Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".



Najran Sees Growing Interest in Heritage and Archaeological Artifact Collection

These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present - SPA
These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present - SPA
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Najran Sees Growing Interest in Heritage and Archaeological Artifact Collection

These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present - SPA
These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present - SPA

Najran Region has witnessed growing enthusiasm among community members and heritage enthusiasts for collecting traditional and archaeological artifacts that document historical eras linked to the region’s civilization and the lives of previous generations, contributing to reconnecting society with its roots and raising awareness of the importance of preserving tangible heritage as an essential part of cultural identity.

Heritage enthusiasts play a significant role in preserving Najran’s cultural legacy by establishing private museums that display archaeological items, traditional tools, clothing, photographs, and historical collections reflecting daily life and customs, SPA reported.

These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present.

The hobby of collecting heritage items in Najran ranges from gathering everyday tools such as pottery and agricultural equipment to traditional clothing, jewelry, weapons, books, and manuscripts. Motivations vary between personal documentation, preserving family memory, and academic research aimed at understanding historical social and economic practices.

Local markets and seasonal exhibitions, along with digital platforms, have contributed to expanding this hobby, enabling knowledge exchange and increasing awareness of preservation methods and historical value. Community initiatives and workshops further support proper documentation and conservation, ensuring that this passion complements heritage preservation while adhering to scientific and legal standards.


Why is Fadak Known as the 'City of Walls and Fortresses'?

Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil - SPA
Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil - SPA
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Why is Fadak Known as the 'City of Walls and Fortresses'?

Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil - SPA
Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil - SPA

Encircled by a massive, seven-kilometer wall of rugged black lava stone, the ancient village of Fadak, known today as Al-Hait, earned its title as the "City of Walls and Fortresses." Guarded by north and south gates, the village is flanked by ancient castles and robust fortifications that still dominate the landscape, SPA reported.

Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil. While known in antiquity as Fadak, its modern name, "Hait Al-Nakhl" (The Palm Wall), captures its lush topography—defined by sprawling palm groves, fertile land, and abundant water.

According to the Encyclopedia of the Kingdom of Saudi Arabia, published by the King Abdulaziz Public Library, Al-Hait is one of the oldest urban centers in Hail Region.

According to SPA, the name Fadak echoes through antiquity, recorded among the cities conquered by Babylonian King Nabonidus in the sixth century BC, and frequently cited in classical chronicles and early geographical dictionaries.

Bridging the pre-Islamic and Islamic eras, the site remains an archaeological treasure. From early rock inscriptions and crumbling fortresses to ancient stone wells and traditional farms, these enduring artifacts stand as a living testament to Fadak’s rich cultural heritage and continuous human settlement.


Dragon Boat Festival Links Modern China to Traditions More Than 2,000 Years Old

Competitors take part in the Aberdeen Dragon Boat Race to celebrate the Dragon Boat Festival in Hong Kong, Friday, June 19, 2026. (AP Photo/Chan Long Hei)
Competitors take part in the Aberdeen Dragon Boat Race to celebrate the Dragon Boat Festival in Hong Kong, Friday, June 19, 2026. (AP Photo/Chan Long Hei)
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Dragon Boat Festival Links Modern China to Traditions More Than 2,000 Years Old

Competitors take part in the Aberdeen Dragon Boat Race to celebrate the Dragon Boat Festival in Hong Kong, Friday, June 19, 2026. (AP Photo/Chan Long Hei)
Competitors take part in the Aberdeen Dragon Boat Race to celebrate the Dragon Boat Festival in Hong Kong, Friday, June 19, 2026. (AP Photo/Chan Long Hei)

The Dragon Boat Festival was celebrated Friday across mainland China, Hong Kong and Taiwan with colorful boat races, lion dances and other festivities.

The more than 2,000-year-old holiday is best known for its sporting events, but its origins are rooted in Chinese history and ancient beliefs about health, protection and harmony with nature.

“The Dragon Boat Festival is probably the richest and most diverse of all traditional Chinese festivals,” said Tsinghua University’s history professor Liu Xiaofeng. “Across different regions, people developed a wide variety of traditions based on ideas connected to the summer solstice and the balance of yin and yang.”

The festival is widely associated with the ancient poet Qu Yuan, who according to legend drowned himself more than 2,000 years ago. The tradition of dragon boat races was born from the story that people raced out in boats to search for the poet and threw rice into the river so fish would not eat his body.

A three-day race in Beijing features men’s, women’s and mixed dragon boat races over distances of 100, 200 and 500 meters. Teams from Beijing, Tianjin, Hebei, Shanxi and Guangdong will compete throughout the holiday weekend.

Guided by the thunderous beat of their drummers, crews pulled their paddles through the water in unison, each boat surging toward the finish line as spectators cheered them on.

Others watched the races at home as they enjoyed a traditional sticky rice treat known as “zongzi” with their families.

Beijing’s 2026 celebrations will continue through June 21 at the capital’s Grand Canal.

“The competition helped strengthen our team spirit,” said Li Maoshan, a participant in Friday’s races. “It also gave us an opportunity to demonstrate the spirit of perseverance and hard work.”

Participants in Hong Kong’s dragon boat races on Friday wore costumes including a cartoon version of Chinese Taoist deity Ne Zha.