'Snow White' Opens with Sleepy $43 Million at Box Office

FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
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'Snow White' Opens with Sleepy $43 Million at Box Office

FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo

The Walt Disney Co.’s live-action, controversy-bedeviled “Snow White” opened in theaters with a sleepy $43 million in ticket sales, according to studio estimates Sunday.
With a budget above $250 million, “Snow White” had set out with higher ambitions, particularly since it returns Disney to its very origins. The 1937 original “Snow White and the Seven Dwarfs” was the company’s first animated feature, and paid for its Burbank studio lot.
But this “Snow White” struggled to find anything like a fairy tale ending. The runup to release was plagued by controversies over the film’s handling of the dwarfs, who are rendered in CGI, and backlashes over comments by its star, Rachel Zegler. The PR headaches prompted Disney to pull back on its premiere.
Also working against the film, directed by Marc Webb: poor reviews. Critics were largely not impressed with Disney’s latest live-action remake, with reviews coming in just 43% “fresh” on Rotten Tomatoes.
There’s been a wide variance between the box-office performance of other “live-action” Disney remakes, but “Snow White” might mark a new nadir. Jon Favreau’s photorealistic “The Lion King” (2019) didn’t have great reviews, either, but grossed more than $1.6 billion worldwide. “Snow White” opened worse than “Dumbo” (a $46 million opening in 2019) and well shy of “Cinderella” territory ($67.9 million in 2015).
Overseas, “Snow White” added $44.3 million for a global launch of $87.3 million. But going into the weekend, “Snow White” had been eyeing a worldwide total closer to $100 million – and a few weeks back, expectations were significantly higher.
The result will surely add to questions over Disney’s long-term strategy of mining its vault for live-action remakes. In the pipeline are upcoming new versions of “Moana" and “Tangled." A live-action “Lilo & Stitch” launches in May, The Associated Press reported.
Efforts to modernize “Snow White," though, quickly ran afoul. In 2022, actor Peter Dinklage criticized the remake plans as “backward.” Disney ultimately opted to drop “and the Seven Dwarfs” from the original's title, and animate the dwarfs. Some right-wing commentators targeted “Snow White” and Zegler's casting as an overly “woke” production. Delays and reshoots also ran up costs.
Disney, though, has recently steered a handful of films from modest starts to enviable final hauls. The Barry Jenkins-directed “Mufasa: The Lion King” opened with $35.4 million domestically, but ultimately surpassed $717 million worldwide. “Snow White” will face little direct competition in the coming weeks. Audiences gave it a “B+” CinemaScore.
Warner Bros.’ “Alto Knights,” a period gangster film starring Robert De Niro in both lead roles, was a total misfire. The Barry Levinson-directed film, which cost about $45 million to make, opened with just $3.2 million from 2,651 theaters. The flop of “Alto Knights” followed another misfire for Warner Bros. with Bong Joon Ho’s big-budget sci-fi “Mickey 17.” In three weeks, it’s tallied $40.2 million domestically against a $118 million budget.
“Magazine Dreams,” starring Jonathan Majors as a disturbed aspiring bodybuilder, opened with $700,000 for Briarcliff Entertainment in 815 locations. The film was dropped by Searchlight Pictures after Majors was convicted of two misdemeanor counts of assault and harassment against Grace Jabbari, his ex-girlfriend. Majors avoided jail time but was given a year of probation.
The disappointment-filled weekend added to a rough 2025 so far for Hollywood. The box office is down 6.9% from last year, according to data firm Comscore, and 38.6% from 2019.



Film Academy Apologizes for Not Naming ‘No Other Land’ Co-director in Response to Attack on Him

Hamdan Ballal, Oscar-winning Palestinian director of "No Other Land," is released from a police station in the West Bank settlement of Kiryat Arba a day after being detained by the Israeli army following an attack by Jewish settlers, Tuesday, March 25, 2025. (AP)
Hamdan Ballal, Oscar-winning Palestinian director of "No Other Land," is released from a police station in the West Bank settlement of Kiryat Arba a day after being detained by the Israeli army following an attack by Jewish settlers, Tuesday, March 25, 2025. (AP)
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Film Academy Apologizes for Not Naming ‘No Other Land’ Co-director in Response to Attack on Him

Hamdan Ballal, Oscar-winning Palestinian director of "No Other Land," is released from a police station in the West Bank settlement of Kiryat Arba a day after being detained by the Israeli army following an attack by Jewish settlers, Tuesday, March 25, 2025. (AP)
Hamdan Ballal, Oscar-winning Palestinian director of "No Other Land," is released from a police station in the West Bank settlement of Kiryat Arba a day after being detained by the Israeli army following an attack by Jewish settlers, Tuesday, March 25, 2025. (AP)

After mounting criticism following its initial response to the violent attack on Oscar-winning "No Other Land" co-director Hamdan Ballal, the Academy of Motion Pictures Arts and Sciences apologized Friday for not acknowledging Ballal by name.

In a letter to academy members, academy CEO Bill Kramer and its president, Janet Yang, said they regretted not issuing a direct statement on Ballal. The director on Monday, witnesses said, was beaten by Israeli settlers in the West Bank and then detained by the Israeli military.

The attack, just weeks after Ballal and his fellow directors won best documentary at the Academy Awards, was widely condemned by numerous film organizations, among others. The academy on Wednesday released a statement condemning "harming or suppressing artists for their work or their viewpoints."

Yuval Abraham, a journalist and co-director of "No Other Land," was highly critical of that response, comparing it to "silence on Hamdan's assault."

On Friday, more than 600 of the academy's 11,000 members issued an open letter saying the academy's statement "fell far short of the sentiments this moment calls for." Among the signatories were Joaquin Phoenix, Olivia Colman, Riz Ahmed, Emma Thompson, Javier Bardem, Penélope Cruz and "The Zone of Interest" filmmaker Jonathan Glazer.

After a meeting Friday by the academy's board of governors, Kramer and Yang responded with a new statement.

"We sincerely apologize to Mr. Ballal and all artists who felt unsupported by our previous statement and want to make it clear that the academy condemns violence of this kind anywhere in the world," they wrote to members. "We abhor the suppression of free speech under any circumstances."

After being detained for more than 20 hours, Ballal was released by Israeli soldiers. Ballal and two other Palestinians were accused of throwing stones at a settler, allegations they deny. After being released, Ballal told The Associated Press a settler kicked his head "like a football" during an attack on his village.

"I realized they were attacking me specifically," Ballal said at a West Bank hospital after his release Tuesday. "When they say ‘Oscar’, you understand. When they say your name, you understand."

"No Other Land," a joint Israeli-Palestinian production, chronicles the situation in Masafer Yatta, which the Israeli military designated as a live-fire training zone in the 1980s and ordered the expulsion of the residents, mostly Arab Bedouin. Around 1,000 residents have largely remained in place, but soldiers regularly come in to demolish homes, tents, water tanks and olive orchards.

After not finding a US distributor despite wide acclaim, "No Other Land" was self-released in theaters. It still managed to surpass $2 million in North American theaters.