Archaeologists Lift the Lid on a 1,700-year-old Roman Sarcophagus Hidden beneath Budapest

This photo released by Budapest History Museum shows an intact Roman sarcophagus after its lid was lifted at an archeological site in Budapest, Hungary, Sept. 30, 2025. (Gabor Lakos, Budapest History Museum via AP)
This photo released by Budapest History Museum shows an intact Roman sarcophagus after its lid was lifted at an archeological site in Budapest, Hungary, Sept. 30, 2025. (Gabor Lakos, Budapest History Museum via AP)
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Archaeologists Lift the Lid on a 1,700-year-old Roman Sarcophagus Hidden beneath Budapest

This photo released by Budapest History Museum shows an intact Roman sarcophagus after its lid was lifted at an archeological site in Budapest, Hungary, Sept. 30, 2025. (Gabor Lakos, Budapest History Museum via AP)
This photo released by Budapest History Museum shows an intact Roman sarcophagus after its lid was lifted at an archeological site in Budapest, Hungary, Sept. 30, 2025. (Gabor Lakos, Budapest History Museum via AP)

A remarkably well-preserved Roman sarcophagus has been unearthed in Hungary’s capital, offering a rare window into the life of the young woman inside and the world she inhabited around 1,700 years ago.

Archaeologists with the Budapest History Museum discovered the limestone coffin during a large-scale excavation in Óbuda, a northern district of the city that once formed part of Aquincum, a bustling Roman settlement on the Danube frontier.

Untouched by looters and sealed for centuries, the sarcophagus was found with its stone lid still fixed in place, secured by metal clamps and molten lead. When researchers carefully lifted the lid, they uncovered a complete skeleton surrounded by dozens of artifacts, The AP news reported.

“The peculiarity of the finding is that it was a hermetically sealed sarcophagus. It was not disturbed previously, so it was intact,” said Gabriella Fényes, the excavation’s lead archaeologist.

The coffin lay among the ruins of abandoned houses in a quarter of Aquincum vacated in the 3rd century and later repurposed as a burial ground. Nearby, researchers uncovered a Roman aqueduct and eight simpler graves, but none approaching the richness or pristine condition of the sealed tomb.

Keeping with Roman funerary customs, the sarcophagus held an array of objects: two completely intact glass vessels, bronze figures and 140 coins. A bone hair pin, a piece of amber jewelry and traces of gold-threaded fabric, along with the size of the skeleton, point to the grave belonging to a young woman.

The objects, Fényes said, were “items given to the deceased by her relatives for her eternal journey.”

“The deceased was buried very carefully by her relatives. They must have really loved who they buried here,” she said.

During the Roman period, much of what is now Hungary formed the province of Pannonia, whose frontier ran along the right bank of the Danube River less than a mile (1.6 kilometers) from the site. A short distance away stood a legionary camp guarding the empire’s border, and the newly found structures are believed to have been part of the civilian settlement that grew around it.

Anthropologists will now examine the young woman’s remains, a process expected to reveal more about her age, health and origins. But even now, the grave’s placement and abundance of artifacts offer strong clues.

The sarcophagus and its contents “definitely make it stand out,” said Gergely Kostyál, a Roman-period specialist and coleader of the project. “This probably means that the deceased was well-to-do or of a higher social status.”

“It is truly rare to find a sarcophagus like this, untouched and never used before, because in the fourth century it was common to reuse earlier sarcophagi,” he added. “It is quite clear that this sarcophagus was made specifically for the deceased.”

Excavators also removed a layer of mud roughly 4 centimeters (1.5 inches) thick from inside the coffin that Fényes hopes could contain more treasures.

“I suspect we could find jewelry. We haven’t found any earrings or other jewelry belonging to the woman, so I hope that these small items will turn up during the sifting of the mud,” she said.

For Fényes, the discovery of the Roman sarcophagus is not only of scientific significance, but an emotionally resonant insight into the devotion displayed by people in an ancient time.

“I was very touched by the care and expression of love that we were able to get a glimpse of,” she said. “Even now, I shudder to think how painful it must have been for the people at that time to bury this young lady.”



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.