Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
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Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)

Kyrgyzstan is getting rid of its Soviet-inspired national anthem and has launched an unprecedented public contest to find an alternative.

The mountainous Central Asian country adopted a new anthem in 1992 after independence from the USSR but it is largely based on the Soviet-era one.

The government says the anthem fails to accurately represent the young nation descending from the ancient history of the nomadic Kyrgyz people.

The Kyrgyz were incorporated into first then Tsarist and then the Soviet empires and the country still retains a strong Russian influence.

"Winning this competition would be a huge success," said Balasaguyn Musayev, a 36-year-old composer and one of hundreds who have submitted entries for a new national anthem.

Speaking during a rehearsal at the music conservatory in the capital Bishkek, Musayev said it took him a month to find inspiration and then he "wrote the music in two days".

A poet friend wrote the text.

"The new anthem must be better than the previous one in every way. Otherwise people will wonder why we changed it," Musayev told AFP.

The winner of the contest was due to have been announced in April but the contest rules were modified and it is now unclear when an announcement could be expected.

Soliciting ideas from the public is a rarity in Central Asia, where Kyrgyzstan's more competitive political system is an exception among its authoritarian neighbors.

On a global scale, a complete change of the national anthem without a radical change of the political regime is also exceptional.

In recent years, Australia, Austria and Canada have replaced some words in their anthems to promote greater inclusivity.

Kyrgyzstan's unusual decision is part of a series of measures to overhaul state symbols taken by President Sadyr Japarov, who has been in power since 2021.

Following a constitutional reform in 2021 that strengthened his powers, Japarov changed the sun on the Kyrgyz flag at the end of 2023 so that it no longer resembled a sunflower, arguing that this would strengthen national sovereignty.

He has achieved a number of successes in his time in office including boosting economic growth and fighting corruption but rights groups are concerned about growing pressures on civil society.

Japarov has said that the anthem's lyrics about the Kyrgyz people being "on the road to freedom" does not reflect the country's historic reality after more than three decades of independence.

"Are we going to sing for another hundred years that we have just become independent? We have a state in our own right now, and we need to write an anthem that will inspire young people and future generations," he said last year.

Officials have also been critical of the current anthem for other reasons.

Parliament speaker Nurlanbek Shakiyev said it was so bad that "birds fly away" when they hear it.

He said the next one should "stimulate the country towards development" and be "easy to sing".

But Nurzhyguit Moldoyar, a 25-year-old composer and vocalist who has also submitted an entry, said the current one was already "a masterpiece".

"The bar is very high," he said, adding that he would not have wanted to change the anthem.

He said he hoped the winner would be selected based on "the feelings felt when listening to it, the musical novelties and sincerity".



Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
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Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.