Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)

Actor Blake Lively sued "It Ends With Us" director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.

The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively's suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.

The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.

Lively's suit said that Baldoni, the film's production company Wayfarer Studios and others engaged in "a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out."

She accuses Baldoni and the studio of embarking on a "multi-tiered plan" to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed "repeated sexual harassment and other disturbing behavior" by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.

The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set.

Baldoni's attorney Bryan Freedman did not immediately respond to a request for comment on Lively's lawsuit. But he previously called the same allegations "completely false, outrageous and intentionally salacious."

Lively's lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to "vigorously defend" against the lawsuit.

Others who are defendants in Lively's suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: "‘We Can Bury Anyone’: Inside a Hollywood Smear Machine."

Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.

The libel lawsuit says the newspaper "relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care."

A spokesperson for the Times, Danielle Rhoades, said in a statement that "our story was meticulously and responsibly reported."

"It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error," the statement said.

But Baldoni's lawsuit says that "If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign."

Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that "Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today."

The romantic drama "It Ends With Us," an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for "Deadpool & Wolverine" at the same time.

Lively came to fame through the 2005 film "The Sisterhood of the Traveling Pants," and bolstered her stardom on the TV series "Gossip Girl" from 2007 to 2012. She has since starred in films including "The Town" and "The Shallows."

Baldoni starred in the TV comedy "Jane the Virgin," directed the 2019 film "Five Feet Apart" and wrote "Man Enough," a book pushing back against traditional notions of masculinity. He responded to concerns that "It Ends With Us" romanticized domestic violence, telling the AP at the time that critics were "absolutely entitled to that opinion."

He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.

Baldoni's attorney, Freedman, said in a statement on the libel suit that "the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites."

"In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public," he added. "The irony is rich."



Spanish Soccer Team Desperately Seeking Madonna and Her 36-Year-Old Shirt

 Madonna arrives for the Dolce & Gabbana Fall/Winter 2026/2027 fashion show during Fashion Week in Milan, Italy, February 28, 2026. (Reuters)
Madonna arrives for the Dolce & Gabbana Fall/Winter 2026/2027 fashion show during Fashion Week in Milan, Italy, February 28, 2026. (Reuters)
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Spanish Soccer Team Desperately Seeking Madonna and Her 36-Year-Old Shirt

 Madonna arrives for the Dolce & Gabbana Fall/Winter 2026/2027 fashion show during Fashion Week in Milan, Italy, February 28, 2026. (Reuters)
Madonna arrives for the Dolce & Gabbana Fall/Winter 2026/2027 fashion show during Fashion Week in Milan, Italy, February 28, 2026. (Reuters)

Spanish soccer team Celta Vigo is desperately seeking Madonna as it goes in search of a 36-year-old soccer shirt the pop star wore during a 1990 concert at its Balaidos stadium.

Madonna appeared on stage wearing the club's true blue colors during her Blonde Ambition tour in July 1990.

She delighted locals who claimed the material girl as one of their own and brought unexpected attention to defender Jose Manuel Espinosa, whose No. 5 shirt she wore.

However, the whereabouts of the cherished garment are unknown and, after searching fruitlessly for decades, Celta is asking the 67-year-old Madonna to help find it for the club's archive.

“Although ours was not the only football shirt you ever wore on stage, this iconic image has grown to shine differently as years have passed,” Celta president Marián Mouriño Terrazo wrote in an open letter to the American icon.

“Over time we came to better understand what you stood for back then: questioning established norms and standing up to those who try to tell you what you can or cannot do. At our club we recognize ourselves in this line of thought. That is why we hold on to the hope of finding the garment you once wore.

“Do you have it? If you know where it may be, or if you would like to join us in the search to retrieve it, please contact us via private message.”

The appeal caused a commotion on social media after it was published on Wednesday and the club doubled down before Friday's 2-1 home league defeat by Real Madrid, playing Madonna’s songs before kickoff and putting her picture on the field and on social media.

Mouriño Terrazo told local media he was hopeful the repercussions would reach the pop star.

“I imagine that the letter reached Madonna and that she will reply,” he said.

Madonna burst on the scene in 1983 with the hit Holiday and followed that with a run of top-10 hits that included “Like a Virgin”,” Papa Don’t Preach” and “Ray of Light.”

She remains one of the most successful recording artists in history.


Britney Spears Arrested and Released, California Sheriff's Records Show

(FILES) US singer Britney Spears arrives for the premiere of Sony Pictures' "Once Upon a Time... in Hollywood" at the TCL Chinese Theater in Hollywood, California on July 22, 2019. (Photo by VALERIE MACON / AFP)
(FILES) US singer Britney Spears arrives for the premiere of Sony Pictures' "Once Upon a Time... in Hollywood" at the TCL Chinese Theater in Hollywood, California on July 22, 2019. (Photo by VALERIE MACON / AFP)
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Britney Spears Arrested and Released, California Sheriff's Records Show

(FILES) US singer Britney Spears arrives for the premiere of Sony Pictures' "Once Upon a Time... in Hollywood" at the TCL Chinese Theater in Hollywood, California on July 22, 2019. (Photo by VALERIE MACON / AFP)
(FILES) US singer Britney Spears arrives for the premiere of Sony Pictures' "Once Upon a Time... in Hollywood" at the TCL Chinese Theater in Hollywood, California on July 22, 2019. (Photo by VALERIE MACON / AFP)

Britney Spears was arrested Wednesday night in Southern California and booked early the following morning, though the charge was not clear, according to the Ventura County Sheriff’s office website.

Messages seeking comment were left with the sheriff's office; the California Highway Patrol, which was identified as the arresting agency; and Spears' representative.

