis,” she said.

The British Council had been funding projects in Sudan prior to conflict breaking out in April 2023, with £997,000 provided to sites including the Khalifa Museum in the capital, Khartoum, which had ties to British imperial history.

This had been the home of the Khalifa, who succeeded the Islamic leader Muhammad Ahmad, known as the Mahdi, who defeated British forces at the Battle of Shaykan and in the Siege of Khartoum, an action which cost General Charles George Gordon his life in 1885.

A project titled Safeguarding Sudan’s Living Heritage was allocated £1.8 million to help preserve and document Sudanese customs. It used the Ethnographic Museum in Khartoum, which was also to be upgraded as part of the project, as its base.

The Khalifa House was looted along with the Sudan National Museum, the Natural History Museum was burnt out, and the Darfur Museum was destroyed, with experts on the ground estimating that tens of thousands of artefacts had been stolen.

A report by Sudan’s National Corporation of Antiquities and Museums has revealed that artifacts linked to the ancient kingdom of Kush, and displays linked to British general Gordon, have been ransacked during the war.

British Council staff are no longer on the ground in Sudan, but funding from its Living Heritage fund is being provided to Sudanese experts and local communities who have relocated and hidden remaining museum artefacts in order to preserve their cultural heritage, The Telegraph said.

The work has so far helped safeguard stores from museums linked to the ancient sites of Kerma and Jebel Barkal, the Port Sudan Museum on the coast, and the UNESCO site at Meroe, home to 2,300-year-old pyramids.

Despite the ongoing war, there are also ongoing projects to build and protect community museums including at El Obeid, another site linked to a battle in the Mahdist War that drew Britain into Sudan in the 19th century.

Amani Bashir, the director of the Sheikan Museum in El Obeid, said that “tangible and intangible cultural heritage in Sudan” remains of “the utmost importance to communities” amid the ongoing conflict.

She added: “All societies are proud of their heritage and it serves as the identity and brand or sign that distinguishes each group from others.

“The other is therefore working hard to preserve it, continue it, and own it for current and future generations.”



Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films
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Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

A record 12 Red Sea Film Foundation-supported films have entered the race for Best International Feature Film at the 99th Academy Awards, representing 12 countries across Saudi Arabia, the Arab world, Africa and Asia.

Eleven have been selected as the official submissions of their respective countries: "A Matter of Life and Death, Roqia, Soumsoum, the Night of the Stars, The Stories, Guria, Four Seasons in Java, Sink, Strawberries, Ben’Imana, We Are All Strangers, and The Other Side of the Sun."

They are joined by Angh, which won the Platform Award at the 2026 Toronto International Film Festival. Under new Academy rules introduced for the 99th Academy Awards, the Platform Award winner is among a select group of international festival prize winners eligible to submit directly for consideration in the category, according to SPA.

CEO of the Red Sea Film Foundation Faisal Baltyuor said: “The Red Sea Fund backs a broad slate of films each year, and for twelve of them to reach the Oscars race is an extraordinary moment of pride for the Red Sea Film Foundation. For eleven, being chosen by their countries as the official submission is in itself a significant recognition of the filmmakers and their work, and a testament to the talent and the stories emerging from Saudi Arabia, the Arab world, Africa and Asia. It reflects the growing impact of our commitment to empowering filmmakers and championing their creative visions, from the earliest stages of development through to the international stage. It has been a privilege to be part of their journeys, and we wish them every success as they continue in the Academy Awards race.”

The milestone caps a strong year for Foundation-supported cinema across Cannes, Venice and Toronto. At TIFF 2026 the Foundation marked its largest presence at the festival with eight supported films, culminating in Angh’s Platform Award, while Ben’Imana — now Rwanda’s official submission — won the Caméra d’Or at Cannes earlier in the year.

The shortlist for Best International Feature Film will be announced on December 15, 2026, with nominations on January 21, 2027. The 99th Academy Awards take place on March 14, 2027, in Los Angeles.


22 Private Museums in Aseer Document Region's Cultural Heritage

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
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22 Private Museums in Aseer Document Region's Cultural Heritage

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA

Aseer Region had 22 licensed private museums at the end of 2025, tying Makkah Region for the highest number in the Kingdom, ahead of Riyadh Region with 20 and Eastern Region with 17, according to the Ministry of Culture's State of Culture in Saudi Arabia 2025 report.

Established by individuals dedicated to collecting and preserving heritage, the museums hold agricultural tools, cooking and storage vessels, traditional weapons, coins, documents, attire, jewelry, and craft equipment, SPA reported.

