From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
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From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)

After sending its most famous work to be featured in Amsterdam’s blockbuster 2023 exhibition of nearly every work by Johannes Vermeer, the Mauritshuis museum found itself with a blank space where the iconic “Girl with a Pearl Earring” had been displayed.

The Hague-based institution turned to more than 2,700 artists, from Texas to Ukraine, from age 7 to 70, who created their own interpretations of the 17th-century masterpiece.

A selection of 60 works using materials ranging from orange peels to bottle caps to sweatshirts were exhibited in the museum while the painting was on loan 40 miles (64 kilometers) to the north.

“The submissions continue to come, it will never end with her,” Martine Gosselink, director of the Mauritshuis museum, told The Associated Press, pointing to the ongoing popularity of works featuring the mystery girl.

A 2020 investigation into the painting using a battery of modern imaging techniques uncovered details about Vermeer's methods and the makeup of his pigments, but not the young woman’s identity.

“I bring together the original The Girl with a Pearl and the face of a Wayang puppet,” artist Rob de Heer told the AP, standing in front of a screen in the museum’s foyer where all of the winning submissions are displayed.

De Heer, who primarily works with mixed media, wanted to take an image from the Golden Age history of the Netherlands and combine it with one evoking its colonial legacy. Wayang puppets are a traditional form of theater in parts of Indonesia, which was ruled by the Netherlands until 1949.

His surrealist work is followed in the rolling display by a piece featuring the original girl’s face superimposed on an antique tea tin.

Other submissions include works by South Korean artist Nanan Kang, who used an ear of corn for the face; Georgian artist Nino Kavazauri, who reimagined a modern girl waiting at a bus stop with a cup of coffee; and Simon Chong, a Welsh animator, who works on the popular television series “Bob’s Burgers” and created a girl in the show’s cartoon style.

The winners were displayed in a replica frame in the exact spot where “Girl with a Pearl Earring” usually hangs, between two portraits by Dutch Baroque painter Gerard ter Borch.

The popularity of the first competition prompted a second round and those submissions are now on display at the Fabrique des Lumières in Amsterdam. The museum continues to feature submitted works of art on its Instagram page.

Gosselink, who has been the museum’s director since 2020, said the breadth and depth of the works made it difficult to select who would be featured in the exhibition.

“I would dare to say that some of the ones we selected are new pieces of art, and they would be served very well in a new surrounding, like a museum," Gosselink said.



Saudi Arabia: King Abdulaziz Library to Launch 26th Free Reading Festival

The King Abdulaziz Public Library. SPA
The King Abdulaziz Public Library. SPA
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Saudi Arabia: King Abdulaziz Library to Launch 26th Free Reading Festival

The King Abdulaziz Public Library. SPA
The King Abdulaziz Public Library. SPA

The King Abdulaziz Public Library, in cooperation with the Riyadh Education Department, will launch its 26th annual Free Reading Festival for public school students on Sunday.

Running from May 10 to 14 in Riyadh, the festival will bring together more than 100 schools, over 1,550 students, and a number of educators and teachers.

It aims to foster a love of reading and learning, expand students’ literary, scientific, and cultural horizons, and encourage teachers to promote independent reading. It will also provide a platform to showcase student talents and strengthen Arabic language skills.

Through initiatives like this festival, the King Abdulaziz Public Library promotes reading through diverse programs and a wide range of books that foster pride in the Kingdom’s heritage.


Qassim's Monday Market Retains Heritage Role as Economic and Cultural Hub

The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
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Qassim's Monday Market Retains Heritage Role as Economic and Cultural Hub

The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
The Monday market in the governorate of Uyun Al-Jiwa. (SPA)

The Monday market in the governorate of Uyun Al-Jiwa, north of Qassim Region, stands as one of the oldest traditional weekly markets, enduring through changing times while maintaining its role as a vibrant economic and cultural hub.

The market draws a growing number of visitors from across Qassim and beyond, supported by the governorate’s strategic location.

During a field tour, the Saudi Press Agency observed lively activity throughout the market, with stalls displaying a diverse range of products. These include agricultural goods such as almonds and dried figs; animal products like ghee and milk, for which the region is renowned; as well as handicrafts and natural items such as henna and sidr.

Visitors noted that the market has retained its authentic character, continuing to serve as a vital source of income for small vendors and families working in the cottage industry, reinforcing its role as a key platform for preserving traditional culture while supporting the local rural economy.


Heritage Commission Revives Al-Nasb Heritage District as Abha Cultural Tourism Destination

The district’s significance lies in its unique architectural composition - SPA
The district’s significance lies in its unique architectural composition - SPA
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Heritage Commission Revives Al-Nasb Heritage District as Abha Cultural Tourism Destination

The district’s significance lies in its unique architectural composition - SPA
The district’s significance lies in its unique architectural composition - SPA

Al-Nasb Heritage District in Abha is one of the most prominent living examples of traditional architecture in Aseer Region, preserving its long history and architectural details that embody people’s connection to their local environment and document the social and cultural patterns that have shaped the identity of the place across generations.

The district’s significance lies in its unique architectural composition, where mud and stone buildings stand side by side in visual harmony. They were built using local materials such as stone, clay, and juniper trunks, while the narrow alleyways and closely set buildings give the district a cohesive social character that reflects the spirit of past communities in the region and the close relationship between people and place.

The Heritage Commission has revived the district through an integrated restoration and rehabilitation project aimed at preserving its original elements and enhancing its sustainability, as part of national efforts to protect urban heritage and highlight it as a cultural and tourism asset, SPA reported.

The site is also distinguished by its natural setting, as the district overlooks the banks of Abha Valley and surrounding farms, giving it a distinctive visual and aesthetic dimension. Its narrow passageways and closely set buildings illustrate a traditional urban pattern that strengthens ties among residents and captures the nature of social life in that era.

The district is now a growing destination for culture and tourism in Abha, attracting visitors and heritage enthusiasts who come to explore the details of authentic architecture and learn about the traditional ways of life that have shaped Aseer Region’s identity across generations. The project helps raise awareness of the importance of preserving archaeological sites as a key pillar in forming national memory.

The project is part of the Kingdom’s efforts to protect and effectively manage cultural heritage, in line with the targets of Saudi Vision 2030, which gives special attention to the cultural sector. It seeks to turn heritage sites into vibrant spaces that support cultural tourism and sustainable development while reconnecting society with its historical roots.