France Split over Bardot Tribute

Portraits of late French actress Brigitte Bardot and flowers are displayed on barriers at the entrance of "La Madrague" house, property of late Brigitte Bardot in Saint-Tropez, southeastern France on December 28, 2025. (AFP)
Portraits of late French actress Brigitte Bardot and flowers are displayed on barriers at the entrance of "La Madrague" house, property of late Brigitte Bardot in Saint-Tropez, southeastern France on December 28, 2025. (AFP)
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France Split over Bardot Tribute

Portraits of late French actress Brigitte Bardot and flowers are displayed on barriers at the entrance of "La Madrague" house, property of late Brigitte Bardot in Saint-Tropez, southeastern France on December 28, 2025. (AFP)
Portraits of late French actress Brigitte Bardot and flowers are displayed on barriers at the entrance of "La Madrague" house, property of late Brigitte Bardot in Saint-Tropez, southeastern France on December 28, 2025. (AFP)

French politicians were divided on Monday over how to pay tribute to the late Brigitte Bardot, who despite her screen legend courted controversy and convictions in later life with her far-right views.

The film star died on Sunday aged 91 at home in the south of France. Media around the globe splashed iconic images of her and tributes following the announcement.

Bardot shot to fame in 1956 and went on to appear in about 50 films, but turned her back on cinema in 1973 to throw herself into fighting for animal rights.

Her links to the far-right stirred controversy however.

Bardot was convicted five times for hate speech, mostly about Muslims, but also the inhabitants of the French island of Reunion whom she described as "savages".

She slipped away before dawn on Sunday morning with her fourth husband Bernard d'Ormale, a former adviser to the far right, by her side.

"She whispered a word of love to him ... and she was gone," Bruno Jacquelin, a representative of her foundation for animals, told BFM television.

- 'Cynicism' -

President Emmanuel Macron hailed the actor as a "legend" of the 20th century cinema who "embodied a life of freedom".

Far-right figures were among the first to mourn her.

Marine le Pen, whose National Rally party is riding high in polls called her "incredibly French: free, untamable, whole".

Bardot backed Le Pen for president in 2012 and 2017, and described her as a modern "Joan of Arc" she hoped could "save" France.

Conservative politician Eric Ciotti suggested a national farewell like one organized for French rock legend Johnny Hallyday who died in 2017.

He launched a petition online that had garnered just over 7,000 signatures on Monday.
But few left-wing politicians have spoken about Bardot's passing.

"Brigitte Bardot was a towering figure, a symbol of freedom, rebellion, and passion," Philippe Brun, a senior Socialist party deputy, told Europe 1 radio.

"We are sad she is gone," he said, adding he did not oppose a national homage.

But he did hint at her controversial political views.

"As for her political commitments, there will be time enough -- in the coming days and weeks -- to talk about them," he said.

Communist party leader Fabien Roussel called Bardot a divisive figure.

But "we all agree French cinema created BB and that she made it shine throughout the world," he wrote on X.

Greens lawmaker Sandrine Rousseau was more critical.

"To be moved by the fate of dolphins but remain indifferent to the deaths of migrants in the Mediterranean -- what level of cynicism is that?" she quipped on BlueSky.

- Garden burial? -

Bardot said she wanted to be buried in her garden with a simple wooden cross above her grave -- just like for her animals -- and wanted to avoid "a crowd of idiots" at her funeral.

Such a burial is possible in France if local authorities grant permission.

Born on September 28, 1934 in Paris, Bardot was raised in a well-off traditional Catholic household.

Married four times, she had one child, Nicolas-Jacques Charrier, with her second husband, actor Jacques Charrier.

After quitting the cinema, Bardot withdrew to her home in the Saint-Tropez to devote herself to animal rights.

Her calling apparently came when she encountered a goat on the set of her final film, "The Edifying and Joyous Story of Colinot". To save it from being killed, she bought the animal and kept it in her hotel room.

"I'm very proud of the first chapter of my life," she told AFP in a 2024 interview ahead of her 90th birthday.

"It gave me fame, and that fame allows me to protect animals -- the only cause that truly matters to me."



