Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
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Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP

One bucket at a time, Palestinian workers cleared sand and crumbling mortar from the remains of an former medieval fortress turned museum in Gaza City, damaged by two years of fighting between Israel and Hamas.

A dozen workers in high visibility jackets worked by hand to excavate the bombarded buildings that remain of the Pasha Palace Museum -- which reputedly once housed Napoleon Bonaparte during a one-night stay in Gaza -- stacking stones to be reused in one pile, and rubble to be discarded in another.

Overhead, an Israeli surveillance drone buzzed loudly while the team toiled in silence.

"The Pasha Palace Museum is one of the most important sites destroyed during the recent war on Gaza City," Hamouda al-Dahdar, the cultural heritage expert in charge of the restoration works, told AFP, adding that more than 70 percent of the palace's buildings were destroyed.

As of October 2025, the UN's cultural heritage agency, UNESCO, had identified damage at 114 sites since the start of the war in Gaza on October 7, 2023, including the Pasha Palace.

Other damaged sites include the Saint Hilarion Monastery complex -- one of the oldest Christian monasteries in the Middle East -- and Gaza City's Omari Mosque.

Issam Juha, director of the Center for Cultural Heritage Preservation, the nonprofit organization in the Israeli-occupied West Bank who is helping coordinate the castle's restoration at a distance, said the main issue was getting materials into Gaza.

"There are no more materials and we are only managing debris, collecting stones, sorting these stones, and have minimal intervention for the consolidation," Juha told AFP.

Israel imposed severe restrictions on the Gaza Strip at the start of the war, causing shortages of everything including food and medicine.

After a US-brokered ceasefire deal came into effect in October, aid trucks began flowing in greater numbers, but each item crossing into Gaza must be approved by strict Israeli vetting, humanitarian organizations say.

Juha said the ceasefire had allowed workers to resume their excavations.

Before, he said, it was unsafe for them to work and "people were threatened by drones that were scanning the place and shooting".

Juha said that at least 226 heritage and cultural sites were damaged during the war, arguing his number was higher than UNESCO's because his teams in Gaza were able to access more areas.

Juha's organization is loosely affiliated with the Ramallah-based Palestinian Authority's ministry of antiquities, he said.

"Our cultural heritage is the identity and memory of the Palestinian people," Dahdar said in Gaza City.

"Before the war, the Pasha's Palace contained more than 17,000 artefacts, but unfortunately all of them disappeared after the invasion of the Old City of Gaza," he said.

He added that his team had since recovered 20 important artefacts dating back to the Roman, Byzantine and Islamic eras.

Gaza's history stretches back thousands of years, making the tiny Palestinian territory a treasure trove of archaeological artefacts from past civilizations including Canaanites, Egyptians, Persians and Greeks.

"We are... salvaging the archaeological stones in preparation for future restoration work, as well as rescuing and extracting any artefacts that were on display inside the Pasha Palace," Dahdar said.

As the pile of excavated rubble already several metres high grew, one craftsman carefully restored a piece of stonework bearing a cross mounted with an Islamic crescent.

Another delicately brushed the dust off stonework bearing Islamic calligraphy.

"We are not talking about just an old building, but rather we are dealing with buildings dating back to different eras," said Dahdar.



Security and History Dialogue 2026 Kicks Off in Riyadh with over 160 Speakers

The Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad. (SPA)
The Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad. (SPA)
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Security and History Dialogue 2026 Kicks Off in Riyadh with over 160 Speakers

The Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad. (SPA)
The Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad. (SPA)

Under the patronage of Minister of Interior Prince Abdulaziz bin Saud bin Naif bin Abdulaziz, the Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad, the Saudi Press Agency reported.

The conference is organized by the Ministry of Interior and themed Our History and Our Future: Security and Growth.

Running through September 8, the conference, a national platform for dialogue and intellectual and historical exchange, will review Saudi Arabia's journey in the fields of security and growth.

It will explore the Kingdom's experience and transformations from various perspectives, including security, politics, economy, society, culture, national identity, awareness, international relations, and institution building.

