Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".



Prince Mohammed bin Salman Project Restores Historical Al-Jaloud Mosque in Hail

​​​​​​​The recent renovation by specialized Saudi firms increased the mosque's capacity from 80 to 129 worshippers and its area to 250 square meters - SPA
​​​​​​​The recent renovation by specialized Saudi firms increased the mosque's capacity from 80 to 129 worshippers and its area to 250 square meters - SPA
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Prince Mohammed bin Salman Project Restores Historical Al-Jaloud Mosque in Hail

​​​​​​​The recent renovation by specialized Saudi firms increased the mosque's capacity from 80 to 129 worshippers and its area to 250 square meters - SPA
​​​​​​​The recent renovation by specialized Saudi firms increased the mosque's capacity from 80 to 129 worshippers and its area to 250 square meters - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the comprehensive restoration of Al-Jaloud Mosque in Hail Region as part of its first phase.

Dating back to 1761 (1175 AH), this 265-year-old landmark in Samira Governorate served as a vital stop on the ancient pilgrimage route between Makkah and Kufa, SPA reported.

Originally constructed from mud, stone, and tamarisk wood, the mosque has undergone several expansions, including a notable 1371 AH project funded by King Saud bin Abdulaziz.

The recent renovation by specialized Saudi firms increased the mosque's capacity from 80 to 129 worshippers and its area to 250 square meters.

By integrating modern building standards with traditional architectural identity, the project fulfills the Saudi Vision 2030 objective of preserving the Kingdom's urban heritage while rehabilitating historical sites for worship.


Saudi Coffee Remains Key Crop and Cultural Treasure during Ramadan

The ministry encourages consumers to choose national coffee products for their nutritional value - SPA
The ministry encourages consumers to choose national coffee products for their nutritional value - SPA
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Saudi Coffee Remains Key Crop and Cultural Treasure during Ramadan

The ministry encourages consumers to choose national coffee products for their nutritional value - SPA
The ministry encourages consumers to choose national coffee products for their nutritional value - SPA

The Saudi Ministry of Environment, Water and Agriculture has confirmed that Saudi coffee is a key national agricultural crop and an important cultural legacy, especially during Ramadan.

Coffee cultivation thrives in the southwestern and southern highlands, benefiting from a favorable climate and fertile soil.

Regions such as Jazan, Aseer, Al-Baha, Makkah, and Najran host over 1.3 million productive coffee trees, yielding more than 870 tons of coffee annually, according to SPA.

Jazan leads with over 966,000 trees producing more than 642 tons. Aseer has more than 243,000 trees yielding around 175 tons.

Al-Baha boasts about 72,000 trees; Makkah has over 12,000 trees yielding more than 10 tons; and Najran has over 9,000 trees producing over seven tons.

The ministry encourages consumers to choose national coffee products for their nutritional value, emphasizing that supporting local agriculture promotes farmer livelihoods and enhances food security in line with Saudi Vision 2030 goals.


Red Sea Museum Opens 'Sunken Treasures' Exhibition to Highlight Maritime Heritage

Saudi Arabia, under Vision 2030, is investing in world-class cultural infrastructure that serves both local communities and international visitors. SPA
Saudi Arabia, under Vision 2030, is investing in world-class cultural infrastructure that serves both local communities and international visitors. SPA
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Red Sea Museum Opens 'Sunken Treasures' Exhibition to Highlight Maritime Heritage

Saudi Arabia, under Vision 2030, is investing in world-class cultural infrastructure that serves both local communities and international visitors. SPA
Saudi Arabia, under Vision 2030, is investing in world-class cultural infrastructure that serves both local communities and international visitors. SPA

The Red Sea Museum celebrated the opening of 'Sunken Treasures: The Maritime Heritage of the Red Sea' exhibition on Wednesday in an event that brought together cultural leaders, researchers, and community partners in Historic Jeddah.

The exhibition is now open to the public through May 29.

The opening ceremony featured a panel discussion on maritime heritage and underwater archaeology, bringing together leading experts. The discussion explored the critical processes of discovery, documentation, and conservation that transform submerged cultural heritage into valuable historical knowledge, highlighting collaborative efforts between the Heritage Commission, Historic Jeddah Program, and various archaeological missions working along the Saudi coast of the Red Sea to safeguard this vital heritage for future generations.

Guests then embarked on an exclusive curator-led tour with Director of the Red Sea Museum Eman Zidan, and Co-Director, Saudi-French Archaeological Mission in Farasan Dr. Solène Marion de Procé, who guided visitors through the exhibition's thematic sections exploring how shipwrecks became archives of history and eventually transformed into living coral reefs.

The museum exemplifies how historic artifacts and contemporary cultural conservation work hand in hand. SPA

The evening concluded with a Ramadan reception, reflecting the museum's commitment to creating cultural programming that honors the spirit of the holy month while celebrating the launch of this significant exhibition.

The opening of Sunken Treasures represents a significant moment for the Red Sea Museum as Saudi Arabia's first institution dedicated specifically to the Red Sea's maritime history, cultural heritage, and biodiversity.

Housed in the restored Bab Al Bunt building, a structure that has welcomed travelers arriving by sea for generations, the museum exemplifies how historic artifacts and contemporary cultural conservation work hand in hand.

Saudi Arabia, under Vision 2030, is investing in world-class cultural infrastructure that serves both local communities and international visitors while positioning the Kingdom as a global leader in museum innovation, research, and public engagement.