Five Things to Know About the Grand Egyptian Museum

Egyptian Prime Minister Mostafa Madbouli, speaks to the press prior to the official opening of the Grand Egyptian Museum (GEM) in Giza, on the southwestern outskirts of the capital Cairo on November 1, 2025. (AFP)
Egyptian Prime Minister Mostafa Madbouli, speaks to the press prior to the official opening of the Grand Egyptian Museum (GEM) in Giza, on the southwestern outskirts of the capital Cairo on November 1, 2025. (AFP)
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Five Things to Know About the Grand Egyptian Museum

Egyptian Prime Minister Mostafa Madbouli, speaks to the press prior to the official opening of the Grand Egyptian Museum (GEM) in Giza, on the southwestern outskirts of the capital Cairo on November 1, 2025. (AFP)
Egyptian Prime Minister Mostafa Madbouli, speaks to the press prior to the official opening of the Grand Egyptian Museum (GEM) in Giza, on the southwestern outskirts of the capital Cairo on November 1, 2025. (AFP)

Near the ancient Pyramids of Giza just outside Cairo, the Grand Egyptian Museum (GEM) is gearing up for its lavish opening on Saturday after two decades of delays.

Massive statues and historic artifacts from the country's ancient civilization will be on display across the 24,000 square meters (258,000 square feet) of permanent exhibition space.

Here are five things to know about the long-awaited museum, which Egyptian authorities have called "the largest cultural building of the 21st century".

‘Fourth pyramid’

An imitation of the nearby pyramids of Khufu, Khafre and Menkaure, the museum's triangular glass structure was designed by the Irish firm Heneghan Peng Architects.

The state-of-the-art complex -- dubbed the "fourth pyramid" of the Giza Plateau –- houses around 100,000 artifacts from the 30 dynasties of ancient Egypt's pharaohs.

About half of the collection is on display, with the rest kept in storage.

20 years in the making

The towering $1 billion facility, which has been more than 20 years in the making, is expected to draw more than 5 million visitors every year.

The government hopes the museum will play a central role in reviving an Egyptian economy battered by debt and inflation.

Ramses

An 11-meter (36-foot) granite statue of Ramses the Great greets visitors in the vast entrance atrium.

Ramses II -- the third king of the 19th Dynasty -- reigned more than 3,000 years ago (1279-1213 BC) and is among the greatest of all the Egyptian pharaohs.

His statue has toured the world twice, attracting millions of visitors in 1986 and then from 2021 to 2025.

The GEM will be the statue's final home after several relocations since its discovery in 1820 near a temple in ancient Memphis, south of Cairo.

From 1954 to 2006 the statue stood in front of Cairo's main train station.

Boy king

One gallery is dedicated to the 5,000 artifacts from the collection of King Tutankhamun, the most well-known figure of Ancient Egypt.

The full collection is in one place for the first time since British archaeologist Howard Carter discovered the famed pharaoh's tomb in the Valley of the Kings near Luxor in 1922.

The boy king's gold-covered sarcophagus and his burial mask, inlaid with lapis lazuli, will take center stage at Saturday's opening.

After years of debate, genetic tests conducted in the early 2010s suggested malaria and a bone disease led to the pharaoh's death at the age of 19.

A separate building was designed for the 4,600-year-old solar boat of Pharaoh Khufu, one of the largest and oldest wooden artifacts from antiquity.

The 44-meter-long (144-foot) cedar and acacia wooden boat was discovered in 1954 near the Great Pyramid of Khufu -- the largest of the three structures.

Over the next three years, visitors will also be able to watch experts from behind a glass wall as they restore another boat discovered in 1987.

Frequent delays

The museum was partially opened to the public in October 2024.

Launched in 2002 under then-President Hosni Mubarak, its grand opening was delayed by political turmoil after the 2011 uprising, the Covid-19 pandemic and regional conflicts.

The GEM is built around a colossal six-storey staircase lined with mammoth statues and ancient tombs leading to a panoramic window with a view of the nearby pyramids.

Twelve main galleries trace civilization across 5,000 years of history, from prehistoric times to the Roman era.

The complex also includes storage areas open to researchers, laboratories and restoration workshops.