Spears was arrested around 9:30 p.m. in Ventura County and released on Thursday, sheriff's office records show. She has a May 4 court date schedule, The Associated Press reported.

Spears, born in Mississippi and raised in Louisiana, was a teen pop phenomenon who became a defining superstar of the ’90s and 2000s. She rose to fame from Disney Channel’s “The Mickey Mouse Club” to MTV and beyond, with such era-defining hits like “... Baby One More Time,” “Oops! ... I Did It Again” and “Toxic.”

Most of her albums have been certified platinum, according to the Recording Industry Association of America, with two diamond titles: 1999’s “ ... Baby One More Time” and 2000’s “Oops! ... I Did It Again.” Her last full-length album, “Glory,” was released in 2016.

Spears became a focus of tabloids in the early 2000s, and a source of public scrutiny, as she battled mental illness and paparazzi documented the details of her private life.

Later, as cultural opinion evolved to recognize the misogynistic media coverage of the time, Spears’ fight to control her life became the focus of the #FreeBritney movement.

In 2008, Spears was placed under a court-ordered conservatorship, run primarily by her father and his lawyers, that would control her personal and financial decisions for well over a decade. It was dissolved in 2021. Two years later, she released a bestselling, tell-all memoir, “The Woman in Me.”


Disney Pixar's 'Hoppers' Seeks to Turn Viral Meme Into Box Office Gold

US actor Jon Hamm (L) poses with Tom Lizard as he arrives for the world premiere of Disney and Pixar's film 'Hoppers' at the El Capitan Theater in Los Angeles, California, USA, 23 February 2026.  EPA/JILL CONNELLY
US actor Jon Hamm (L) poses with Tom Lizard as he arrives for the world premiere of Disney and Pixar's film 'Hoppers' at the El Capitan Theater in Los Angeles, California, USA, 23 February 2026. EPA/JILL CONNELLY
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Disney Pixar's 'Hoppers' Seeks to Turn Viral Meme Into Box Office Gold

US actor Jon Hamm (L) poses with Tom Lizard as he arrives for the world premiere of Disney and Pixar's film 'Hoppers' at the El Capitan Theater in Los Angeles, California, USA, 23 February 2026.  EPA/JILL CONNELLY
US actor Jon Hamm (L) poses with Tom Lizard as he arrives for the world premiere of Disney and Pixar's film 'Hoppers' at the El Capitan Theater in Los Angeles, California, USA, 23 February 2026. EPA/JILL CONNELLY

Walt Disney's Pixar Animation Studios is hoping a viral meme featuring a googly-eyed lizard character from its new film, "Hoppers," translates into box office success when the movie opens this weekend in theaters.

The studio unwittingly spawned the social media hit when a 28-second clip of the goofy-looking sea-green reptile repeatedly tapping a glowing screen to trigger an automated voice that says "lizard" appeared in the end credits of another Pixar film, "Elio," released last June.

The clip went viral. It inspired music mixes to songs from Far East Movement and The Ting Tings on TikTok, a "Lizard Click" website with a button that repeats the word "lizard" in a robotic voice, and thousands of social media posts that, within two months, attracted some 316 million views, according to Disney.

"I don't know that you can ever predict these things. As soon as you try to make ⁠something go viral, ⁠that's like certain death," said Pixar's Chief Creative Officer Pete Docter. "We just thought it was funny. We thought this character is quirky and weird."

According to Reuters, Pixar quietly laid claim to the character in a social media post in August, simply saying, "his name is Tom."

"People fell in love with Tom the Lizard," said Martha Morrison, head of marketing for Walt Disney Studios. "Then, we were sort of figuring out when's the right time to identify that Tom the Lizard is part of our movie."

The film is about a young animal lover, Mabel, who uses new technology ⁠to "hop" her consciousness into a robotic beaver and communicate directly with animals.

While audiences have flocked to cinemas to see animated sequels, such as Disney’s “Zootopia 2,” which is approaching $2 billion in worldwide ticket sales, original films with unfamiliar characters and stories, like "Elio," have struggled at the box office, bringing in a modest $20.8 million on opening weekend.

"Hoppers" is on track to open to $35 to $40 million in the US and Canada, according to one estimate.

Original animation has always been a harder sell, but that's been particularly true since the COVID-19 outbreak, when Disney released animated films like “Soul,” “Luca” and “Turning Red” straight to its Disney+ streaming service.

Families got accustomed to seeing new animated films from the comfort of their own living rooms.

"You know, it's tough right now because people on the one hand say they want original stuff, but they, with their pocketbooks, kind of vote more for the ⁠sequels," said Docter. "I think what ⁠it is, you have to balance like stuff that people go, 'I recognize that, I see that in my own life, but it also feels like nothing I've ever seen before,' which is a really difficult needle to thread."

Tom Lizard has become an ambassador for "Hoppers," showing up in person at screenings, DJ-ing an event for social media influencers and photo-bombing ESPN broadcasts in San Francisco during Super Bowl week.

The appearances are part of a broader marketing push that includes advance screenings and sneak peeks, in addition to commercials that aired during the Super Bowl and the Milano Cortina Winter Olympics.

The goal is to be in as many places as possible, convey the film's unique brand of humor and create a sense of urgency for movie-goers to head to the theaters, said Morrison.

Box office analyst Paul Dergarabedian said "Hoppers" has received the best reviews for a Pixar movie in a decade.

"Original animated films such as 'Dog Man,' 'The Wild Robot' and most recently 'GOAT' have all done very well because they're actually good movies," said Dergarabedian. "That's a currency that can deliver dividends for the long term."