Home to Centuries of Heritage, Sudan’s Biggest Museum Is Looted and Wrecked by a 2-Year War 

Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
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Home to Centuries of Heritage, Sudan’s Biggest Museum Is Looted and Wrecked by a 2-Year War 

Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)

Inside Sudan's biggest museum, the exhibition halls once filled with statues and relics from centuries of ancient civilizations are trashed, littered with debris. The display cases stand empty and shattered. A mummy lies exposed in an open storage box. All the gold artifacts have been looted.

The Sudan National Museum has been wrecked by two years of war in Sudan, with most of its artifacts stolen. Authorities blame the paramilitary Rapid Support Forces, which held this district of Khartoum along the banks of the Nile River for most of the conflict.

Since the Sudanese military regained control of the capital last month, officials have been working to assess the damage and loss in hopes of one day restoring the museum.

"The losses are extremely big and saddening. A significant number of antiquities were stolen," Gamal ElDeen Zain al-Abdeen, a senior official at the National Corporation for Antiquities and Museums, told The Associated Press. "The RSF destroyed everything ... concerning the civilization of the Sudanese people."

The National Museum had thousands of pieces, dating back to the Paleolithic era well before the development of agriculture, and through the kingdoms of ancient Sudan. Many came from the Napatan era in the eighth and seventh centuries B.C., when pharaohs from Sudan ruled over much of ancient Egypt, or from the later Meroitic kingdom that built pyramids in Sudan. Other halls had later Christian and Islamic material.

Some pieces too heavy to carry remain in place. In the museum's garden, a line of stone lions remains, as do the Colossi of Tabo, two large pharaonic-style statues. Also remaining are three pharaonic temples that were moved from northern Sudan and reassembled at the museum in the 1960s to escape the rising waters of Lake Nasser from Egypt's construction of the High Dam.

But many objects are gone. Looters broke into the locked storerooms and made off with all the gold artifacts, Zain al-Abdeen said. But it was too early to know how much of the museum’s collection had been stolen, he said.

He blamed the RSF for the destruction, saying they had fighters in the museum at some point during the war.

The war in Sudan broke out in April 2023, after tensions between the Sudanese army and the rival RSF turned into battles in the streets of Khartoum and rapidly spread around the country. The RSF held much of Khartoum during the war, including the district of the museum.

Now that they have been driven out, the extent of the destruction from fighting and looting is coming clear.

"Khartoum in general has been destroyed, particularly the center of Khartoum," Zain al-Abdeen said. "No building was spared from the bloodshed and theft, and this is what I saw with my own eyes."

He said all the city's museums were damaged, particularly the Ethnography Museum, where walls were demolished and halls and offices burned.

The ransacking is a blow to a country with a rich heritage, one that has deep resonance among Sudanese but is often overlooked abroad because of Sudan's decades of instability.

UNESCO said in September it was concerned about looting at the Sudan National Museum, which it helped renovate in 2019. It warned that sale or removal of artifacts "would result in the disappearance of part of the Sudanese cultural identity and jeopardize the country’s recovery."

A UNESCO spokesperson said Friday that damage, looting and destruction of museums and cultural sites happened across Sudan's states of Khartoum, River Nile, Northern State, Gezeira and the Darfur region. An accurate assessment isn't possible due to the ongoing fighting.

The Sudan National Museum is among several that have undergone "extensive looting and substantial damage," according to UNESCO.

Sedeeq Mohamed Sedeeq, who lives near the museum, said the RSF vowed democracy and liberation but instead they are "erasing the oldest nation in history, erasing its history."

Reconstruction plans for destroyed museums will begin after committees assess the damage and recommend proposals for rehabilitation, Zein al-Abdeen said. The plans are expected to include building repairs, restoration of the antiquities storage areas and fixing the museum’s surrounding grounds.

At least 20,000 people have been killed since the war broke out, though the number is likely far higher. The war has also driven more than 14 million people from their homes and pushed parts of the country into famine.



Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy
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Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Arabia’s Museums Commission organized a virtual session as part of its monthly open-meeting series, during which it explored the historical and social legacy of the Trans-Arabian Pipeline (Tapline) and its role in shaping the identity of Northern Borders Region, reported the Saudi Press Agency on Tuesday.

The meeting highlighted Tapline’s story as one of the largest construction projects of the 20th century. Construction began in 1947, and operations commenced in 1950, linking the oil fields of eastern Saudi Arabia to the port of Sidon on Lebanon’s Mediterranean coast.

Pumping operations ceased permanently in 1990.

Speakers focused on transforming this industrial legacy into a contemporary museum narrative that highlights Tapline's impact on the emergence of modern cities in the Northern Borders Region.

The meeting concluded with an open dialogue on the role of museums and exhibitions in preserving industrial memory while transforming it into cultural platforms that strengthen connections to national identity.


Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
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Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)

Archaeologists at the ancient Roman site of Pompeii have used artificial intelligence for the first time to digitally reconstruct the face of a victim of the AD 79 eruption of Mount Vesuvius that smothered the city, offering a new way to understand one of history’s most famous natural disasters.

The digital portrait represents an older man who was among two victims discovered as they attempted to flee the city toward the coast of what is now Italy during the volcanic eruption. Researchers believe the man died earlier in the disaster, during a heavy fall of volcanic debris.

The reconstruction was developed by the Pompeii Archaeological Park in collaboration with the University of Padua and is based on archaeological survey data from excavations near the Porta Stabia necropolis, just outside the walls of the ancient city.

Pompeii, a UNESCO World Heritage site near Naples, was buried under ash and pumice when Mount Vesuvius erupted nearly 2,000 years ago, preserving the city and thousands of its inhabitants in remarkable detail.

Archaeologists found the victim holding a terracotta mortar, which they interpret as an improvised attempt to shield his head from falling lapilli, the small volcanic stones rained down during the eruption.

Ancient accounts, including those of Roman writer Pliny the Younger, describe residents using objects to protect themselves as ash and debris blanketed the city.

The man was also carrying an oil lamp, a small iron ring and 10 bronze coins, personal objects that offer insight into his final moments, as well as daily life in Pompeii before the catastrophe.

The digital portrait was created using artificial intelligence and photo-editing techniques designed to translate skeletal and archaeological data into a realistic human likeness.

“The vastness of archaeological data is now such that only with the help of artificial intelligence will we be able to adequately protect and enhance them. If used well, AI can contribute to a renewal of classical studies,” Pompeii park director Gabriel Zuchtriegel said in a statement.

The project aims to make archaeological research more accessible and emotionally engaging for the public while maintaining a scientific foundation, researchers said.


Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors
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Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

The “Bedayat: Beginnings of the Saudi Art Movement” exhibition highlighted the early development of the art movement in Saudi Arabia, showcasing the experiences of pioneering artists and their contributions to shaping the local visual arts scene.

Organized by the Visual Arts Commission and held at the National Museum of Saudi Arabia in Riyadh, the exhibition attracted more than 13,000 visitors throughout its run, SPA reported.

The exhibition was accompanied by a diverse cultural program comprising around 17 events, including workshops, panel discussions, and specialized courses, led by a select group of experts.

This exhibition is part of the commission’s efforts to document Saudi Arabia’s artistic heritage and strengthen its presence both locally and internationally, contributing to the development of the cultural sector and enhancing its sustainability.