Experts Push to Restore Syria’s War-torn Heritage Sites

Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
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Experts Push to Restore Syria’s War-torn Heritage Sites

Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)

Experts are returning to Syria’s war-ravaged heritage sites, hoping to lay the groundwork for restoring them and reviving tourism, which they say could provide a much-needed boost to the country’s decimated economy after nearly 14 years of war.
Once-thriving landmarks like the ancient city of Palmyra and the medieval Crusader castle of Crac des Chevaliers remain scarred by years of conflict, but local tourists are returning to the sites, and conservationists hope their historical and cultural significance will eventually draw international visitors back, The Associated Press reported.
Palmyra was once a key hub to the ancient Silk Road network linking the Roman and Parthian empires to Asia. Located in the Syrian desert, it is renowned for its 2,000-year-old Roman-era ruins. It is now marked by shattered columns and damaged temples.
Before the Syrian uprising that began in 2011 and soon escalated into a brutal civil war, Palmyra was Syria’s main tourist destination, attracting around 150,000 visitors monthly, Ayman Nabu, a researcher and expert in ruins told The Associated Press. Dubbed the “Bride of the Desert,” he said “Palmyra revitalized the steppe and used to be a global tourist magnet.”
The ancient city was the capital of an Arab client state of the Roman Empire that briefly rebelled and carved out its own kingdom in the third century, led by Queen Zenobia.
In more recent times, the area had darker associations. It was home to Tadmur prison, where thousands of opponents of the Assad family’s rule in Syria were reportedly tortured. ISIS demolished the prison after capturing the town.
ISIS militants later destroyed Palmyra’s historic temples of Bel and Baalshamin and the Arch of Triumph, viewing them as monuments to idolatry, and beheaded an elderly antiquities scholar who had dedicated his life to overseeing the ruins.
Between 2015 and 2017, control of Palmyra shifted between ISIS and the Syrian army before Assad’s forces, backed by Russia and Iran-aligned militias, recaptured it. They established military bases in the neighboring town, which was left heavily damaged and largely abandoned. Fakhr al-Din al-Ma’ani Castle, a 16th-century fortress overlooking the city, was repurposed by Russian troops as a military barracks.
Nabu, the researcher, visited Palmyra five days after the fall of the former government.
“We saw extensive excavation within the tombs,” he said, noting significant destruction by both ISIS and Assad government forces. “The (Palmyra) museum was in a deplorable state, with missing documents and artifacts — we have no idea what happened to them.”
At the theater, the Tetrapylon, and other ruins along the main colonnaded street, Nabu said they documented many illegal drillings revealing sculptures, as well as theft and smuggling of funerary or tomb-related sculptures in 2015 when ISIS had control of the site. While seven of the stolen sculptures were retrieved and put in a museum in Idlib, 22 others were smuggled out, Nabu added. Many pieces likely ended up in underground markets or private collections.
Inside the city’s underground tombs, Islamic verses are scrawled on the walls, while plaster covers wall paintings, some depicting mythological themes that highlight Palmyra’s deep cultural ties to the Greco-Roman world.
“Syria has a treasure of ruins,” Nabu said, emphasizing the need for preservation efforts. He said Syria’s interim administration, led by Hayat Tahrir al-Sham, has decided to wait until after the transition phase to develop a strategic plan to restore heritage sites.
Matthieu Lamarre of the UN’s scientific, educational and cultural organization UNESCO, said the agency had since 2015, “remotely supported the protection of Syrian cultural heritage" through satellite analyses, reports and documentation and recommendations to local experts, but it did not conduct any work on site.
He added that UNESCO has explored possibilities for technical assistance if security conditions improve. In 2019, international experts convened by UNESCO said detailed studies would need to be done before starting major restorations.
Other historical sites bear the scars of war.
Perched on a hill near the town of Al-Husn, with sweeping views, Crac des Chevaliers, a medieval castle originally built by the Romans and later expanded by the Crusaders, was heavily bombarded during the Syrian civil war.
On a recent day, armed fighters in military uniform roamed the castle grounds alongside local tourists, taking selfies among the ruins.
Hazem Hanna, an architect and head of the antiquities department of Crac des Chevaliers, pointed to the collapsed columns and an entrance staircase obliterated by airstrikes. Damage from government airstrikes in 2014 destroyed much of the central courtyard and the arabesque-adorned columns, Hanna said.
“Relying on the cultural background of Syria’s historical sites and their archaeological and historical significance to enthusiasts worldwide, I hope and expect that when the opportunity arises for tourists to visit Syria, we will witness a significant tourism revival," he said.
Some sections of Crac des Chevaliers were renovated after airstrikes and the deadly 7.8 magnitude earthquake in 2023 that struck a wide area of neighboring Türkiye and also Syria, Hanna said. However, much of the castle remains in ruins.
Both Nabu and Hanna believe restoration will take time. “We need trained technical teams to evaluate the current condition of the ruin sites,” Nabu said.
More than 700 abandoned Byzantine settlements called Dead Cities, stretch across rocky hills and plains, their weathered limestone ruins featuring remnants of stone houses, basilicas, tombs and colonnaded streets. Despite partial collapse, arched doorways, intricate carvings and towering church facades endure, surrounded by olive trees that root deep into history.
Dating back to the first century, these villages once thrived on trade and agriculture. Today, some sites now shelter displaced Syrians, with stone houses repurposed as homes and barns, their walls blackened by fire and smoke. Crumbling structures suffer from poor maintenance and careless repurposing.
Looters have ravaged the ancient sites, Nabu said, leaving gaping holes in search of artifacts. Local visitors carve names and messages into centuries-old walls. Sheep enclosures dot the ruins, plastic debris blending with ancient stone.
Moustafa Al-Kaddour, a local resident, returned after eight years. Touring the ruins with family members he brought from Quneitra, he reflected on childhood memories.
“This is where we went to school,” he said, pointing in the distance. “In the middle of class, we used to leave and come here to see the ruins.”
“My feelings are indescribable,” al-Kaddour, who also saw his father for the first time in years, told the AP. “My brain still cannot comprehend that after eight years, by God’s will, we made it back home.”
He said the Assad forces had established a military position in the village, subjecting the ruins to heavy shelling and gunfire. The area was then controlled by opposition fighters, who made the area off-limits to most Syrians and international tourists, unlike Palmyra, which still saw some visitors during the war.
The Dead Cities were added to UNESCO’s World Heritage List in 2011 as an open-air museum, said Nabu. Idlib province alone hosts “over 1,000 heritage sites spanning different time periods — about a third of Syria’s total ruins,” he added.
Beyond the bombings and air raids, looting and unauthorized digging have caused significant damage, Nabu said, adding that new construction near the ruins lacks planning and threatens preservation.
“Tens of thousands” of looted artifacts remain undocumented, he said. For those documented, authorities are compiling case files for international circulation in coordination with the Directorate of Antiquities and Museums to locate them and hopefully retrieve them.



Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
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Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)

Tourists who want to get close to Rome's Trevi Fountain will soon have to pay a two-euro ($2.34) fee, the city mayor said on Friday, as authorities look to profit more handsomely from Italy's many attractions.

Mayor Roberto Gualtieri told reporters the new payment system would start on February 1, adding that the measure was expected to raise 6.5 million euros a year.

"Two euros isn't very much ... and it will lead to less chaotic tourist flows," Gualtieri said, stressing that citizens of Rome will continue to have free access to the fountain.

Tourists will ‌have to ‌pay if they want to get ‌onto ⁠the stone steps ‌surrounding the fountain's basin, while the small surrounding square offering a view of the imposing monument will remain open for everyone.

The Trevi Fountain, where tradition dictates that visitors toss a coin into the water to guarantee their return to Rome, has long been a major tourist attraction, even for visiting world leaders.

Completed in 1762, the monument is ⁠a late Baroque masterpiece depicting Oceanus and symbolizing the varying ‌moods of the world's seas and ‍rivers.

It has received nine million ‍visitors so far this year, Gualtieri said, suggesting that he ‍expects many people will opt to view the fountain from afar in future, rather than pay to get near the water.

Visitors on Friday said they would be willing to pay if the money was put to good use.

"If it means that money is used to keep it maintained, then yeah, that's fine," said British ⁠tourist Yvonne Salustri.

Gualtieri said five other relatively unknown sites in Rome that are currently free will start charging five euros for access from February, continuing the recent trend aimed at squeezing profits from Italy's cultural heritage.

In 2023, a five-euro entrance fee was introduced for Rome's ancient Pantheon. As a result, the square outside is often crammed with people waiting for their turn to pay and enter.

Venice has introduced a tourist entry-fee system during the peak travel season, while Verona this month began charging for access to the balcony in ‌the northern Italian city that is associated with Shakespeare's "Romeo and Juliet".


ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
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ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French

The International Center for Artificial Intelligence Research and Ethics (ICAIRE) announced the launch of an interactive edition of the Data and Artificial Intelligence Glossary, in cooperation with the Saudi Data and Artificial Intelligence Authority (SDAIA), the King Salman Global Academy for Arabic Language (KSGAAL), and the Islamic World Educational, Scientific and Cultural Organization (ICESCO).

The launch coincides with World Arabic Language Day, observed annually on December 18.

The dictionary aims to preserve the Arabic language, enrich Arabic digital content with technical terminology and concepts, raise awareness of modern concepts, and facilitate access to information for researchers and practitioners.

It seeks to unify technical terminology in support of the development of the digital economy and the building of a sustainable knowledge-based future.

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French, and allows users to interact with the dictionary by adding terms in various dialects.

These enhance knowledge exchange and help ensure the unification and integration of efforts among scientific and technical institutions both regionally and internationally. The dictionary includes more than 1,200 technical terms.


Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
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Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission

As part of its World Arabic Language Day celebration, the Jeddah Book Fair 2025 has organized a panel discussion on expanding Arabic literature’s global reach.

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission. Several female academics and other literature enthusiasts took part.

The panel discussed the concept of world literature and its relationship to comparative literature, stressing that opening Arabic texts to the world’s literature requires moving beyond local geographic boundaries and engaging in wider circles of reception and circulation.

The discussion also highlighted the key role of the press and media in conveying literary texts and reaching global readers, while praising Saudi efforts to internationalize Arabic literature through clear plans and strategies as a sustainable institutional approach.

The panel is part of the commission’s efforts to mark global occasions linked to Arabic literature and culture within an integrated cultural program offered by the Jeddah Book Fair, which continues to welcome visitors until December 20, with Saudi and Arab publishing houses showcasing the latest literary releases.