It will open to the public on November 4.



AlUla Consolidates Its Position as a Premier Global Cultural and Arts Destination

AlUla boasts a rich, diverse cultural and artistic landscape - SPA
AlUla boasts a rich, diverse cultural and artistic landscape - SPA
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AlUla Consolidates Its Position as a Premier Global Cultural and Arts Destination

AlUla boasts a rich, diverse cultural and artistic landscape - SPA
AlUla boasts a rich, diverse cultural and artistic landscape - SPA

AlUla Governorate continues to strengthen its standing as one of the world’s prominent cultural and arts destinations, drawing on a deep-rooted civilizational heritage, exceptional natural and historical assets, and an integrated cultural vision that has transformed it into a vibrant platform for artistic creativity, knowledge production, and contemporary cultural dialogue.

AlUla boasts a rich, diverse cultural and artistic landscape, including specialized exhibitions, open-air museums, and archaeological sites that host inscriptions and historical writings documenting successive human civilizations, reinforcing its status as a cultural hub that combines the authenticity of history with the vitality of contemporary artistic expression.

Throughout the year, AlUla hosts a wide range of cultural and artistic exhibitions and experiences highlighting visual arts, design, crafts, photography, and cinema, alongside distinctive artistic commissions, specialized research and publications, and artist residency programs that contribute to the production and exchange of artistic knowledge and provide platforms for creative dialogue among artists, researchers, and the public.

Open-air museums are a prominent feature of AlUla’s cultural experience, where rock inscriptions and ancient writings are found across multiple sites, serving as living testimony to a heritage spanning thousands of years. They offer visitors an immersive, educational experience in the heart of nature that brings together history, environment, and human heritage.

This cultural momentum stems from extensive international partnerships with leading cultural and arts institutions, which have supported knowledge exchange, program development, and the attraction of artists and researchers worldwide, further reinforcing AlUla’s status as a global platform for cultural and artistic production.

Today, AlUla stands as a global cultural and arts destination that unites the authenticity of the past with the vitality of the present, helping shape a contemporary cultural future that reflects the depth of human identity and enhances the Kingdom’s presence on the international cultural and arts scene.


UNESCO Recognition Inspires Hope in Afghan Artist’s City

This picture taken on January 8, 2026 shows miniature art carved on the wall of Jami Masjid, also known as the Great Mosque of Herat in Herat. (AFP)
This picture taken on January 8, 2026 shows miniature art carved on the wall of Jami Masjid, also known as the Great Mosque of Herat in Herat. (AFP)
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UNESCO Recognition Inspires Hope in Afghan Artist’s City

This picture taken on January 8, 2026 shows miniature art carved on the wall of Jami Masjid, also known as the Great Mosque of Herat in Herat. (AFP)
This picture taken on January 8, 2026 shows miniature art carved on the wall of Jami Masjid, also known as the Great Mosque of Herat in Herat. (AFP)

Hundreds of years after the celebrated painter Kamal ud-Din Behzad roamed the streets of Herat, artists in the Afghan city are finding joy and hope in his recognition by UNESCO.

Sitting cross-legged on a red carpet, artist Mohammad Younes Qane uses an ultra-fine paintbrush to trace details such as a horse's mane or the beads of a necklace.

"When I paint, I'm taken back 500 years, to the streets of Herat back then," when the rulers of the Timurid empire were patrons of artists such as Behzad, Qane said with a smile.

Since he was a teenager, the 45-year-old has been practicing Behzad's celebrated miniature art style, which inspired French artist Henri Matisse.

A contemporary of Italian masters Leonardo da Vinci and Sandro Botticelli, Behzad brought a new style to Herat before settling in Tabriz, in modern-day Iran.

Celebrating his "vibrant cultural expression", the UN's cultural agency inscribed Behzad's style of miniature art on its list of Intangible Cultural Heritage of Humanity in December.

Such recognition was "truly joyful news", coming "at a time when we are in darkness and facing very difficult conditions", Qane said.

Since the Taliban authorities returned to power in 2021 and imposed their strict interpretation of religious law, many artists have left Afghanistan.

Qane has closed his gallery and works at home, with clients now rare and exhibitions non-existent.

