Vatican Will Return Dozens of Artifacts to Indigenous Groups in Canada as Gesture of Reconciliation

Pope Francis dons a headdress during a visit with Indigenous peoples at Maskwaci, the former Ermineskin Residential School, Monday, July 25, 2022, in Maskwacis, Alberta. (AP Photo/Eric Gay, File)
Pope Francis dons a headdress during a visit with Indigenous peoples at Maskwaci, the former Ermineskin Residential School, Monday, July 25, 2022, in Maskwacis, Alberta. (AP Photo/Eric Gay, File)
TT

Vatican Will Return Dozens of Artifacts to Indigenous Groups in Canada as Gesture of Reconciliation

Pope Francis dons a headdress during a visit with Indigenous peoples at Maskwaci, the former Ermineskin Residential School, Monday, July 25, 2022, in Maskwacis, Alberta. (AP Photo/Eric Gay, File)
Pope Francis dons a headdress during a visit with Indigenous peoples at Maskwaci, the former Ermineskin Residential School, Monday, July 25, 2022, in Maskwacis, Alberta. (AP Photo/Eric Gay, File)

The Vatican is expected to soon announce that it will return a few dozen artifacts to Indigenous communities in Canada as part of its reckoning with the Catholic Church’s troubled role in helping suppress Indigenous culture in the Americas, officials said Wednesday, The AP news reported.

The items, including an Inuit kayak, are part of the Vatican Museum’s ethnographic collection, known as the Anima Mundi museum. The collection has been a source of controversy for the Vatican amid the broader museum debate over the restitution of cultural goods taken from Indigenous peoples during colonial periods.

Negotiations on returning the Vatican items accelerated after Pope Francis in 2022 met with Indigenous leaders who had traveled to the Vatican to receive his apology for the church's role in running Canada's disastrous residential schools. During their visit, they were shown some objects in the collection, including wampum belts, war clubs and masks, and asked for them to be returned.

Francis later said he was in favor of returning the items and others in the Vatican collection on a case-by-case basis, saying: “In the case where you can return things, where it’s necessary to make a gesture, better to do it.”

The Canadian Conference of Catholic Bishops said Wednesday it has been working with Indigenous groups on returning the items to their “originating communities.” It said it expected the Holy See to announce the return. Vatican and Canadian officials said they expected an announcement in the coming weeks, and that the items could arrive on Canadian soil before the end of the year.

The Globe and Mail newspaper first reported on the progress in the restitution negotiations.

Doubt cast on whether the items were freely given Most of the items in the Vatican collection were sent to Rome by Catholic missionaries for a 1925 exhibition in the Vatican gardens that was a highlight of that year’s Holy Year.

The Vatican insists the items were “gifts” to Pope Pius XI, who wanted to celebrate the church’s global reach, its missionaries and the lives of the Indigenous peoples they evangelized.

But historians, Indigenous groups and experts have long questioned whether the items could really have been offered freely, given the power imbalances at play in Catholic missions at the time. In those years, Catholic religious orders were helping to enforce the Canadian government’s forced assimilation policy of eliminating Indigenous traditions, which Canada’s Truth and Reconciliation Commission has called “cultural genocide.”

Part of that policy included confiscating items used in Indigenous spiritual and traditional rituals, such as the 1885 potlatch ban that prohibited the integral First Nations ceremony. Those confiscated items ended up in museums in Canada, the US and Europe, as well as private collections.

The return of the items in the Vatican collection will follow the “church-to-church” model the Holy See used in 2023, when it gave its Parthenon Marbles to the Orthodox Christian Church in Greece. The three fragments were described by the Vatican as a “donation” to the Orthodox church, not a state-to-state repatriation to the Greek government.

In this case, the Vatican is expected to hand over the items to the Canadian bishops conference, with the explicit understanding that the ultimate keepers will be the Indigenous communities, a Canadian official said Wednesday, speaking on condition of anonymity because the negotiations are not concluded.

What happens after the items are returned The items, accompanied by whatever provenance information the Vatican has, will be taken first to the Canadian Museum of History in Gatineau, Quebec. There, experts and Indigenous groups will try to identify where the items originated, down to the specific community, and what should be done with them, the official said.

The official declined to say how many items were under negotiation or who decided what would be returned, but said the total numbered “a few dozen.” The aim is to get the items back this year, the official said, noting the 2025 Jubilee which celebrates hope but is also a time for repentance.

This year's Jubilee comes on the centenary of the 1925 Holy Year and missionary exhibit, which is now so controversial that its 100th anniversary has been virtually ignored by the Vatican, which celebrates a lot of anniversaries.

The Assembly of First Nations said some logistical issues need to be finalized before the objects can be returned, including establishing protocols.

“For First Nations, these items are not artifacts. They are living, sacred pieces of our cultures and ceremonies and must be treated as the invaluable objects that they are,” National Chief Cindy Woodhouse Nepinak told Canadian Press.

Gloria Bell, associate professor of art history at McGill University who has conducted extensive research on the 1925 exhibit, said the items were acquired during an era of “Catholic Imperialism” by a pope who “praised missionaries and their genocidal labors in Indigenous communities as ‘heroes of the faith.’”

“This planned return marks a significant shift in the recognition of Indigenous sovereignty and perhaps the beginning of healing,” said Bell, who is of Metis ancestry and wrote about the 1925 exhibit in “Eternal Sovereigns: Indigenous Artists, Activists, and Travelers Reframing Rome.”



Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
TT

Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
TT

UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
TT

Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.