UN: Most World Heritage Sites at Risk of Drought or Flooding

Muslim devotees offer Eid al-Adha prayers inside the complex of the Taj Mahal in Agra on June 7, 2025. (Photo by Punit Lal / AFP)
Muslim devotees offer Eid al-Adha prayers inside the complex of the Taj Mahal in Agra on June 7, 2025. (Photo by Punit Lal / AFP)
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UN: Most World Heritage Sites at Risk of Drought or Flooding

Muslim devotees offer Eid al-Adha prayers inside the complex of the Taj Mahal in Agra on June 7, 2025. (Photo by Punit Lal / AFP)
Muslim devotees offer Eid al-Adha prayers inside the complex of the Taj Mahal in Agra on June 7, 2025. (Photo by Punit Lal / AFP)

Almost three quarters of the globe's cultural and natural heritage sites are threatened by too little or too much water, the UN's cultural agency said on Tuesday.

As a result of rising temperatures, extreme weather events including hurricanes, droughts, floods and heatwaves have become more frequent and intense, scientists warn.

Seventy-three percent of all 1,172 non-marine sites on the UNESCO Heritage List are exposed to at least one severe water risk -- including water stress, drought, river flooding or coastal flooding, UNESCO said.

"Water stress is projected to intensify, most notably in regions like the Middle East and North Africa, parts of South Asia and northern China — posing long-term risks to ecosystems, cultural heritage, and the communities and tourism economies that depend on them," it added, according to AFP.

Cultural sites were most commonly threatened by water scarcity, while more than half of natural sites faced the risk of flooding from a nearby river, the UNESCO study showed.

In India, the Taj Mahal monument in Agra, for example, "faces water scarcity that is increasing pollution and depleting groundwater, both of which are damaging the mausoleum," the study said.

In the United State, "in 2022, a massive flood closed down all of Yellowstone National Park and cost over $20 million in infrastructure repairs to reopen."
The report gave four more examples.

Iraq's southern marshes -- the reputed home of the biblical Garden of Eden -- "face extremely high water stress, where over 80 percent of the renewable supply is withdrawn to meet human demand", it added.

And competition for water is expected to increase in the marshes, where migratory birds live and inhabitants raise buffalo, as the region grows hotter in coming years.

On the border between Zambia and Zimbabwe, the Victoria Falls -- originally called Mosi-oa-Tunya ("the smoke that thunders") before it was renamed by Scottish explorer David Livingstone -- has faced recurring drought and is sometimes reduced to a trickle.

In Peru, the pre-Colombian city of Chan Chan and its delicate 1,000-year-old adobe walls face an extremely high risk of river flooding, UNESCO said.

In China, rising sea levels driven in large part by climate change are leading to coastal flooding, which destroys mudlands where migratory waterbirds find food, it added.



Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."