He sometimes climbs the hill to a white tomb believed to be Behzad's, where he finds peace.

Taliban officials have banned music in public places, as well as the representation of living things.

- 'Proud of Behzad' -

Numerous residents pointed to the increasing enforcement of the ban on showing human faces, which are a common feature of Behzad-style artworks.

"It's very sad, because we are proud of Behzad in Herat," said one resident, speaking on condition of anonymity for security reasons.

Ahmad Jawid Zargham, the former head of the provincial arts and culture department, said paintings were "simple and without soul" before Behzad.

"He introduced scenes from people's everyday life. For example, ordinary people, passersby, dervishes, mullahs, scenes of teaching girls and boys, or groups of workers busy with architecture," Zargham told AFP.

At Herat's central mosque, which is covered in blue ceramic tiles, there are delicate floral and geometric motifs created by Behzad.

But his decorated manuscripts are kept abroad, at world-renowned institutions such as New York's Metropolitan Museum of Art, the British Library in London and the Topkapi Palace Museum in Istanbul.

Michael Barry, a leading specialist in miniature art, said that people being deprived of their cultural patrimony was "the height of injustice".

At the same time, he remained "very aware of the care that is required to maintain these delicate works", which can easily be damaged by light exposure.

Conscious of the difficulties of repatriating Behzad's artworks, Barry instead enlarged and reproduced them in 2017 for an exhibition at Herat's citadel.

But residents can no longer view the bright autumn colors of the tree of life, a symbol often painted by Behzad, as the wooden door has been padlocked shut.

Despite welcoming the UNESCO recognition, the provincial arts and culture department did not give an explanation for its closure.

Recalling Herat's importance, Barry said the city was the "world capital of painting, poetry, music, philosophy, mathematics. The Florence of the Islamic world".

"The most important center of Islamic civilization in the 15th century endorsed figurative art," he added.

But nowadays, at the citadel, faces shown on panels about the city's history have been painted black.

Despite such measures enforced by the Taliban government's morality police, Behzad is still inspiring young Afghans.

Around a dozen women gathered in a workshop to paint miniature art scenes on glass or paper, which they sell through social media or to acquaintances.

The UNESCO recognition is motivating, said Parisa Narwan, 24, who has been unable to participate in scholarships and exhibitions abroad because it has become practically impossible to get visas.

Artists need opportunities "including international exhibitions and financial support", she said.

One of the other artists contemplated how she would address Behzad today: "I wish he could have lived now -- I would ask him to improve the women's life in Afghanistan because it is really difficult."


Saudi Arabia: Hira Cultural District's Museum Displays World's Largest Quran Copy

The manuscript measures 312 by 220 centimeters and comprises 700 pages. SPA
The manuscript measures 312 by 220 centimeters and comprises 700 pages. SPA
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Saudi Arabia: Hira Cultural District's Museum Displays World's Largest Quran Copy

The manuscript measures 312 by 220 centimeters and comprises 700 pages. SPA
The manuscript measures 312 by 220 centimeters and comprises 700 pages. SPA

The Holy Quran Museum at the Hira Cultural District is showcasing a monumental handwritten copy of the Holy Quran, recognized as the largest Quran of its kind in the world, the Saudi Press Agency reported.

The manuscript measures 312 by 220 centimeters and comprises 700 pages, earning the museum recognition from Guinness World Records for displaying the world's largest Quran, SPA said.

The manuscript is a magnified reproduction of a historic Quran dating back to the 10th century AH (16th century CE). The original copy measures 45 by 30 centimeters with the chapters written primarily in Thuluth script, while Surah Al-Fatiha was penned in Naskh, reflecting the refined artistic choices and calligraphic diversity of that era.

The Quran is a unique example of Arabic calligraphy, gilding, and bookbinding, showcasing features of Islamic art through intricate decorations, sun-shaped motifs on the opening folio, and frontispiece and title pages, reflecting the high level of artistic mastery of that era.

The manuscript was endowed as a waqf in 1300 AH (1883 CE). Its original version is currently preserved at the King Abdulaziz Complex for Endowment Libraries, remaining a lasting testament to Muslims' enduring reverence for the Quran and the richness of the Islamic arts associated with it across the centuries.