In ‘Pressure,’ the Story of the Meteorologist Who Helped Save D-Day

 Anthony Maras, left, director/co-writer of the film "Pressure," poses with cast members Brendan Fraser, center, and Andrew Scott on Tuesday, May 12, 2026, in Los Angeles. (AP Photo/Chris Pizzello)
Anthony Maras, left, director/co-writer of the film "Pressure," poses with cast members Brendan Fraser, center, and Andrew Scott on Tuesday, May 12, 2026, in Los Angeles. (AP Photo/Chris Pizzello)
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In ‘Pressure,’ the Story of the Meteorologist Who Helped Save D-Day

 Anthony Maras, left, director/co-writer of the film "Pressure," poses with cast members Brendan Fraser, center, and Andrew Scott on Tuesday, May 12, 2026, in Los Angeles. (AP Photo/Chris Pizzello)
Anthony Maras, left, director/co-writer of the film "Pressure," poses with cast members Brendan Fraser, center, and Andrew Scott on Tuesday, May 12, 2026, in Los Angeles. (AP Photo/Chris Pizzello)

D-Day was supposed to happen on June 5, 1944. The story of why it ultimately took place on June 6 is one that has been a bit lost to history, consumed by the larger events surrounding it.

One day might not seem like much in the grand scheme, but it was a seismic delay in plans for the unprecedented and daring invasion, which would deploy nearly 160,000 Allied troops in Normandy.

Ultimately it came down to a recommendation from a shrewd Scottish meteorologist, Group Capt. James Stagg, who had to tell everyone, including Gen. Dwight D. Eisenhower and the Allied leadership, something they didn’t want to hear: The weather was going to be catastrophically bad. And no, he wasn’t certain about it.

The tense 72 hours before the invasion are brought to life in "Pressure," in theaters May 29, on the eve of the operation’s 82nd anniversary. An adaptation of David Haig’s acclaimed stage play, the film sheds light on this bit of history that would effectively change the course of the second World War.

Filmmaker Anthony Maras assembled a unique group of actors for the task at hand, calling on Brendan Fraser to play Eisenhower and Andrew Scott to play Stagg.

"I didn’t think I was an Ike Eisenhower when Anthony Maras sent me the script," Fraser said. "I got on a Zoom call and he said, ‘You gotta do this man.’ Me? Why? ‘It’s because he’s you, he’s like you. He’s just a regular guy.’ Really? I mean, I thought Eisenhower was this, you know, stern, staunch, something on coin."

Fraser went deep in his preparation, reading and listening to everything he could get his hands on to help him understand the man who would ultimately have to make the decision. The research even continued on set. Maras laughed that right before they shot Eisenhower’s famous "soldiers, sailors and airmen" speech, something that they’d rehearsed many, many times, he looked up and saw Fraser reading yet another biography. But he appreciated that the Oscar-winner was passionate about knowing everything he possibly could to get it right.

"He cared intensely for his troops," Fraser said. "It was my responsibility to honor their memory and to comport myself in a way that puts a human face on the seemingly academic decisions that go into an operation as massive as this."

Scott was the opposite in terms of how he approached his role. Yes, he read Stagg’s book and wanted to have a working understanding of the metrological jargon he’d have to be spouting. While history was important, for him, character was king. And he liked that Stagg is not the most immediately likable person, but he has integrity.

"The thing with Stagg is that he’s just not interested in charm ... or being liked at all," Scott said. "I think that’s to be admired actually, because he’s just there to do a job. So I like the fact that at the beginning of the movie, you’re like, whoa, this guy is not pleasant."

Maras said that for Scott, it was all about the inner, emotional life of the character, which was essential for a part that would require so much internal conflict.

"With Andrew, he has a quality to him where he can seemingly be doing very little — he’s sitting down, rearranging his tie, he can be reading a phone book — and you can’t look away," Maras said.

In the shadow of ‘Saving Private Ryan’

The actors weren’t the only ones feeling pressure of the assignment: Maras also had a behemoth looming in attempting to stage, however briefly, the D-Day invasion.

"You’ve kind of got to be crazy maybe to attempt it, given that Spielberg did it so masterfully," Maras said.

But unlike "Saving Private Ryan," which focused on the men storming the beach, "Pressure" is about the ones making the decisions. It’s a different perspective. Still, once they make the call to go, there would have to be at least some of the operation shown to juxtapose with the "bloody tense, wire-type atmosphere of the control room," Maras said.

