NBC's 'Stumble' Is a Mockumentary About a Cheer Team with Plenty of Tumbling Runs and Heart

 This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
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NBC's 'Stumble' Is a Mockumentary About a Cheer Team with Plenty of Tumbling Runs and Heart

 This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)

Bodies go flying and tumbling in NBC's latest comedy series, "Stumble," a mocking but loving look at the competitive world of cheer from a brother-and-sister writing team.

Jeff and Liz Astrof have created a mockumentary about a ragtag group of recruits building a cheer team from scratch at a junior college in a tiny Oklahoma town with an unpronounceable name.

"Liz and I both love having heart, and we believe that if you have a really silly comedy like this, it has to be balanced by heart," says Jeff Astrof.

Jenn Lyon stars as a determined coach who needs to win one more trophy to be crowned the winningest coach in college cheer history. She finds herself in a gym with a dead opossum and some gnarly, would-be team candidates.

One has narcolepsy, one is a poached football star, a few are filthy dancers on TikTok, there's a 37-year-old rental car manager who technically never graduated, a felon with an ankle monitor and an 18-year-old with a messy home life. Even so, the creators promise one "cheer wow set piece" per episode.

"What’s so incredible is that these kids have never trusted anyone before or been trusted. Cheer is all about trust: Someone’s going to catch you, someone’s going to throw you in the air," says Liz Astrof. "It’s all about trust and all of them learning how to trust each other and trust themselves and be trusted."

NBC is building on its strong base of comedic mockumentaries — think "The Office,Parks and Recreation" and "The Paper" — with "Stumble," inspired by the 2020-22 Netflix docuseries "Cheer," which followed a Texas team preparing for a national cheerleading competition in Daytona Beach, Florida.

"It’s an underdog story," says Jeff Astrof. "What we loved about the documentary ‘Cheer’ was that these kids had really rough lives. We love that part of it."

The show — which debuts Friday on NBC and is available to stream the next day on Peacock — also features as a recurring guest star Kristin Chenoweth, the 4-foot-11 Broadway star, as assistant coach Tammy Istiny (read that name again), and former "Saturday Night Live" player Taran Killam as a football coach and husband of our cheer coach.

The pilot is all about gathering the team. The following episodes are about how to navigate them to Daytona from out the METH Conference (you read that right). "I'm so excited about this season. We've got a great group of kids and one middle-aged man," coach tells the media. They'll have to overcome ego, injuries and infighting for a chance at the title.

"Stumble" marks the first time Jeff and Liz Astrof have created a show together. Speaking to them is like talking to a comfortable comedy duo, each cracking the other up with another joke.

"We always bring out the best in each other, and it’s always good when we’re together in the room and have each other’s back," says Liz Astrof. "We would talk 17,000 times a day anyway, but it would usually be complaining about our jobs."

"This cuts that out," says her brother.

Jeff Astrof’s credit include "The New Adventures of Old Christine,Grounded for Life,Trial & Error" and "Ground Floor." His sister's credits include "Not Dead Yet,Last Man Standing,2 Broke Girls" and "The Conners."

When asked what are the hallmarks of their familial sense of humor, he immediately deadpans: "Trauma." Liz builds on that: "Trauma plus time, and the more time goes by, the funnier we are."

They both admit to being outgoing A-type personalities — who each married more introverted people — and whose sense of comedy didn't always come from a happy place.

"People are like, ‘Wow, you must have had a really funny household.’ And I was like, ‘That’s not how you make two sitcom writers,’" says Jeff Astrof. Adds his sister, with a laugh: "That’s not how you become funny."



Nicolas Cage Film Stopped Amid Nazi Flag Concerns

Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
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Nicolas Cage Film Stopped Amid Nazi Flag Concerns

Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 

The East London council shut down the production of an upcoming war film starring Nicolas Cage due to concerns over Nazi iconography, according to British METRO website.

The American Oscar-winning actor, 62, is due to star in Fortitude, a historical spy action-adventure film directed by Simon West.

Set during the Second World War, the film tells the true story of Operation Fortitude, which was undertaken by the Allied Forces in 1944 to deceive Nazi Germany leaders and mislead Nazi Intelligence.

British Intelligence operatives utilized unprecedented strategic operations such as double agents, fake armies, and military equipment to mislead the Nazis about the nature and timing of D-Day, the storming of Normandy.

Filming began in London on September 8, 2025, with other cast members including Matthew Goode, Ed Skrein, Alice Eve, Michael Sheen, and Ben Kingsley.

However, the crew encountered a hurdle when plans to shoot at Waltham Forest Town Hall fell through.

Set dressing would have included draping flags emblazoned with the swastika over the building.