The conference program includes more than 65 dialogue sessions and interactive meetings, with the participation of more than 30 entities. It is expected to attract more than 5,000 visitors.

The program will address a range of topics, including the history of the Kingdom and the roots of its security; the personality of Founding King Abdulaziz; citizenship, identity, and national heritage; the Kingdom's role in security and peace; the future of security capabilities and international partnerships; artificial intelligence and future security; and the role of women, family, citizens, media, and security sectors in promoting awareness and stability.

It will also review local and international experiences and perspectives related to the Kingdom's history and transformations.


Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
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Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition concluded its six-month run at the Red Sea Museum in Historic Jeddah, offering visitors an educational journey into centuries of maritime trade, navigation, and pilgrimage.

Housed at the historic Bab Al-Bunt building since February 25, the exhibition highlighted the Red Sea's historical role as a vital trade artery connecting the Arabian Peninsula with the Mediterranean, Africa, and Asia.

Structured across four thematic zones, the galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets, SPA reported.

Among the exhibition's centerpiece displays was the 18th-century Umluj shipwreck, discovered submerged 20 to 22 meters deep amid coral reefs. Its recovered cargo—including commercial containers, pottery, coins, ceramics, and daily shipboard tools alongside antique navigational instruments and nautical maps—illustrated the vibrant human exchange that traversed regional waters.

Organized in collaboration with the Heritage Commission and the Historic Jeddah Program, the exhibition was also part of the summer season's cultural offerings, combining interactive public programming with scientific research to bolster cultural tourism and raise awareness of the Kingdom's underwater heritage.


Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
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Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)

Diriyah Art Futures (DAF), the first center for New Media Arts in the Middle East and North Africa, launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors.

Visitors explored a diverse range of cutting-edge technological media, including immersive and multimedia installations, light, sound, moving image, virtual reality, mixed reality, and AI-generated projects, the Saudi Press Agency reported.

CONTINUUM ’26 features artworks produced by 16 emerging artists and two mentors during DAF’s year-long Emerging New Media Artists Program. Curated by Irini Papadimitriou and Bushra Alghamdi, Assistant Curator, the exhibition explores questions surrounding memory, identity, place, belonging, repetition, and interspecies relationships.

Developed under the mentorship of artists Louis-Philippe Demers and Rick Treweek, the artworks explore the boundaries between the real and the artificial, human and artificial intelligence, the organic and synthetic.

Speaking at the exhibition launch, CEO of the Museums Commission Eng. Abdullah bin Abdulaziz Al-Hammad said: “Programs like the Emerging New Media Artists Program represent the long-term, deliberate investment needed to shape the future of the Kingdom's museum sector.

“By providing our artists with world-class facilities, mentorship, and the dedicated time to refine their craft, we are fueling innovation and sparking vital cultural conversations. CONTINUUM 26 brings a full year of that dedication into the public eye.”

The opening program kicked off with a panel conversation between exhibition artists Noel Apitta, Njood Albwardi, Badriya Alsalem, and Harpreet Sareen, in conversation with Bushra Alghamdi about the ideas behind their works in CONTINUUM '26.

The artists discussed the exhibition's themes – the power of artificial intelligence; memory and time; and embodied perception – exploring how each artist navigated their creative process and what questions drove them.

CONTINUUM ’26 is the second installment in a series of exhibitions at DAF, spotlighting diverse voices shaping the future of New Media Art in the region and beyond.

Developed in collaboration with Le Fresnoy – Studio national des arts contemporains in France, the Emerging New Media Artists Program gives emerging artists access to cutting-edge professional equipment and a production budget, as well as a wide range of multidisciplinary learning opportunities.

CONTINUUM ’26 is open to the public at Diriyah Art Futures and runs until November 7. The exhibition is accompanied by a public program of workshops, talks and other activities spanning AI, VR, digital photography, and much more.

Meet the Artists: an invitation to encounter the works of CONTINUUM '26 through the perspectives of the artists who made them. Over the opening weekend, artists will discuss the ideas and processes behind their works with visitors.