Home to Centuries of Heritage, Sudan’s Biggest Museum Is Looted and Wrecked by a 2-Year War 

Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
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Home to Centuries of Heritage, Sudan’s Biggest Museum Is Looted and Wrecked by a 2-Year War 

Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)
Windows of the Sudan National Museum, the home to the country's largest artifacts that date to different eras of Sudanese history, are shattered after nearly two years of war between the army and Rapid Support Forces (RSF), in Khartoum, Sudan, Thursday, April 3, 2025. (AP)

Inside Sudan's biggest museum, the exhibition halls once filled with statues and relics from centuries of ancient civilizations are trashed, littered with debris. The display cases stand empty and shattered. A mummy lies exposed in an open storage box. All the gold artifacts have been looted.

The Sudan National Museum has been wrecked by two years of war in Sudan, with most of its artifacts stolen. Authorities blame the paramilitary Rapid Support Forces, which held this district of Khartoum along the banks of the Nile River for most of the conflict.

Since the Sudanese military regained control of the capital last month, officials have been working to assess the damage and loss in hopes of one day restoring the museum.

"The losses are extremely big and saddening. A significant number of antiquities were stolen," Gamal ElDeen Zain al-Abdeen, a senior official at the National Corporation for Antiquities and Museums, told The Associated Press. "The RSF destroyed everything ... concerning the civilization of the Sudanese people."

The National Museum had thousands of pieces, dating back to the Paleolithic era well before the development of agriculture, and through the kingdoms of ancient Sudan. Many came from the Napatan era in the eighth and seventh centuries B.C., when pharaohs from Sudan ruled over much of ancient Egypt, or from the later Meroitic kingdom that built pyramids in Sudan. Other halls had later Christian and Islamic material.

Some pieces too heavy to carry remain in place. In the museum's garden, a line of stone lions remains, as do the Colossi of Tabo, two large pharaonic-style statues. Also remaining are three pharaonic temples that were moved from northern Sudan and reassembled at the museum in the 1960s to escape the rising waters of Lake Nasser from Egypt's construction of the High Dam.

But many objects are gone. Looters broke into the locked storerooms and made off with all the gold artifacts, Zain al-Abdeen said. But it was too early to know how much of the museum’s collection had been stolen, he said.

He blamed the RSF for the destruction, saying they had fighters in the museum at some point during the war.

The war in Sudan broke out in April 2023, after tensions between the Sudanese army and the rival RSF turned into battles in the streets of Khartoum and rapidly spread around the country. The RSF held much of Khartoum during the war, including the district of the museum.

Now that they have been driven out, the extent of the destruction from fighting and looting is coming clear.

"Khartoum in general has been destroyed, particularly the center of Khartoum," Zain al-Abdeen said. "No building was spared from the bloodshed and theft, and this is what I saw with my own eyes."

He said all the city's museums were damaged, particularly the Ethnography Museum, where walls were demolished and halls and offices burned.

The ransacking is a blow to a country with a rich heritage, one that has deep resonance among Sudanese but is often overlooked abroad because of Sudan's decades of instability.

UNESCO said in September it was concerned about looting at the Sudan National Museum, which it helped renovate in 2019. It warned that sale or removal of artifacts "would result in the disappearance of part of the Sudanese cultural identity and jeopardize the country’s recovery."

A UNESCO spokesperson said Friday that damage, looting and destruction of museums and cultural sites happened across Sudan's states of Khartoum, River Nile, Northern State, Gezeira and the Darfur region. An accurate assessment isn't possible due to the ongoing fighting.

The Sudan National Museum is among several that have undergone "extensive looting and substantial damage," according to UNESCO.

Sedeeq Mohamed Sedeeq, who lives near the museum, said the RSF vowed democracy and liberation but instead they are "erasing the oldest nation in history, erasing its history."