While a filming permit was not formally granted and the council did not collect a fee for such, Waltham Forest Council initially signed off on the project under the conditions that residents would be consulted and “Nazi-era flags and symbols were not publicly visible.”

But production was “abruptly” brought forward to September, having originally been planned for October, meaning there was not enough time for consultation with locals.

 

 


Paramount Skydance Sues Warner Bros for Details on Netflix Deal

Paramount and Warner Bros logos are seen in this illustration taken December 8, 2025. (Reuters)
Paramount and Warner Bros logos are seen in this illustration taken December 8, 2025. (Reuters)
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Paramount Skydance Sues Warner Bros for Details on Netflix Deal

Paramount and Warner Bros logos are seen in this illustration taken December 8, 2025. (Reuters)
Paramount and Warner Bros logos are seen in this illustration taken December 8, 2025. (Reuters)

Paramount Skydance on Monday sued Warner Bros Discovery for more information on a rival $82.7 billion deal with Netflix, escalating a battle to take control of one of the most storied Hollywood studios.

The David Ellison-led company also said it plans to nominate directors to Warner Bros Discovery's board, in one of its most aggressive steps yet to convince shareholders that its hostile $30-per-share cash bid is superior to the $27.75-per-share cash-and-stock offer from Netflix.

The CBS parent and Netflix have been in a heated battle for Warner Bros, its prized film and television studios, and its extensive content library that ‌includes "Harry Potter" and ‌the DC Comics universe.

In a letter to ‌shareholders, ⁠Paramount also ‌said it would propose an amendment to Warner Bros' bylaws that would require shareholder approval for any separation of the media giant's cable TV business - which is key to the Netflix deal.

Paramount said last week the value of the cable spinoff was virtually worthless and reiterated its amended $108.4 billion bid after another rejection from the Warner Bros board.

The amended offer ⁠had included $40 billion in equity personally guaranteed by Oracle's co-founder Larry Ellison, the father of ‌Paramount CEO David Ellison, and $54 billion in ‍debt.

"WBD has provided increasingly novel ‍reasons for avoiding a transaction with Paramount, but what it has ‍never said, because it cannot, is that the Netflix transaction is financially superior to our actual offer," Paramount wrote in a letter to Warner Bros shareholders.

"Unless the WBD board of directors decides to exercise its right to engage with us under the Netflix merger agreement, this will likely come down to your vote at a shareholder meeting."

Netflix ⁠and Warner Bros did not immediately respond to requests for comment.

Shares of Warner Bros were down 1.5% in early trading, while Netflix ticked up 0.8% and Paramount 0.3%.

Paramount's argument - one it is using to sway investors - is that its all-cash offer for the whole of Warner Bros offers more certainty than the deal with Netflix for the studios and streaming assets and will more easily clear regulatory hurdles.

The sour performance of Versant, the Comcast cable spinoff, has also given fresh ammunition to Paramount's campaign to convince Warner Bros shareholders its offer is better.

Paramount's tender ‌offer will expire on January 21, but the company can extend it.


‘Hamnet’ and ‘One Battle After Another’ Take Top Honors at Golden Globes

(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
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‘Hamnet’ and ‘One Battle After Another’ Take Top Honors at Golden Globes

(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)

Paul Thomas Anderson’s ragtag revolutionary saga “One Battle After Another” took top honors at Sunday’s 83rd Golden Globes in the comedy category, while Chloé Zhao's Shakespeare drama “Hamnet” pulled off an upset over “Sinners” to win best film, drama.

“One Battle After Another” won best film, comedy, supporting female actor for Teyana Taylor and best director and best screenplay for Anderson. He became just the second filmmaker to sweep director, screenplay and film, as a producer, at the Globes. Only Oliver Stone, for “Born on the Fourth of July,” managed the same feat.

In an awards ceremony that went almost entirely as expected, the night's final award was the most surprising. While “One Battle After Another” has been the clear front-runner this awards season, most have pegged Ryan Coogler's Jim Crow-era vampire thriller as its closest competition.

But “Hamnet,” a speculative drama about William and Agnes Shakespeare based on Maggie O’Farrell's bestseller, won in the dramatic category shortly after its star, Jessie Buckley, won best female actor in a drama.

It was a banner night for Warner Bros., the studio behind “One Battle After Another” and “Sinners.” Warner Bros. Discovery has agreed to be sold to Netflix in an $83 billion deal. Paramount Skydance has appealed to shareholders with its own rival offer.

In his speech after winning best director, Anderson praised Warner co-chief Michael DeLuca. “He said he wanted to run a studio one day and let filmmakers make whatever they want,” said Anderson. “That’s how you get ‘Sinners.’ That’s how you get a ‘Weapons.' That’s how you get ‘One Battle After Another.’”

