Home to Centuries of Heritage, Sudan’s Biggest Museum Is Looted and Wrecked by a 2-Year War 

Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
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Home to Centuries of Heritage, Sudan’s Biggest Museum Is Looted and Wrecked by a 2-Year War 

Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)

Inside Sudan's biggest museum, the exhibition halls once filled with statues and relics from centuries of ancient civilizations are trashed, littered with debris. The display cases stand empty and shattered. A mummy lies exposed in an open storage box. All the gold artifacts have been looted.

The Sudan National Museum has been wrecked by two years of war in Sudan, with most of its artifacts stolen. Authorities blame the paramilitary Rapid Support Forces, which held this district of Khartoum along the banks of the Nile River for most of the conflict.

Since the Sudanese military regained control of the capital last month, officials have been working to assess the damage and loss in hopes of one day restoring the museum.

"The losses are extremely big and saddening. A significant number of antiquities were stolen," Gamal ElDeen Zain al-Abdeen, a senior official at the National Corporation for Antiquities and Museums, told The Associated Press. "The RSF destroyed everything ... concerning the civilization of the Sudanese people."

The National Museum had thousands of pieces, dating back to the Paleolithic era well before the development of agriculture, and through the kingdoms of ancient Sudan. Many came from the Napatan era in the eighth and seventh centuries B.C., when pharaohs from Sudan ruled over much of ancient Egypt, or from the later Meroitic kingdom that built pyramids in Sudan. Other halls had later Christian and Islamic material.

Some pieces too heavy to carry remain in place. In the museum's garden, a line of stone lions remains, as do the Colossi of Tabo, two large pharaonic-style statues. Also remaining are three pharaonic temples that were moved from northern Sudan and reassembled at the museum in the 1960s to escape the rising waters of Lake Nasser from Egypt's construction of the High Dam.

But many objects are gone. Looters broke into the locked storerooms and made off with all the gold artifacts, Zain al-Abdeen said. But it was too early to know how much of the museum’s collection had been stolen, he said.

He blamed the RSF for the destruction, saying they had fighters in the museum at some point during the war.

The war in Sudan broke out in April 2023, after tensions between the Sudanese army and the rival RSF turned into battles in the streets of Khartoum and rapidly spread around the country. The RSF held much of Khartoum during the war, including the district of the museum.

Now that they have been driven out, the extent of the destruction from fighting and looting is coming clear.

"Khartoum in general has been destroyed, particularly the center of Khartoum," Zain al-Abdeen said. "No building was spared from the bloodshed and theft, and this is what I saw with my own eyes."

He said all the city's museums were damaged, particularly the Ethnography Museum, where walls were demolished and halls and offices burned.

The ransacking is a blow to a country with a rich heritage, one that has deep resonance among Sudanese but is often overlooked abroad because of Sudan's decades of instability.

UNESCO said in September it was concerned about looting at the Sudan National Museum, which it helped renovate in 2019. It warned that sale or removal of artifacts "would result in the disappearance of part of the Sudanese cultural identity and jeopardize the country’s recovery."

A UNESCO spokesperson said Friday that damage, looting and destruction of museums and cultural sites happened across Sudan's states of Khartoum, River Nile, Northern State, Gezeira and the Darfur region. An accurate assessment isn't possible due to the ongoing fighting.

The Sudan National Museum is among several that have undergone "extensive looting and substantial damage," according to UNESCO.

Sedeeq Mohamed Sedeeq, who lives near the museum, said the RSF vowed democracy and liberation but instead they are "erasing the oldest nation in history, erasing its history."

Reconstruction plans for destroyed museums will begin after committees assess the damage and recommend proposals for rehabilitation, Zein al-Abdeen said. The plans are expected to include building repairs, restoration of the antiquities storage areas and fixing the museum’s surrounding grounds.

At least 20,000 people have been killed since the war broke out, though the number is likely far higher. The war has also driven more than 14 million people from their homes and pushed parts of the country into famine.



Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."


Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
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Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)

More than 200 years after being sunk by Adm. Horatio Nelson and the British fleet, a Danish warship has been discovered on the seabed of Copenhagen Harbor by marine archaeologists.

Working in thick sediment and almost zero visibility 15 meters (49 feet) beneath the waves, divers are in a race against time to unearth the 19th-century wreck of the "Dannebroge" before it becomes a construction site in a new housing district being built off the Danish coast.

Denmark’s Viking Ship Museum, which is leading the monthslong underwater excavations, announced its findings on Thursday, 225 years to the day since the Battle of Copenhagen in 1801.

“It’s a big part of the Danish national feeling,” said Morten Johansen, the museum’s head of maritime archaeology.

A great deal has been written about the battle “by very enthusiastic spectators, but we actually don’t know how it was to be onboard a ship being shot to pieces by English warships and some of that story we can probably learn from seeing the wreck,” Johansen said. The Associated Press was the only international outlet given access to the site.

In the Battle of Copenhagen, Nelson and the British fleet attacked and defeated Denmark’s navy as it formed a protective blockade outside the harbor.

Thousands were killed and wounded during the brutal hourslong naval clash, considered one of Nelson’s “great battles.” The intention was to force Denmark out of an alliance of Northern European powers, including Russia, Prussia and Sweden.

At the center of the fighting was the Danish flagship, the Dannebroge, commanded by Commodore Olfert Fischer.

The 48-meter (157-foot) Dannebroge was Nelson’s main target. Cannon fire tore through its upper deck before incendiary shells sparked a fire aboard.

“(It was) a nightmare to be on board one of these ships,” Johansen said. “When a cannonball hits a ship, it’s not the cannonball that does the most damage to the crew, it’s wooden splinters flying everywhere, very much like grenade debris.”

The battle also is believed to have inspired the phrase “to turn a blind eye.” After deciding to ignore a superior’s signal, Nelson, who had lost sight in his right eye, reportedly remarked: “I have only one eye, I have a right to be blind sometimes.”

Nelson eventually offered a truce and a ceasefire was later agreed with Denmark’s Crown Prince Frederik.

The stricken Dannebroge slowly drifted northward and exploded. Records say the sound created a deafening roar across Copenhagen.

Marine archaeologists have discovered two cannons, uniforms, insignia, shoes, bottles and even part of a sailor’s lower jaw, perhaps one of the 19 unaccounted-for crew members who likely lost their lives that day.

The dig site will soon be enveloped by construction work for Lynetteholm, a megaproject to build a new housing district in the middle of Copenhagen Harbor that is expected to be completed by 2070.

Marine archaeologists began surveying the area late last year, targeting a spot thought to match the flagship’s final position.

Experts say the sizes of the wooden parts found match old drawings. Dendrochronological dating, the method of using tree rings to establish the age of wood, match the year the ship was built. They also say the darkened dig site is full of cannonballs, a hazard for divers navigating waters darkened by clouds of silt stirred up from the seabed.

“Sometimes you can’t see anything, and then you really have to just feel your way, look with your fingers instead of with your eyes,” diver and maritime archaeologist Marie Jonsson said.

Chronicled in books and painted on canvases, the 1801 battle is deeply embedded in Denmark’s national story.

Archaeologists hope their discoveries may help reexamine the event that shaped the Scandinavian country and perhaps uncover personal stories of those who went into battle on that day 225 years ago.

“There are bottles, there are ceramics, and even pieces of basketry,” Jonsson said. “You get closer to the people onboard.”