NBC's 'Stumble' Is a Mockumentary About a Cheer Team with Plenty of Tumbling Runs and Heart

 This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
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NBC's 'Stumble' Is a Mockumentary About a Cheer Team with Plenty of Tumbling Runs and Heart

 This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)

Bodies go flying and tumbling in NBC's latest comedy series, "Stumble," a mocking but loving look at the competitive world of cheer from a brother-and-sister writing team.

Jeff and Liz Astrof have created a mockumentary about a ragtag group of recruits building a cheer team from scratch at a junior college in a tiny Oklahoma town with an unpronounceable name.

"Liz and I both love having heart, and we believe that if you have a really silly comedy like this, it has to be balanced by heart," says Jeff Astrof.

Jenn Lyon stars as a determined coach who needs to win one more trophy to be crowned the winningest coach in college cheer history. She finds herself in a gym with a dead opossum and some gnarly, would-be team candidates.

One has narcolepsy, one is a poached football star, a few are filthy dancers on TikTok, there's a 37-year-old rental car manager who technically never graduated, a felon with an ankle monitor and an 18-year-old with a messy home life. Even so, the creators promise one "cheer wow set piece" per episode.

"What’s so incredible is that these kids have never trusted anyone before or been trusted. Cheer is all about trust: Someone’s going to catch you, someone’s going to throw you in the air," says Liz Astrof. "It’s all about trust and all of them learning how to trust each other and trust themselves and be trusted."

NBC is building on its strong base of comedic mockumentaries — think "The Office,Parks and Recreation" and "The Paper" — with "Stumble," inspired by the 2020-22 Netflix docuseries "Cheer," which followed a Texas team preparing for a national cheerleading competition in Daytona Beach, Florida.

"It’s an underdog story," says Jeff Astrof. "What we loved about the documentary ‘Cheer’ was that these kids had really rough lives. We love that part of it."

The show — which debuts Friday on NBC and is available to stream the next day on Peacock — also features as a recurring guest star Kristin Chenoweth, the 4-foot-11 Broadway star, as assistant coach Tammy Istiny (read that name again), and former "Saturday Night Live" player Taran Killam as a football coach and husband of our cheer coach.

The pilot is all about gathering the team. The following episodes are about how to navigate them to Daytona from out the METH Conference (you read that right). "I'm so excited about this season. We've got a great group of kids and one middle-aged man," coach tells the media. They'll have to overcome ego, injuries and infighting for a chance at the title.

"Stumble" marks the first time Jeff and Liz Astrof have created a show together. Speaking to them is like talking to a comfortable comedy duo, each cracking the other up with another joke.

"We always bring out the best in each other, and it’s always good when we’re together in the room and have each other’s back," says Liz Astrof. "We would talk 17,000 times a day anyway, but it would usually be complaining about our jobs."

"This cuts that out," says her brother.

Jeff Astrof’s credit include "The New Adventures of Old Christine,Grounded for Life,Trial & Error" and "Ground Floor." His sister's credits include "Not Dead Yet,Last Man Standing,2 Broke Girls" and "The Conners."

When asked what are the hallmarks of their familial sense of humor, he immediately deadpans: "Trauma." Liz builds on that: "Trauma plus time, and the more time goes by, the funnier we are."

They both admit to being outgoing A-type personalities — who each married more introverted people — and whose sense of comedy didn't always come from a happy place.

"People are like, ‘Wow, you must have had a really funny household.’ And I was like, ‘That’s not how you make two sitcom writers,’" says Jeff Astrof. Adds his sister, with a laugh: "That’s not how you become funny."



Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
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Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)

Actor Blake Lively and director Justin Baldoni came to a New York courthouse on Wednesday to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial.

The talks between lawyers went on over a six-hour period before Lively and Baldoni left the Manhattan federal courthouse separately and went straight to their waiting cars without saying anything. Lively looked stern as she walked out while Baldoni was smiling.

Baldoni's attorney Bryan Freedman said in an email that the talks did not result in a settlement, The Associated Press said.

Mandatory settlement talks are generally required before a civil case proceeds to trial. They are not held in public.

Their acrimonious yearlong litigation has cast a wide net across the entertainment world, drawing into the headlines other actors, musicians and celebrities and raising questions about the power, influence and gender dynamics in Hollywood.

Lively sued Baldoni and his hired crisis communications expert alleging harassment and a coordinated campaign to attack her reputation after she complained about his treatment of her on the movie set.

Baldoni and his Wayfarer Studios production company countersued Lively and her husband, “Deadpool” actor Ryan Reynolds, accusing them of defamation and extortion. Judge Lewis J. Liman dismissed that suit last June.

The trial, scheduled for May 18, was expected to be star-studded. Lively’s legal team had indicated in court papers that people likely to have information about the case included singer Taylor Swift, model Gigi Hadid, actors Emily Blunt, Alexis Bledel, America Ferrera and Hugh Jackman, influencer Candace Owens, media personality Perez Hilton and designer Ashley Avignone.


'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
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'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)

James Van Der Beek, a heartthrob who starred in coming-of-age dramas at the dawn of the new millennium, shooting to fame playing the titular character in “Dawson’s Creek” and in later years mocking his own hunky persona, has died. He was 48.

“Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come,” said a statement from the actor's family posted on Instagram.

“For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother and friend.”

Van Der Beek revealed in 2024 that he was being treated for colorectal cancer.

Van Der Beek made a surprise video appearance in September at a “Dawson's Creek” reunion charity event in New York City after previously dropping out due to illness.

He appeared projected onstage at the Richard Rodgers Theatre during a live reading of the show’s pilot episode to benefit F Cancer and Van Der Beek. Lin-Manuel Miranda subbed for him on stage.

"Thank you to every single person here,” The Associated Press quoted Van Der Beek as saying.

A one-time theater kid, Van Der Beek would star in the movie “Varsity Blues” and on TV in “CSI: Cyber” as FBI Special Agent Elijah Mundo, but was forever connected to “Dawson’s Creek,” which ran from 1998 to 2003 on The WB.

The series followed a group of high school friends as they learned about falling in love, creating real friendships and finding their footing in life. Van Der Beek, then 20, played 15-year-old Dawson Leery, who aspired to be a director of Steven Spielberg quality.


How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.