Reconstruction plans for destroyed museums will begin after committees assess the damage and recommend proposals for rehabilitation, Zein al-Abdeen said. The plans are expected to include building repairs, restoration of the antiquities storage areas and fixing the museum’s surrounding grounds.

At least 20,000 people have been killed since the war broke out, though the number is likely far higher. The war has also driven more than 14 million people from their homes and pushed parts of the country into famine.



Red Sea International Film Festival Held Amid Wide Participation from Film Stars, Creators

The festival runs until December 13 with the wide participation of local and international film stars and creators
The festival runs until December 13 with the wide participation of local and international film stars and creators
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Red Sea International Film Festival Held Amid Wide Participation from Film Stars, Creators

The festival runs until December 13 with the wide participation of local and international film stars and creators
The festival runs until December 13 with the wide participation of local and international film stars and creators

The fifth annual Red Sea International Film Festival is being held under the patronage of Minister of Culture Prince Bader bin Abdullah bin Farhan at Culture Square in Historic Jeddah under the theme "In Love with Cinema.”

It runs until December 13 with the wide participation of local and international film stars and creators.

In his opening speech, the minister welcomed the festival's guests, saying "Here in the beautiful city of Jeddah - alive with creativity, culture, and the arts - I am pleased to welcome those who have joined us in previous successful editions, as well as those attending for the first time to experience an event that reflects the energy of our youth and the richness of our culture.”

With the generous support of the Crown Prince and Prime Minister, the minister noted that the cultural sector has witnessed an unprecedented renaissance, positioning culture as a cornerstone of Saudi Arabia's future.

The minister pointed out that over the past seven years, the Ministry of Culture has worked to preserve the Kingdom's diverse heritage and build a thriving cultural landscape encompassing the arts, language, music, handicrafts, and the film sector, affirming that cinema is one of the most powerful tools of cultural influence globally and plays a pivotal role in strengthening understanding among peoples.

He added that the Red Sea Film Foundation embodies the Kingdom's vision of empowering youth, supporting creatives, and reinforcing Saudi Arabia's presence as a promising cinematic destination.

The festival opened with the film "Giant" in its Middle East and North Africa premiere.

Red Sea Film Foundation Chief Executive Officer Faisal Baltyuor explained that the choice of opening film reflects the festival's vision of supporting voices and stories from the Middle East, Asia, and Africa, and bringing them to global audiences.

Chairwoman of the Board of Trustees for Red Sea Film Foundation Jomana Alrashid stated that the foundation has, over five years, helped build an effective ecosystem that enables filmmakers from Arab, Asian, and African countries to lead their projects.

She noted that seven films supported by the "Red Sea Fund" were nominated for the Oscars, and that this year's edition features 111 films from more than 70 countries, highlighting 38 female directors.

This year, the festival offers a diverse cinematic program featuring selected global screenings and Arab works shown for the first time, in addition to an official competition that attracts films from five continents, and a series of panel discussions and talent-support programs designed to empower new voices and strengthen Arab presence in the international cinematic landscape.


‘Amazing’ Figurines Find in Egyptian Tomb Solves Mystery

This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
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‘Amazing’ Figurines Find in Egyptian Tomb Solves Mystery

This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)

A treasure trove of 225 funerary figurines have been discovered inside a tomb in the ancient Egyptian capital of Tanis in the Nile Delta, a rare find that has also solved a long-running mystery.

"Finding figurines in place inside a royal tomb has not happened in the Tanis necropolis since 1946," French Egyptologist Frederic Payraudeau told reporters in Paris on Friday.

Such a find has also never happened before further south in Egypt's Valley of the Kings near modern Luxor -- apart from the tomb of the famous boy king Tutankhamun in 1922 -- because most such sites have been looted throughout history, he added.

Payraudeau, who leads the French Tanis excavation mission, said the remarkable discovery was made on the morning of October 9.

The team had already excavated the other three corners of a narrow tomb occupied by an imposing, unnamed sarcophagus.

