Saudi Museums Commission Hosts Virtual ‘Open Talk’ Exploring the Red Sea Museum

Saudi Museums Commission Hosts Virtual ‘Open Talk’ Exploring the Red Sea Museum
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Saudi Museums Commission Hosts Virtual ‘Open Talk’ Exploring the Red Sea Museum

Saudi Museums Commission Hosts Virtual ‘Open Talk’ Exploring the Red Sea Museum

The Museums Commission organized a virtual open talk on Monday titled “The Red Sea Museum: A Window into the Cultural Heritage of the Red Sea Region,” held as part of the commission’s monthly series designed to raise awareness of national museum projects, according to a press release, SPA reported.

The panel featured a distinguished lineup of experts and researchers in the museum and cultural heritage sectors, including the former Assistant Minister of Tourism and Antiquities in Egypt; Director of the Red Sea Museum Eman Zidan; and Director of Underwater Heritage at the Heritage Commission Dr. Majed Alanazi. The talk was moderated by Director of Public Relations and Content at the Museums Commission Attia Alrajhi.

The discussion highlighted the key features of the Red Sea Museum’s cultural identity and heritage, as well as the ongoing developments at the museum. This cultural and tourism landmark aims to document the region’s history, with a particular focus on Bab Al-Bunt, a site of significant historical importance in Historic Jeddah.

The meeting provided an overview of the design phases for the Red Sea Museum, which is planned to become a cultural and tourism hub in the area. The museum will narrate the building’s history to visitors and document both tangible and intangible heritage, highlighting its key collections, stories, and temporary exhibits. Besides its future role in safeguarding culture and heritage, the museum will also host a public program that features workshops, training sessions, open dialogues, and seminars.

 

These activities range from training artisans through the “Made in the Red Sea” initiative to sustainable art projects such as “Red Sea Art” and musical performances that celebrate the region’s heritage, including the “Red Sea Symphony,” which explores horizons that blend authenticity with societal customs.

The museum offers a cultural experience that meets international standards, blending modern technologies, research practices, and collection preservation, enhanced by collaboration with local and global institutions. It also provides visitors with interactive pathways that deepen their understanding of the Red Sea as a space for intellectual, artistic, and social exchange, along with educational content tailored to different age groups.

The meeting highlighted the collaborations established between the Red Sea Museum and other cultural sectors and institutions, such as the Heritage Commission to organize the International Red Sea Conference to be held at the Red Sea Museum in April 2026, and the Music Commission and Tariq Abdulhakim Museum to produce a symphony reflecting the cities along the Red Sea coast. Zidan noted that the museum’s cooperation extends to cultural institutions, indicating that these collaborations reflect the efforts of cultural institutions to foster art and culture in the region.

The Red Sea Museum is set to open on December 6 as part of the Quality of Life Program initiatives to achieve the goals of Saudi Vision 2030. The project embodies the Kingdom’s commitment to safeguarding its cultural heritage through a sustainable approach that enriches knowledge and enhances development in Historic Jeddah.

The museum stands as a landmark housing a collection of exceptional importance that ranges from archaeological discoveries to artistic masterpieces, offering perspectives on the tangible, intangible, and natural treasures of the Red Sea. Through its programs and activities, the museum seeks to enhance awareness of the environmental and cultural diversity of the Red Sea region, providing an environment that inspires creativity and contributes to building communication between local and global communities.



'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
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'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)

The people of Saudi Arabia’s AlUla have long maintained a close relationship with nature, reflected in their careful observation of crescent moons and the determination of lunar months, particularly Ramadan and Shawwal (Eid). This tradition was carried out through a role locally known as the “Moon Spotter,” reflecting inherited astronomical knowledge passed down through generations.

Known for sharp eyesight and precise knowledge of celestial timings, the Moon Spotter relied on traditional methods, including placing a copper vessel filled with water at an elevated position to observe the reflections of the sun and moon, which helped determine the crescent's position with accuracy.

Upon sighting the crescent, he would mark the reflected point with a palm frond before notifying the relevant court to contribute to the official announcement, the Saudi Press Agency said.

This heritage is closely tied to AlUla's historically clear skies, which enabled residents to observe celestial bodies with clarity and fostered a lasting connection to astronomy as part of their cultural legacy.


Dutch Museum Makes ‘Needle in a Haystack’ Confirmation of Rembrandt Painting

Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
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Dutch Museum Makes ‘Needle in a Haystack’ Confirmation of Rembrandt Painting

Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo
Poeple look at Rembrandt's famed Night Watch, which is back on display in what researchers say in its original size, with missing parts temporarily restored in an exhibition aided by artificial intelligence, at Rijksmuseum in Amsterdam, Netherlands June 23, 2021. REUTERS/Piroschka van de Wouw/File Photo

A painting that was once rejected as a work by Rembrandt van Rijn has now been acknowledged as a work by the Dutch master, thanks to two years of scrutiny in the city where the then-27-year-old artist painted it in 1633, a museum announced Monday. 

The Netherlands' national art and history museum, the Rijksmuseum, unveiled the work, “Vision of Zacharias in the Temple,” and said painstaking analysis including high-tech scans has confirmed it was painted by Rembrandt after he moved to the capital, Amsterdam. 

The painting hasn't been on public display in decades after being bought by a private collector in 1961, a year after it was deemed not to be a Rembrandt, the museum said in a statement. From Wednesday, will go on show among other masterpieces at the Rijksmusuem, where it is on long-term loan. 

Director Taco Dibbits said the museum often gets emails from people asking if the painting they own might just be by the Golden Age master. 

“We always hope to find a new Rembrandt, but this happens rarely," he told The Associated Press. He said making such a discovery “is just like (finding) a needle in a haystack.” 

The owner, who has remained anonymous, initially asked the museum only if the painting was Dutch. 

“He really didn’t know what he had. And then to discover that it’s a Rembrandt is something that’s amazing to experience,” Dibbits said. 

An in-depth study of the work, including macro X-ray fluorescence scans and comparisons with other works by the artist, confirmed Rembrandt painted it, said the museum’s curator of 17th century Dutch paintings, Jonathan Bikker. 

“So the wood that was used for the panel on which it’s painted, that is definitely from a tree that was cut down before 1633, the date on the painting,” he said. 

"All the pigments, the paint in the painting were used by Rembrandt in other paintings. And the layers of paint and how he painted it, that is also precisely the same as in other works by Rembrandt,” he added. 

The work joins about 350 known Rembrandt paintings and raised the hope that there may be more. 

“We’re not actively looking for new paintings by Rembrandt, but I think this gives us hope — not just us, but everyone who’s interested in Rembrandt,” Bikker said. 


UNESCO-listed Golestan Palace in Tehran Damaged in Strikes

Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
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UNESCO-listed Golestan Palace in Tehran Damaged in Strikes

Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)
Plumes of smoke rise after a strike in Tehran, Iran, Sunday, March 1, 2026. (AP Photo)

Iran's UNESCO-listed Golestan Palace in Tehran has been damaged in US and Israeli strikes, local media reported Monday.

"Following the joint US-Israeli attack on Arag square in southern Tehran on Sunday evening, parts of the Golestan Palace... were damaged," the ISNA news agency reported, adding that windows, doors, and mirrors were hit by reverberations from blasts.

Iran's Mehr news agency carried a similar report.