A Topsy-Turvy Oscar Season Concludes Sunday. Here’s What to Look forward to

 Workers assemble an Oscar statue at the arrivals area for the 97th Academy Awards, as preparation continues in Los Angeles, California, US, March 1, 2025. (Reuters)
Workers assemble an Oscar statue at the arrivals area for the 97th Academy Awards, as preparation continues in Los Angeles, California, US, March 1, 2025. (Reuters)
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A Topsy-Turvy Oscar Season Concludes Sunday. Here’s What to Look forward to

 Workers assemble an Oscar statue at the arrivals area for the 97th Academy Awards, as preparation continues in Los Angeles, California, US, March 1, 2025. (Reuters)
Workers assemble an Oscar statue at the arrivals area for the 97th Academy Awards, as preparation continues in Los Angeles, California, US, March 1, 2025. (Reuters)

After a topsy-turvy Oscar season in which frontrunners were constantly shuffled, old tweets hobbled a top contender and space was held for "Wicked," the 97th Academy Awards get underway Sunday.

Sunday’s Academy Awards, at the Dolby Theatre in Los Angeles, will bring to a close one of the most unpredictable Oscar races in recent memory.

The ceremony kicks off 7 p.m. EST and will be broadcast by ABC and streamed on Hulu. Conan O’Brien is hosting for the first time. The official red carpet preshow on ABC and Hulu starts at 6:30 p.m. Unofficial E! red carpet coverage begins at 4 p.m. EST and The Associated Press will livestream arrivals beginning at 3 p.m.

Light rain was in the forecast for Sunday morning in Los Angeles, which is still recovering from wildfires that devastated the Pacific Palisades and Altadena neighborhoods earlier this year.

The fires affected many throughout the film industry and within the Academy of Motion Pictures Arts and Sciences. Some even called for the cancellation of Hollywood’s awards season. While his Pacific Palisades house was spared, O’Brien has been living out of a hotel the last two months. Oscar producers have said the show will celebrate the city’s resilience.

Is there an Oscar favorite? The lead nominee is Netflix’s "Emilia Pérez," with 13 nominations, but that film has seen its chances crater following uproar over years-old offensive tweets by its star, Karla Sofía Gascón, who is nominated for best actress.

The favorite is Sean Baker’s "Anora," about an adult worker who weds the son of a Russian oligarch. The Neon release, the Cannes Palme d’Or winner, won with the producers, directors and writers guild. The only movie with the same resume to not win best picture is "Brokeback Mountain."

Its closest competition is "Conclave," the papal thriller starring Ralph Fiennes. It won at the BAFTAs and the SAG Awards, wins that came just as Pope Francis was hospitalized for double pneumonia. Oscar voting concluded before the pope fell ill.

Also in the mix are "The Brutalist," nominated for 10 awards, and the musical hit "Wicked," also with 10 nominations. Several of the early craft Oscars could be shared between "Wicked" and "Dune: Part Two."

Will politics play a starring role? For the first time, an actor is nominated for playing the sitting US president. Sebastian Stan is nominated for best actor for his performance as a young Donald Trump in "The Apprentice," as is his co-star, Jeremy Strong, for playing Roy Cohn. Trump has called those involved with the film "human scum."

The political tenor of this year’s ceremony could be volatile, with the Oscars coming weeks into the second Trump administration and falling two days after the president’s dramatic rupture with Ukrainian President Volodymyr Zelensky at the White House.

Speaking earlier this week, O’Brien said he'll strive to strike a delicate balance.

"I cannot ignore the moment we’re in," he said. "But I also have to remember it’s threading a needle. I also have to remember what we’re here to celebrate and infuse the show with positivity."

Will Timothée Chalamet win his first Oscar? While the supporting acting categories feature overwhelming favorites in Zoe Saldana ("Emilia Pérez") and Kieran Culkin ("A Real Pain"), both best actor and best actress are close contests.

In best actress, Demi Moore ("The Substance") is most likely to win, but Mikey Madison ("Anora") or Fernanda Torres ("I’m Still Here") could pull off the upset.

Adrien Brody is favored in best actor for his performance in "The Brutalist". But Chalamet stands a decent chance of beating him, for his performance as Bob Dylan in "A Complete Unknown." The 29-year-old Chalamet, who won at the Screen Actors Guild, would become the youngest best actor winner ever, edging Brody’s record, set in 2003 in his win for "The Pianist."

Can the show lift a battered Hollywood? This year's Oscars are unspooling after a turbulent year for the film industry. Ticket sales were down 3% from the previous year and more significantly from pre-pandemic times. The strikes of 2023 played havoc with release schedules in 2024. Many studios pulled back on production, leaving many out of work. The fires, in January, only added to the pain.

Last year’s telecast, propelled by the twin blockbusters of "Oppenheimer" and "Barbie," led the Oscars to a four-year viewership high, with 19.5 million viewers. This year, with smaller independent films favored in the most prominent awards, the academy will be tested to draw as large of an audience.

With a not particularly starry array of best song nominees, the academy has done away with performances of original songs this year. But there will be music, including a performance by "Wicked" stars Cynthia Erivo and Ariana Grande, and a tribute to the late Quincy Jones, with Queen Latifah.

Last year’s acting winners — Emma Stone, Robert Downey Jr., Cillian Murphy, Da’Vine Joy Randolph — will also take part in the ceremony. Though the academy initially said it would bring back the "fab five" style of presenting the acting awards, with five previous winners per category, organizers have reportedly abandoned those plans.

The ceremony will be taking place days following the death of Gene Hackman. The 95-year-old two-time Oscar winner and his wife, Betsy Arakawa, were found dead Wednesday at their New Mexico home.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”