Mosul’s Renowned Minaret Restored from Ravages of ISIS

A view of the Al-Hadba Minaret in the Great Mosque of al-Nuri, which was rebuilt after it was blown up by ISIS militants, in Mosul, Iraq, February 5, 2025. REUTERS/Khalid al-Mousily/File Photo
A view of the Al-Hadba Minaret in the Great Mosque of al-Nuri, which was rebuilt after it was blown up by ISIS militants, in Mosul, Iraq, February 5, 2025. REUTERS/Khalid al-Mousily/File Photo
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Mosul’s Renowned Minaret Restored from Ravages of ISIS

A view of the Al-Hadba Minaret in the Great Mosque of al-Nuri, which was rebuilt after it was blown up by ISIS militants, in Mosul, Iraq, February 5, 2025. REUTERS/Khalid al-Mousily/File Photo
A view of the Al-Hadba Minaret in the Great Mosque of al-Nuri, which was rebuilt after it was blown up by ISIS militants, in Mosul, Iraq, February 5, 2025. REUTERS/Khalid al-Mousily/File Photo

Mosul’s Grand al-Nuri Mosque, known for its eight-century-old leaning minaret, destroyed by ISIS militants in 2017, has been renovated in a boost for Iraq's second city as it rebuilds after long years of war.

From the pulpit of this medieval mosque on July 4, 2014, ISIS leader Abu Bakr al-Baghdadi declared a self-styled ‘caliphate’ spanning parts of Syria and Iraq.

Three years later, the ultra hardline group demolished the mosque in the final weeks of a US-backed Iraqi campaign that ousted the militants from Mosul, their de facto capital in Iraq.

Protracted and fierce urban warfare largely reduced the historic landmarks of Iraq's second city to rubble.

Mahmoud Thannon, 70, a tailor who lives near the mosque and runs a tailor shop overlooking the mosque’s minaret, said his two sons were killed before the al-Hadba minaret was demolished.

"When I saw it collapse, I felt even sadder than when I lost my sons," he said. "Watching the Hadba minaret rise again is a joyous day. I feel our pride soaring high as well.”

“My dear martyred sons would be proud to see the minaret rebuilt if they were alive.” said Thannon, speaking inside his shop with images of his two sons hanging behind him.

He broke into tears as he recalled their deaths by shelling in May and June 2017 in the war against ISIS.

Reconstruction and restoration of the mosque and minaret were carried out in partnership with the UN cultural agency UNESCO, the European Union (EU) and the Iraqi State Board of Antiquities and Heritage.

UNESCO Director-General Audrey Azoulay said over $115 million were mobilized from no less than 15 partners.

“The fact to have it (the minaret) here behind me is like history coming back; is like the identity of this city coming back,” said Azoulay in a speech delivered on February 5 near the mosque to celebrate the completion of the rebuilding work.

The Iraqis called the 150-foot (45-meter) leaning minaret Al-Hadba, or "the hunchback."

The mosque was named after Nuruddin al-Zanki, a noble who fought the early crusaders from a fiefdom that covered territory in modern-day Türkiye, Syria and Iraq. It was built in 1172-73, shortly before his death, and housed an Islamic school.

The Old City's stone buildings, where the mosque is located, date mostly from the medieval period. They include market stalls, a few mosques and churches, and small houses built and rebuilt on top of each other over the ages.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.