Louvre Opens First Fashion Exhibition after Shock Memo about Decay

A Giambattista Valli dress from the haute couture 2018-2019 collection displayed at 'Louvre Couture'. Dimitar DILKOFF / AFP
A Giambattista Valli dress from the haute couture 2018-2019 collection displayed at 'Louvre Couture'. Dimitar DILKOFF / AFP
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Louvre Opens First Fashion Exhibition after Shock Memo about Decay

A Giambattista Valli dress from the haute couture 2018-2019 collection displayed at 'Louvre Couture'. Dimitar DILKOFF / AFP
A Giambattista Valli dress from the haute couture 2018-2019 collection displayed at 'Louvre Couture'. Dimitar DILKOFF / AFP

The Louvre in Paris opened its first-ever fashion exhibition on Friday, seeking to draw new, younger audiences amid national concern about conditions inside the landmark art destination.

The show, called "Louvre Couture", welcomed its first visitors a day after a shock memo from the museum's director about water leaks, building problems and overcrowding made headlines internationally, said AFP.

The exhibition features around a hundred items of clothing by 45 top designers, placed alongside objects from the Louvre's vast collection of decorative artworks, from chests of drawers to armor.

In one instance, a Dolce & Gabbana wool dress printed with a mosaic and embroidered with crystals, stones, and sequins echoes the patterns of an 11th-century Italian mosaic from Torcello, near Venice.

Louvre director Laurence des Cars said the show demonstrated "a subtle and precise dialogue between creations from the 1960s to today and the collections of the decorative arts department, highlighting the deep connection between art and designers".

The world's most-visited museum is hoping to emulate the success of fashion exhibitions hosted by New York's Metropolitan Museum of Art and London's Victoria and Albert in recent years.

A major 2017 retrospective about Christian Dior at the Museum of Decorative Arts, which occupies a wing of the Louvre Palace, led to huge queues and drew a string of A-listers.

'Not good enough'
The Paris landmark has become a national subject of concern after the revelation Thursday of a confidential memo written by des Cars to Culture Minister Rachida Dati warning about the "proliferation of damage in museum spaces."

Des Cars wrote that the museum suffered from leaks and extreme temperatures, and was a "physical ordeal" for some visitors because of a lack of relaxation areas.

"Food options and restroom facilities are insufficient in volume, falling well below international standards," she added.

In a sign of the importance of a building that is a "source of French pride", President Emmanuel Macron announced a visit to the national monument next Tuesday.

"It would be wrong to remain deaf and blind to the risks affecting the museum today," an aide told reporters.

The head of state is expected to inspect the galleries personally, having hosted a state dinner there in July for other world leaders on the eve of the Paris Olympics.

The Louvre received 96 million euros ($101 million) in public subsidies in 2024. It is hoping for an extra 100 million to cover renovations, a source close the institution told AFP on condition of anonymity.

It welcomed 8.7 million people last year -- around twice the number it was designed for.

Asked about conditions inside on Thursday, Culture Minister Dati said she wanted to increase prices for non-European visitors to help increase funding.

"The visiting and working conditions are not good enough for... the biggest museum in the world," she told reporters. "We need to be innovative, including with financing."

The Louvre is set to host a fundraising gala during Paris Women's Fashion Week in March when around 30 tables have been offered for sale, with more than one million euros raised already.

"Louvre Couture" runs until July 21.



Mel Gibson’s ‘Flight Risk’ is No. 1 at Box Office, ‘The Brutalist’ Expands

FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
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Mel Gibson’s ‘Flight Risk’ is No. 1 at Box Office, ‘The Brutalist’ Expands

FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)

Critics lambasted it and audiences didn’t grade it much better. But despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.
On a quiet weekend, even for the typically frigid movie-going month of January, the top spot went to the Lionsgate thriller starring Mark Wahlberg as a pilot flying an Air Marshal (Michelle Dockery) and fugitive (Topher Grace) across Alaska. But it wasn’t a particularly triumphant result for Gibson’s directorial follow-up to 2016’s “Hacksaw Ridge.” Reviews (21% fresh on Rotten Tomatoes) and audience scores (a “C” CinemaScore) were terrible.
President Donald Trump recently named Gibson a “special ambassador” to Hollywood, along with Jon Voight and Sylvester Stallone.
Going into the weekend, Hollywood’s attention was more focused on the Sundance Film Festival and on Thursday’s Oscar nominations, which were twice postponed by the wildfires in the Los Angeles region, The Associated Press reported.
The weekend was also a small test as to whether the once more common Oscar “bump” that can sometimes follow nominations still exists. Most contenders have by now completed the bulk of their theatrical runs and are more likely to see an uptick on VOD or streaming.
But the weekend’s most daring gambit was A24 pushing Brady Corbet’s “The Brutalist” a three–and-a-half-hour epic nominated for 10 Academy Awards, into wide release. Though some executives initially greeted “The Brutalist,” which is running with an intermission, as “un-distributable,” Corbet has said, A24 acquired the film out of the Venice Film Festival and it’s managed solid business, collecting $6 million in limited release.
In wide release, it earned $2.9 million — a far from blockbuster sum but the best weekend yet for “The Brutalist.”
The audience was downright miniscule for another best-picture nominee: RaMell Ross’ “Nickel Boys.” Innovatively shot almost entirely in first-person POV, the Amazon MGM Studios release gathered just $340,171 in 540 locations after expanding by 300 theaters.
Coming off one of the lowest Martin Luther King Jr. weekends in years, no new releases made a major impact.
Steven Soderbergh’s “Presence,” a well-reviewed horror film shot from the perspective of a ghost inside a suburban home, debuted with $3.4 million in 1,750 locations. The film, released by Neon and acquired out of last year’s Sundance, was made for just $2 million.
The top spots otherwise went to holdovers. The Walt Disney Co.’s “Mufasa: The Lion King,” in its sixth weekend of release, scored $8.7 million to hold second place. After starting slow, the Barry Jenkins-directed film has amassed $626.7 million globally.
“One of Them Days,” the Keke Palmer and SZA led comedy from Sony Pictures, held well in its second weekend, dropping just 32% with $8 million in ticket sales. In recent years, few comedies have found success on the big screen, but “One of Them Days” has proven an exception.