Ticketmaster May Have Misled UK Oasis Fans, Watchdog Says

A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
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Ticketmaster May Have Misled UK Oasis Fans, Watchdog Says

A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)

Ticketmaster may have misled music fans into paying more for tickets than they had planned last year to see British band Oasis, the UK's competition watchdog said on Tuesday, urging the company to change how it labels tickets and informs customers.

Thousands of fans waited for hours online to get their hands on highly coveted tickets for the band's 2025 reunion shows, only to find prices had jumped by the time they got to the front of the queue.

"We’re concerned that Oasis fans didn’t get the information they needed or may have been misled into buying tickets they thought were better than they were," said Hayley Fletcher, interim senior director of consumer protection at the Competition and Markets Authority (CMA).

The watchdog said it was concerned that Ticketmaster may have breached consumer law. CMA does not currently have power to levy fines for breaching consumer laws, which are enforced through the court system.

A Ticketmaster statement said that it aimed to provide a "simple, transparent and consumer-friendly experience" and welcomed the CMA's input.

The CMA launched an investigation into Ticketmaster in September to examine if it had engaged in "unfair commercial practices," and if they were pressured to buy tickets within a short period of time.

The CMA originally said it was also looking at how dynamic pricing models - a form of surge pricing - may have been used, but Ticketmaster has said it did not use dynamic pricing models.

The outcry over the way the ticket sale process was managed became a hot political topic, spurring Prime Minister Keir Starmer to promise to get a grip on the wider issue of event tickets being sold at inflated prices.

The government has since announced proposals to cap resale prices and hold reselling websites more accountable.

The CMA issued an update on its findings on Tuesday outlining two main concerns.

One was that seats labelled as "platinum" were sold at a premium without consumers being made fully aware that they didn't come with any extra benefits.

Another was insufficient information provided to buyers at the start of the queue on different ticket categories and their prices if cheaper tickets were sold out before their turn to buy.

The CMA said Ticketmaster had made some changes since the investigation began, but that more work was still needed.

"We now expect Ticketmaster to work with us to address these concerns so, in future, fans can make well-informed decisions when buying tickets," the CMA's Fletcher said.



Statham’s 'A Working Man’ Upsets ‘Snow White’ to Take No. 1 at Box Office

This image released by Amazon MGM Studios shows Jason Statham in a scene from "A Working Man." (Dan Smith/Amazon MGM Studios via AP)
This image released by Amazon MGM Studios shows Jason Statham in a scene from "A Working Man." (Dan Smith/Amazon MGM Studios via AP)
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Statham’s 'A Working Man’ Upsets ‘Snow White’ to Take No. 1 at Box Office

This image released by Amazon MGM Studios shows Jason Statham in a scene from "A Working Man." (Dan Smith/Amazon MGM Studios via AP)
This image released by Amazon MGM Studios shows Jason Statham in a scene from "A Working Man." (Dan Smith/Amazon MGM Studios via AP)

In an unexpected upset, the Jason Statham thriller “A Working Man” took No. 1 at the box office, besting the rapidly declining “Snow White,” according to studio estimates Sunday.

Even after a lackluster debut, the Walt Disney Co.’s live-action remake was predicted to remain the top film in US and Canadian theaters over the weekend. Instead, “Snow White,” plagued by bad buzz and backlash, nosedived in its second weekend and dropped 66%, The Associated Press reported.

At the same time, Amazon MGM Studios’ “A Working Man,” directed by David Ayer, beat expectations with a $15.2 million debut. Co-written by Sylvester Stallone, “A Working Man” reteams Statham and Ayer following last year’s successful “The Beekeeper” ($162 million worldwide). This time around, Statham plays a construction worker with an elite military past.

While reviews have been mixed and audiences only gave “A Working Man” a “B” CinemaScore, showing Statham has carved out something rare in the movie industry today: bankability. “A Working Man” opened similarly to “The Beekeeper,” which launched with $16.5 million.

The bigger headline, though, might have been the fast erosion of ticket buyers' appetite for “Snow White.” The film, directed by Marc Webb and starring Rachel Zegler, had been hoped to lift movie theaters after a painful start to 2025. Produced for more $250 million, the film has turned into a poisoned apple, with a two-week global haul of $143.1 million.

Next weekend, Warner Bros.’ “A Minecraft Movie,” is expected to win the weekend and will, like “Snow White,” target family audiences.

A trio of newcomers – A24’s “Death of a Unicorn,” Universal and Blumhouse’s “The Woman in the Yard,” and the Fathom’s “Chosen: The Last Supper” – also opened over the weekend, though none made a big impact.
“The Chosen: The Last Supper,” fared the best, with $11.5 million in 2,235 theaters. The Christian TV series, now in its fifth season, has regularly driven ticket sales before streaming. More episodes will roll out in theaters through April.
“Death of a Unicorn,” a horror comedy starring Jenna Ortega and Paul Rudd, portrays a father and daughter who hit a unicorn on the road while they're driving. The movie collected a modest $5.8 million from 3,050 theaters.
The weekend’s more straightforward horror contender, Blumhouse’s “The Woman in the Yard,” starring Danielle Deadwyler, debuted with $9.4 million from 2,842 cinemas. In “Black Adam” director Jaume Collet-Serra’s film, a mysterious woman keeps appearing in a family’s front yard. Though it cost little to make, with a production budget of $12 million, it has been slammed by critics.
One of the weekend’s biggest successes was the 1997 Studio Ghibli classic “Princess Mononoke." The Hayo Miyazaki film grossed $4 million across just 347 IMAX screens. Distributor GKids touted that result as a victory for humanity over technology. Earlier in the week, a new version of ChatGPT allowed users to render images in Studio Ghibli-like animation.
Sony Pictures Classic’s “The Penguin Lesson,” starring Steve Coogan and Jonathan Pryce, opened with $1.2 million at 1,017 theaters. Coogan plays an Englishman teaching in Argentina in 1976 who rescues a penguin from an oil spill.
With flagging ticket sales overall, Hollywood marked the first quarter of 2025 with a sizeable box-office deficit. Sales are down 11% from the same point in 2024, and nearly 40% from 2019, according to Comscore.
“Hopefully ‘Minecraft’ can help the marketplace level up since after some underwhelming weekends at the box office we need to get some momentum back at the multiplex,” said Paul Dergarabedian, senior media analyst for Comscore.