"When we saw three or four figurines together, we knew right away it was going to be amazing," Payraudeau said.

"I ran out to tell my colleagues and the officials. After that it was a real struggle. It was the day before the weekend -- normally, we stop at 2 pm. We thought: 'This is not possible.'"

The team then set up lights to work through the night.

It took 10 days to carefully extract all of the 225 small green figurines.

They were "carefully arranged in a star shape around the sides of a trapezoidal pit and in horizontal rows at the bottom," Payraudeau said.

The funerary figurines, which are known as ushabti, were intended as servants to accompany the dead into the afterlife.

More than half the figurines are women, which is "quite exceptional", Payraudeau said.

Located in the Nile Delta, Tanis was founded around 1050 BC as the capital of the Egyptian kingdom during the 21st dynasty.

At the time, the Valley of the Kings -- which had been looted during the reign of pharaohs including Ramses -- was abandoned and the royal necropolis was moved to Tanis, Payraudeau said.

- One mystery leads to another -

The royal symbol on the newly discovered figurines also solves a long-standing mystery by identifying who was buried in the sarcophagus.

It was Pharaoh Shoshenq III, who reigned from 830 to 791 BC.

This was "astonishing" because the walls of a different tomb at the site -- and the largest sarcophagus there -- bear his name, Payraudeau said.

"Why isn't he buried in this tomb?" the expert asked.

"Obviously, for a pharaoh, building a tomb is a gamble because you can never be sure your successor will bury you there," he said.

"Clearly, we have new proof that these gambles are not always successful," Payraudeau said with a smile.

Shoshenq III's four-decade reign was turbulent, marred by a "very bloody civil war between upper and lower Egypt, with several pharaohs fighting for power," he said.

So it is possible that the royal succession did not go as planned and the pharaoh was not buried in his chosen tomb.

Another possibility is that his remains were moved later due to looting.

But it is "difficult to imagine that a 3.5 by 1.5-meter granite sarcophagus could have been reinstalled in such a small place," Payraudeau said.

After the figurines are studied, they will be displayed in an Egyptian museum, Payraudeau said.


Literature, Publishing and Translation Commission Launches Riyadh Int’l Philosophy Conference

The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
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Literature, Publishing and Translation Commission Launches Riyadh Int’l Philosophy Conference

The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
The three-day event is organized by the Literature, Publishing and Translation Commission. SPA

The fifth edition of the Riyadh International Philosophy Conference 2025 launched on Thursday at King Fahd National Library.

The three-day event is organized by the Literature, Publishing and Translation Commission under the theme “Philosophy Between East and West: Concepts, Origins, and Mutual Influences.”

This year’s conference continues the intellectual path it began five years ago, maintaining its role as a global platform that brings together thinkers, scholars, and experts from various countries and affirms the Kingdom’s position as an international center for knowledge production and cross-cultural dialogue.

The conference opened with remarks by CEO of the Literature, Publishing and Translation Commission Dr. Abdullatif Alwasel, who welcomed the guests and said the fifth edition builds on a project launched five years ago and has grown into a firmly established initiative that strengthens the presence of philosophy, enriches cultural dialogue, and reinforces the Kingdom’s standing as a global platform for knowledge and thought.

The conference features sixty speakers, including philosophers, thinkers, and researchers from different countries and philosophical traditions, giving the program intellectual diversity that strengthens its role as an international platform for dialogue and the exchange of expertise.

More than forty panel discussions will cover the foundations of Eastern and Western philosophy, modes of reasoning, and pathways of mutual influence between intellectual traditions. The sessions will also address contemporary issues related to human meaning, cultural shifts, and the role of philosophy in interpreting modern realities, offering varied perspectives and expanded approaches that deepen philosophical discussions.

The conference is expected to welcome around 7,000 visitors, reflecting the growing interest in philosophy and the humanities within the Kingdom.