Together they document the lives of people across the region's varied environments, from the Sarawat highlands to the Tihama foothills and the coast, each of which shaped distinct styles of housing, dress, tools, and crafts.

The museums also enrich Aseer's tourism offering, complementing its historical sites, heritage villages, and folk arts, and can be built into travel and cultural itineraries.

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total.

A survey of 39 private museums found that 41% hold between 100 and 5,000 items and another 41% have more than 10,000. However, about 60% have no website and 66% lack social media accounts, underscoring the need to strengthen their digital presence and widen public access.


Ghassan Salame to Asharq Al-Awsat: Lebanon’s War-Damaged Heritage Could Take a Generation to Restore

The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
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Ghassan Salame to Asharq Al-Awsat: Lebanon’s War-Damaged Heritage Could Take a Generation to Restore

The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)

Family photographs, home videos, letters, interviews and old songs are finding a new home in a digital archive created by Lebanon’s Culture Ministry to preserve personal memories as part of the country’s collective history.

Presented at the National Library, the “Archiving Lebanon’s Heritage” platform aims to build a global digital archive of Lebanon’s tangible and intangible heritage, including its natural and personal heritage, for future generations.

Developed by the ministry in partnership with the Heritage International Institute (HII) and other international organizations, the platform invites contributions from Lebanese at home and abroad, as well as anyone with accounts or records of the country’s past.

The initiative was unveiled in the presence of Culture Minister Ghassan Salame, Italian Ambassador Fabrizio Marcelli, HII President Sergio Iovino and Lebanon’s Director General of Antiquities Sarkis Khoury.

Salame with Italian Ambassador Fabrizio Marcelliat the launch ceremony. (Ministry of Culture)

Treasures hidden in Lebanese homes

Speaking to Asharq Al-Awsat, Salame explained that the latest war had damaged archaeological sites, historic markets and Lebanon’s tangible and intangible cultural heritage.

“I cannot put a precise figure on these losses. They certainly exceed millions of dollars, and restoring what was damaged could take an entire generation,” he noted.

The minister stressed that the war had affected all Lebanese in one way or another, describing its impact as “the theft of our intimate history, a history that is priceless.”

He stressed the importance of preserving existing heritage through modern technologies that can extend the lifespan of photographs, documents and other historical records.

Salame pointed out that private collections may contain materials more significant than those held by some public institutions.

While preparing the exhibition “Between the Lines of the Constitution” to mark the centenary of Lebanon’s Constitution, organizers discovered valuable documents preserved by families because a relative had held a particular position or worked in a field connected to them.

“These are treasures hidden in homes and within families,” Salame observed, stressing that the scale of these private collections should not be underestimated.

The platform accepts digital copies rather than originals. Contributors wishing to donate original documents can deposit them with the National Library for safekeeping. A written agreement protects contributors’ intellectual property rights, which remain exclusively theirs. They may also withdraw their materials from the platform at any time.

Lebanese Culture Minister Ghassan Salame delivers remarks at the event. (Ministry of Culture)

Contributors control access

Donors can decide how widely their submissions are shared, from keeping them in a completely private, protected archive to authorizing their publication.

Iovino described the initiative as providing the foundations for a “digital fortress” open to millions of Lebanese expatriates, as well as friends of Lebanon and people around the world.

Contributors, he stressed, retain full ownership of their memories and control over their accessibility.

Khoury urged Lebanese not to be discouraged by the heritage lost to war.

“Our story does not end with these losses or with the damage to our tangible and intangible heritage,” he told Asharq Al-Awsat. “We are the ones who create our heritage, as we have throughout history. Our memories help save what remains.”

Italy pledges continued support

Marcelli reaffirmed Italy’s commitment to preserving Lebanon’s cultural heritage, citing its involvement in restoring the Beirut National Museum and other museums damaged by the port explosion.

He also highlighted recent restoration work at the historic Mar Mikhael railway station, carried out in cooperation with UNESCO and the UN refugee agency.

Although these projects differ, they share a common goal: preserving historical evidence and making it accessible to the public. The new initiative, however, shifts the focus from monuments and institutions to the lives of individuals, families and communities.

Marcelli underscored the value of microhistory, which examines everyday experiences rather than focusing exclusively on major political events, wars, institutions and prominent figures.

The basic idea is that studying a seemingly marginal event, an ordinary person or a small community can reveal important insights into how an entire society functions, he said.