Five Things to Know About the Grand Egyptian Museum

Egyptian Prime Minister Mostafa Madbouli, speaks to the press prior to the official opening of the Grand Egyptian Museum (GEM) in Giza, on the southwestern outskirts of the capital Cairo on November 1, 2025. (AFP)
Egyptian Prime Minister Mostafa Madbouli, speaks to the press prior to the official opening of the Grand Egyptian Museum (GEM) in Giza, on the southwestern outskirts of the capital Cairo on November 1, 2025. (AFP)
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Five Things to Know About the Grand Egyptian Museum

Egyptian Prime Minister Mostafa Madbouli, speaks to the press prior to the official opening of the Grand Egyptian Museum (GEM) in Giza, on the southwestern outskirts of the capital Cairo on November 1, 2025. (AFP)
Egyptian Prime Minister Mostafa Madbouli, speaks to the press prior to the official opening of the Grand Egyptian Museum (GEM) in Giza, on the southwestern outskirts of the capital Cairo on November 1, 2025. (AFP)

Near the ancient Pyramids of Giza just outside Cairo, the Grand Egyptian Museum (GEM) is gearing up for its lavish opening on Saturday after two decades of delays.

Massive statues and historic artifacts from the country's ancient civilization will be on display across the 24,000 square meters (258,000 square feet) of permanent exhibition space.

Here are five things to know about the long-awaited museum, which Egyptian authorities have called "the largest cultural building of the 21st century".

‘Fourth pyramid’

An imitation of the nearby pyramids of Khufu, Khafre and Menkaure, the museum's triangular glass structure was designed by the Irish firm Heneghan Peng Architects.

The state-of-the-art complex -- dubbed the "fourth pyramid" of the Giza Plateau –- houses around 100,000 artifacts from the 30 dynasties of ancient Egypt's pharaohs.

About half of the collection is on display, with the rest kept in storage.

20 years in the making

The towering $1 billion facility, which has been more than 20 years in the making, is expected to draw more than 5 million visitors every year.

The government hopes the museum will play a central role in reviving an Egyptian economy battered by debt and inflation.

Ramses

An 11-meter (36-foot) granite statue of Ramses the Great greets visitors in the vast entrance atrium.

Ramses II -- the third king of the 19th Dynasty -- reigned more than 3,000 years ago (1279-1213 BC) and is among the greatest of all the Egyptian pharaohs.

His statue has toured the world twice, attracting millions of visitors in 1986 and then from 2021 to 2025.

The GEM will be the statue's final home after several relocations since its discovery in 1820 near a temple in ancient Memphis, south of Cairo.

From 1954 to 2006 the statue stood in front of Cairo's main train station.

Boy king

One gallery is dedicated to the 5,000 artifacts from the collection of King Tutankhamun, the most well-known figure of Ancient Egypt.

The full collection is in one place for the first time since British archaeologist Howard Carter discovered the famed pharaoh's tomb in the Valley of the Kings near Luxor in 1922.

The boy king's gold-covered sarcophagus and his burial mask, inlaid with lapis lazuli, will take center stage at Saturday's opening.

After years of debate, genetic tests conducted in the early 2010s suggested malaria and a bone disease led to the pharaoh's death at the age of 19.

A separate building was designed for the 4,600-year-old solar boat of Pharaoh Khufu, one of the largest and oldest wooden artifacts from antiquity.

The 44-meter-long (144-foot) cedar and acacia wooden boat was discovered in 1954 near the Great Pyramid of Khufu -- the largest of the three structures.

Over the next three years, visitors will also be able to watch experts from behind a glass wall as they restore another boat discovered in 1987.

Frequent delays

The museum was partially opened to the public in October 2024.

Launched in 2002 under then-President Hosni Mubarak, its grand opening was delayed by political turmoil after the 2011 uprising, the Covid-19 pandemic and regional conflicts.

The GEM is built around a colossal six-storey staircase lined with mammoth statues and ancient tombs leading to a panoramic window with a view of the nearby pyramids.

Twelve main galleries trace civilization across 5,000 years of history, from prehistoric times to the Roman era.

The complex also includes storage areas open to researchers, laboratories and restoration workshops.

It will open to the public on November 4.



UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.


New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.