Inspired by Peter Jackson’s World War I documentary "They Shall Not Grow Old," and the existence of dozens of hours of pristine 35 mm black and white film from the event, Maras decided that perhaps archival footage, colorized, would be the way to go. It was a different way to present D-Day that gave it immediacy, he said, as opposed to looking like history.

Ultimately, "Pressure" isn’t just a history lesson, or even a character drama with big personalities and even bigger stakes: It’s a portrait of leadership and ego clashing with facts and science. And its relevance to the present day is the reason Maras wanted to make the film in the first place.

"How do you bring your best self to the table to make the decision? How do you have the humility to acknowledge when you don’t know something? And how do you have the wisdom to determine who to trust? ... Eisenhower in the end showed that he was a maestro at that," Maras said.

"What I love about the Stagg character is he’s someone who feels compelled to tell someone something that they don’t want to hear, that they violently don’t want to but they need to hear. The world needs more of that."

Years later, John F. Kennedy, on the way to his own inauguration, asked Eisenhower what gave them the edge on D-Day. His response? "We had better meteorologists than the Germans."

"When life or death depends on you understanding the facts, it probably has a way of like cutting up the BS and getting to it," Maras said. "It’s a very clear example of a time where the Allied worlds’ future was at stake and they listened to someone who knew what he was talking about and they did all right."


Amazon Greenlights AI-Generated Shows for Children

A message reading "AI artificial intelligence," a keyboard and robot hands are seen in this illustration created on January 27, 2025. (Reuters)
A message reading "AI artificial intelligence," a keyboard and robot hands are seen in this illustration created on January 27, 2025. (Reuters)
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Amazon Greenlights AI-Generated Shows for Children

A message reading "AI artificial intelligence," a keyboard and robot hands are seen in this illustration created on January 27, 2025. (Reuters)
A message reading "AI artificial intelligence," a keyboard and robot hands are seen in this illustration created on January 27, 2025. (Reuters)

Amazon MGM Studios announced Wednesday it has greenlit the first three children's shows that were created under a new initiative to use artificial intelligence (AI) in content development.

The GenAI Creators Fund pays filmmakers, digital creators and startups to use AI to develop their projects in a short time frame.

"Punky Duck" series director Jorge Gutierrez said he is used to spending two years making a pilot, but his new show was greenlit to run on Amazon after just two months.

Two more projects -- "Diana Music Hunters" from Albie Hecht and "Cupcake & Friends" from Buzzfeed Studios -- were also greenlit in a couple of months, reflecting a new approach from major studios.

Hollywood's unions and artists have raised concerns about the use of AI, with creatives, writers and actors fearing they could be replaced by digital facsimiles.

AI Studios chief at Amazon MGM Albert Cheng told the conference that the technology won't eliminate jobs, it will actually reduce costs and timelines to make it possible to increase the number of productions.

But Cheng acknowledged "AI is addictive," adding that it's important for humans to make sure they don't "succumb and let our brains go to waste."


Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
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Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)

Last year's brazen robbery of the Louvre -- when thieves made off with jewellery worth some $100 million -- is set to become a movie, a publisher said on Tuesday.

French director Romain Gavras -- whose work includes 2025 Hollywood film "Sacrifice" starring Anya Taylor-Joy and music videos including most recently a hypnotic schoolboy choreography for GENER8ION -- will draw inspiration from the investigative book "Main basse sur le Louvre" (literally "A grab at the Louvre").

Film rights to the book about the October 19, 2025 heist had been sold to the production company Iconoclast, the Flammarion publishing house said.

The book, written by three journalists, from French dailies Le Parisien and Le Monde, and weekly glossy magazine Paris Match, is to hit bookstores on Wednesday.

According to trade magazine Le Film Francais, the movie project is in development, though neither the title nor the cast has been announced.

The Louvre heist sent shockwaves around the world and sparked a security crisis within the world-famous museum that ultimately led to the replacement of its director, Laurence des Cars.

After seven months of investigation, and despite the arrests of the main suspects, the jewels have still not been found.

The authors said their apparent disappearance "has become a dense mystery, a puzzle that has plunged investigators into deep confusion".

The heist illustrates how "the theft of artworks has become a business like any other for many criminals", they say. "The criminal underworld has found a new cash cow."