The final awards brought to, or near, the stage a handful of the most talented filmmakers together in Anderson, Zhao and Coogler — plus Steven Spielberg, a producer of “Hamnet.” Regardless of who won what, it was a heartening moment of solidarity between them, with a shared sense of purpose. Zhao fondly recalled being at Sundance Labs with Coogler when they were each starting out.

“As students, let’s keep our hearts open and let’s keep seeing each other and allowing each other to be seen,” said Zhao, while Coogler smiled from the front row.

“Sinners” won for best score and cinematic and box-office achievement. The win for box office and cinematic achievement, over franchise films like “Avatar: Fire and Ash,” was notable for Coogler's film, a movie that some reports labeled a qualified success on its release.

Yet “Sinners” ultimately grossed $278 million domestically and $368 million worldwide, making it highest grossing original film in 15 years.

“I just want to thank the audience for showing up,” said Coogler. “It’s means the world.”

Coming off years of scandal and subsequent rehabilitation, the Globes and host Nikki Glaser put on a star-studded ceremony that saw wins for the streaming sensation “KPop Demon Hunters” (best animated film, song), a meta triumph for Seth Rogen’s “The Studio” and an inaugural award for podcasting that went to Amy Poehler’s “Good Hang.”

Many of the Oscar favorites won. Timothee Chalamet won his first Golden Globe, for “Marty Supreme,” after four previous nominations. The 30-year-old is poised to win his first Oscar. Fellow nominees like Leonardo DiCaprio and George Clooney stood to applaud his win.

“My dad instilled in me a spirit of gratitude growing up: Always be grateful for what you have,” said Chalamet. “It’s allowed me to leave this ceremony in the past empty handed, my head held high, grateful just to be here. I’d be lying if I didn’t say those moments didn’t make this moment that much sweeter.”

Glaser comes out swinging

The Globes, held at the Beverly Hilton in Beverly Hills, California, got underway with a pointedly political opening from host Nikki Glaser and an early award for the night’s favorite, “One Battle After Another.” Emceeing the show for the second straight year, Glaser kicked off the show with self-aware satire.

“Yes, the Golden Globes, without a doubt the most important thing happening in the world right now,” she said.

In a winning, rapid-fire opening monologue that landed some punch lines on the usual subjects — the age of Leonardo DiCaprio’s dates, Kevin Hart’s height — Glaser also dove right into some of her most topical material.

For the on-the-block Warner Bros., Glaser started the bidding at $5. Referencing the Epstein files, she suggested best editing should go to the Justice Dept. The “most editing,” however, she suggested deserved to go to Bari Weiss’ new CBS News — a dig at the Paramount Skydance-owned network airing the Globes.

Political tension and industrywide uncertainty were the prevailing moods heading into Sunday’s awards. Hollywood is coming off a disappointing box-office year and now anxiously awaits the fate of one of its most storied studios, Warner Bros.

The Globes, formerly presented by the Hollywood Foreign Press Association, have no overlap or direct correlation with the Academy Awards. After being sold in 2023 to Todd Boehly’s Eldridge Industries and Dick Clark Productions, a part of Penske Media, the Globes are voted on by around 400 people. The Oscars are voted on by more than 10,500 professionals.

But in the fluctuating undulations of awards season, a good speech at the Globes can boost an Oscar campaign. Winners Sunday included Rose Byrne (“If I Had Legs I'd Kick You”) for best female actor in a comedy or musical, and Wagner Moura, the Brazilian star of “The Secret Agent,” for best male actor in a drama. Kleber Mendonça Filho's period political thriller also won best international film.

“I think if trauma can be passed along generations, values can do,” Moura said. “So this to the ones who are sticking with their values in difficult moments.”

Other winners Sunday included the supporting actor front-runner, Stellan Skarsgård who won for the Norwegian family drama “Sentimental Value.” It was the first major Hollywood movie award for the 74-year-old, a respected veteran actor who drew a standing ovation.

“I was not prepared for this because I, of course, thought I was too old,” said Skarsgård.

‘The Studio' and 'Adolesence' win

In the television awards, “The Pitt” took best drama series, while Noah Wyle won, too, brushing past his former “ER”-star Clooney on the way to the stage. Netflix’s “Adolescence” won four awards: best limited series, and acting awards for Erin Doherty, Stephen Graham and 16-year-old Owen Cooper.

Other winners included Rhea Seehorn for “Pluribus” and Jean Smart for “Hacks.”

But the most comically poignant award of the night went to “The Studio,” the best comedy series winner. Seth Rogen’s Hollywood satire memorably included an episode devoted to drama around a night at the Globes. (Sample line: “I remember when the red carpet of the Golden Globes actually stood for something.”)

Rogen also won best male actor in a comedy. “This is so weird,” Rogen said, chuckling. “We just pretended to do this. And now it’s happening.”