Comic-Con 2025 Kicks off with New 'Freddy's,' 'Toxic Avenger' and Thousands of Costume-Clad Fans 

Peter Dinklage, left, and Elijah Wood attend a panel for "The Toxic Avenger" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (Photo by Richard Shotwell/Invision/AP)
Peter Dinklage, left, and Elijah Wood attend a panel for "The Toxic Avenger" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (Photo by Richard Shotwell/Invision/AP)
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Comic-Con 2025 Kicks off with New 'Freddy's,' 'Toxic Avenger' and Thousands of Costume-Clad Fans 

Peter Dinklage, left, and Elijah Wood attend a panel for "The Toxic Avenger" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (Photo by Richard Shotwell/Invision/AP)
Peter Dinklage, left, and Elijah Wood attend a panel for "The Toxic Avenger" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (Photo by Richard Shotwell/Invision/AP)

Tens of thousands of fans — many in costumes — descended Thursday on Comic-Con International, the four-day pop culture spectacle that will feature updates on the new “Predator” movie, “Alien” series and a special appearance by George Lucas.

Fans packed into the convention's famed Hall H for updates on the “Five Nights at Freddy's” sequel and the “Toxic Avenger” reboot, with a panel on “South Park” coming later in the day.

The convention won't have major news about any upcoming Marvel movies or what's next for the hit relaunch of DC's high-flying “Superman” franchise. Both studios are sitting out Comic-Con 2025, as far as their film slates go.

An estimated 135,000 people will attend the convention, which will greet Lucas on Sunday for his first Comic-Con appearance. The “Star Wars” creator will discuss his new Lucas Museum of Narrative Art that will open next year in Los Angeles.

Fans of the “Alien” and “Predator” franchises will have plenty to cheer. Elle Fanning, star of “Predator: Badlands,” will discuss the film this week. FX will also bring the stars and creators of “Alien: Earth,” a series that will unleash the Xenomorph species on Earth next month.

“Alien: Earth” will be one of the projects that brings a massive interactive experience to San Diego, with a replica of spacecraft from the series. The attraction will feature what's described as a terrifying mission at night.

Marvel may not be presenting new movies, but it will have a “Fantastic Four: First Steps” attraction near the convention, a tie-in to Friday's release of the latest attempt to successfully launch its “first family” in theaters.

A main feature of the convention is its 460,000-square-foot (42,700-square-meter) exhibitor section, which features exclusive merchandise, comic book art and exhibits from brands like Star Wars, Lego, Nickelodeon, Paramount and more.

'Five Nights at Freddy's 2'

More pizzerias and murderous bots No animatronics — or humans — were harmed when “Five Nights at Freddy's 2” came to Comic-Con.

That wasn't necessarily the case on the movie set for the robots.

“They're there, you can actually hug them,” star Piper Rubio said. But she noted that the animatronics sometimes malfunctioned, whether it was odd facial expressions, “fingers falling off or the occasional foxes catching on fire.”

The movies are based on the popular Five Nights at Freddy's video game about a cursed pizza restaurant with possessed, murderous animatronic characters.

The first film was Blumhouse's biggest opening when it dual-launched in theaters and on the Peacock streaming service in 2023, earning $130.6 million globally in its first weekend.

Director Emma Tammi said the second movie has three times the number of animatronics as the first. Star Josh Hutcherson said the movie also features multiple Freddy Fazbear's Pizza franchises and new animatronic characters, like Mangle.

Teo Briones, who's starred in “Final Destination Bloodlines” and “Chucky,” is a newcomer to the series and said he was immediately excited to be part of a movie based on a game he played as a child.

“It's really special to be a part of something that has been such an important cultural thing for my generation,” he said.

“Five Nights at Freddy's 2” will be released Dec. 5.

From the wastes to Hall H for 'The Toxic Avenger”

A year ago, “Toxic Avenger” seemed lost in the waste. But on Thursday, the earnestly gory reboot of the classic 1984 B-movie from Troma Entertainment was in Comic-Con's vaunted Hall H like it was a regular blockbuster.

The movie was shot in 2021 and had a festival premiere in 2023, but struggled to find a distributor. It had been deemed unreleaseable by some with its ultra-graphic, though weirdly warm comic violence, most of it incurred by the tutu-wearing title character's toxic mop.

Cineverse is now giving it an unrated wide release on Aug. 29.

Blair said he had a few non-negotiables that were gladly granted when he agreed to make the film.

“He had to have a tutu. He had to have a mop,” the director said, and, he said. No CGI.

“I was pretty insistent that we had to have a performer in a suit,” Blair said.

Peter Dinklage plays the hero in his pre-toxic form and provides the voice throughout the film that also stars Elijah Wood, Taylour Paige and Jacob Tremblay. All but Bacon were on the stage.

“There's other people up here!” Dinklage said after the first bunch of questions during the Q&A were all for him. “Ever seen 'Lord of the Rings?!' I wasn't in that!”

Wood, the “LOTR” star sitting next to him, laughed as much as anyone in the room.

Comedy takes over Hall H

Comedians Gabriel “Fluffy” Iglesias and Jo Koy whipped Hall H into a frenzy during a mostly-packed session to promote their massive 2026 comedy show at Los Angeles' SoFi Stadium.

The pair traded light — and mostly family-suitable — banter about their inspirations and heroes (Iglesias cited his mother, which led Koy to want to change his answer from Eddie Murphy) and their passionate fan bases.

They said their show would involve each doing at least 90-minute sets, special guests and befitting a show at a football stadium, probably some tailgating. They said fans should expect to be there all day.

Koy joked that it was “challenging to get back here" and that he was ignoring calls from family and friends to get them passes to the convention.

They ended the session handing out autographed Funko collective figures of their likenesses and a selfie with the crowd. They warned anyone who was there with someone they shouldn't be to take cover. “We're not Coldplay,” Iglesias joked, citing the viral kiss cam saga involving a tech company CEO captured embracing an employee at one of the band's concerts.



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)