Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
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Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)

Kyrgyzstan is getting rid of its Soviet-inspired national anthem and has launched an unprecedented public contest to find an alternative.

The mountainous Central Asian country adopted a new anthem in 1992 after independence from the USSR but it is largely based on the Soviet-era one.

The government says the anthem fails to accurately represent the young nation descending from the ancient history of the nomadic Kyrgyz people.

The Kyrgyz were incorporated into first then Tsarist and then the Soviet empires and the country still retains a strong Russian influence.

"Winning this competition would be a huge success," said Balasaguyn Musayev, a 36-year-old composer and one of hundreds who have submitted entries for a new national anthem.

Speaking during a rehearsal at the music conservatory in the capital Bishkek, Musayev said it took him a month to find inspiration and then he "wrote the music in two days".

A poet friend wrote the text.

"The new anthem must be better than the previous one in every way. Otherwise people will wonder why we changed it," Musayev told AFP.

The winner of the contest was due to have been announced in April but the contest rules were modified and it is now unclear when an announcement could be expected.

Soliciting ideas from the public is a rarity in Central Asia, where Kyrgyzstan's more competitive political system is an exception among its authoritarian neighbors.

On a global scale, a complete change of the national anthem without a radical change of the political regime is also exceptional.

In recent years, Australia, Austria and Canada have replaced some words in their anthems to promote greater inclusivity.

Kyrgyzstan's unusual decision is part of a series of measures to overhaul state symbols taken by President Sadyr Japarov, who has been in power since 2021.

Following a constitutional reform in 2021 that strengthened his powers, Japarov changed the sun on the Kyrgyz flag at the end of 2023 so that it no longer resembled a sunflower, arguing that this would strengthen national sovereignty.

He has achieved a number of successes in his time in office including boosting economic growth and fighting corruption but rights groups are concerned about growing pressures on civil society.

Japarov has said that the anthem's lyrics about the Kyrgyz people being "on the road to freedom" does not reflect the country's historic reality after more than three decades of independence.

"Are we going to sing for another hundred years that we have just become independent? We have a state in our own right now, and we need to write an anthem that will inspire young people and future generations," he said last year.

Officials have also been critical of the current anthem for other reasons.

Parliament speaker Nurlanbek Shakiyev said it was so bad that "birds fly away" when they hear it.

He said the next one should "stimulate the country towards development" and be "easy to sing".

But Nurzhyguit Moldoyar, a 25-year-old composer and vocalist who has also submitted an entry, said the current one was already "a masterpiece".

"The bar is very high," he said, adding that he would not have wanted to change the anthem.

He said he hoped the winner would be selected based on "the feelings felt when listening to it, the musical novelties and sincerity".



UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.


New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.