‘Atropia’ and ‘Twinless’ Win Top Prizes at Sundance Film Festival

 Alia Shawkat attends the premiere of "Atropia" during the Sundance Film Festival on Saturday, Jan. 25, 2025, at the Eccles Theatre in Park City, Utah. (AP)
Alia Shawkat attends the premiere of "Atropia" during the Sundance Film Festival on Saturday, Jan. 25, 2025, at the Eccles Theatre in Park City, Utah. (AP)
TT
20

‘Atropia’ and ‘Twinless’ Win Top Prizes at Sundance Film Festival

 Alia Shawkat attends the premiere of "Atropia" during the Sundance Film Festival on Saturday, Jan. 25, 2025, at the Eccles Theatre in Park City, Utah. (AP)
Alia Shawkat attends the premiere of "Atropia" during the Sundance Film Festival on Saturday, Jan. 25, 2025, at the Eccles Theatre in Park City, Utah. (AP)

The war satire “Atropia,” about actors in a military role-playing facility, won the grand jury prize in the Sundance Film Festival’s US dramatic competition, while the Dylan O’Brien movie “Twinless” got the coveted audience award. Juries and programmers for the 41st edition of the independent film festival announced the major prizewinners Friday in Park City, Utah.

Other grand jury winners included the documentaries “Seeds,” about farmers in rural Georgia and “Cutting Through the Rocks,” about the first elected councilwoman in an Iranian village. The Indian drama “Sabar Bonda (Cactus Pears),” about a city dweller mourning his father in the western Indian countryside, won the top prize in the world cinema competition.

“It’s for my dad,” said writer and director Rohan Parashuram Kanawade. His late father, he said, was the one who encouraged him to pursue filmmaking.

Audiences also get to vote on their own awards, where James Sweeney’s “Twinless,” about the friendship between two men who meet in a twin bereavement support group, triumphed in the US dramatic category. O’Brien also won a special jury award for his acting.

The US documentary audience award went to “André is an Idiot,” a life-affirming film about dying of colon cancer. Other audience picks were “Prime Minister,” about former New Zealand Prime Minister Jacinda Ardern, and “DJ Ahmet,” a coming-of-age film about a 15-year-old boy in North Macedonia.

Mstyslav Chernov, the Oscar-winning Associated Press journalist, won the world cinema documentary directing award for his latest dispatch from Ukraine, “2000 Meters to Andriivka,” a joint production between the AP and PBS Frontline.

“Here’s to all documentary directors who are risking their lives in Ukraine trying to tell the stories of people who protect the land that I call home,” Chernov said onstage.

Others singled out for directing include Geeta Gandbhir for “The Perfect Neighbor,” a documentary about a murder in Florida told through the use of police body camera footage, and Rashad Frett for “Ricky,” a drama about life post-incarceration.

The Sundance Film Festival runs through Sunday.



Robert Pattison Sci-fi ‘Mickey 17’ Opens in 1st Place, but Profitability is a Long Way Off

Robert Pattinson, left, and director Bong Joon Ho pose for photographer at the photo call for the film 'Mickey 17' at the International Film Festival, Berlinale, in Berlin, Saturday, Feb. 15, 2025. (AP Photo/Markus Schreiber)
Robert Pattinson, left, and director Bong Joon Ho pose for photographer at the photo call for the film 'Mickey 17' at the International Film Festival, Berlinale, in Berlin, Saturday, Feb. 15, 2025. (AP Photo/Markus Schreiber)
TT
20

Robert Pattison Sci-fi ‘Mickey 17’ Opens in 1st Place, but Profitability is a Long Way Off

Robert Pattinson, left, and director Bong Joon Ho pose for photographer at the photo call for the film 'Mickey 17' at the International Film Festival, Berlinale, in Berlin, Saturday, Feb. 15, 2025. (AP Photo/Markus Schreiber)
Robert Pattinson, left, and director Bong Joon Ho pose for photographer at the photo call for the film 'Mickey 17' at the International Film Festival, Berlinale, in Berlin, Saturday, Feb. 15, 2025. (AP Photo/Markus Schreiber)

“Parasite” filmmaker Bong Joon Ho’s original science fiction film “Mickey 17” opened in first place on the North American box office charts. According to studio estimates Sunday, the Robert Pattinson-led film earned $19.1 million in its first weekend in theaters, which was enough to dethrone “Captain America: Brave New World” after a three-week reign.
Overseas, “Mickey 17” has already made $34.2 million, bringing its worldwide total to $53.3 million. But profitability for the film is a long way off: It cost a reported $118 million to produce, which does not account for millions spent on marketing and promotion.
A week following the Oscars, where “Anora” filmmaker Sean Baker made an impassioned speech about the importance of the theatrical experience – for filmmakers to keep making movies for the big screens, for distributors to focus on theatrical releases and for audiences to keep going – “Mickey 17” is perhaps the perfect representation of this moment in the business, or at least an interesting case study. It’s an original film from an Oscar-winning director led by a big star that was afforded a blockbuster budget and given a robust theatrical release by Warner Bros., one of the few major studios remaining. But despite all of that, and reviews that were mostly positive (79% on RottenTomatoes), audiences did not treat it as an event movie, and it may ultimately struggle to break even.
Originally set for release in March 2024, Bong Joon Ho’s follow-up to the Oscar-winning “Parasite” faced several delays, which he has attributed to extenuating circumstances around the Hollywood strikes. Based on the novel “Mickey7” by Edward Ashton, Pattinson plays an expendable employee who dies on missions and is re-printed time and time again. Steven Yeun, Naomi Ackie, Toni Collette and Mark Ruffalo also star.
It opened in 3,807 locations domestically where it performed best in New York and Los Angeles. Premium large format showings, including IMAX screens, also accounted for nearly half of its opening weekend. Internationally, it did especially well in Korea, where it made an estimated $14.6 million.
Second place went to “Captain America: Brave New World,” which added $8.5 million from 3,480 locations in North America and $9.2 million internationally. Its global total currently rests at $370.8 million. The Walt Disney Studios is on track to become the first studio to cross $1 billion in 2025 sometime this week.
Holdovers “Last Breath,” “The Monkey” and “Paddington in Peru” rounded out the top five. The weekend also had several other newcomers in “In the Lost Lands,” a fantasy film from Paul W.S. Anderson starring Milla Jovovich and Dave Bautista, and Angel Studios' “Rule Breakers,” about Afghani girls on a robotics team.
Neon upped the theater count for “Anora” to nearly 2,000 screens after it won five Oscars on Sunday, including best picture, best director and best actress. It earned an estimated $1.9 million (up 595% from last weekend), bringing its total grosses to $18.4 million.
According to data from Comscore, the 2025 box office as a whole is up 1% from where it was last year on this weekend and down 34.2% from the last pre-pandemic box office year of 2019.