'Michael' Moonwalks to $97 Million Opening, Shattering Record for Music Biopics

Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
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'Michael' Moonwalks to $97 Million Opening, Shattering Record for Music Biopics

Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier

"Michael," the big-budget Michael Jackson spectacle, shrugged off bad reviews and a troubled production to launch with $97 million in US and Canada theaters, according to studio estimates Sunday, shattering a record debut for music biopics.

A highly authorized portrayal of the King of Pop, co-produced by the Jackson estate, Lionsgate’s “Michael” far surpassed previous biopic top performers like “Straight Outta Compton” (a $60.2 million debut in 2015) and “Bohemian Rhapsody” ($51 million in 2018).

International sales were also strong, The Associated Press reported. “Michael” collected $120.4 million overseas, to give it a $217.4 million global opening — a new high for a music biopic. Universal picked up distribution in most international markets.

Even in the lucrative market of music biopics, “Michael” was an audacious bet by Lionsgate on an extraordinarily popular but controversial figure. The reputation of Jackson, who died in 2009 at the age of 50, has been repeatedly tarnished by allegations of sexual abuse of children. Jackson and his estate have maintained his innocence, though the pop star acknowledged sharing a bedroom with other people’s children. He was acquitted in his sole criminal trial in 2005.

Some Jackson family members opposed the film. Janet Jackson was uninvolved and doesn’t appear in it. Jackson’s daughter, Paris, called it “fantasy land.” But three years after “Leaving Neverland,” the 2009 documentary about Jackson’s alleged sexual abuse of children, “Bohemian Rhapsody” producer Graham King announced plans for the biopic. Jackson’s nephew, Jaafar Jackson, was cast to star.

“Michael” had an unusually rocky production. After shooting was completed, producers realized they had made a costly mistake. The third act focused on the accusations of Jordan Chandler, then 13 years old, whom Jackson paid $23 million to in a 1994 settlement. The terms of that settlement barred the Jackson estate from ever mentioning Chandler in a movie.

A huge chunk of the film had to be cut. Reshoots for as much as $50 million were done at the estate’s expense. Director Antoine Fuqua and screenwriter John Logan reworked the movie to conclude in 1988, before any accusations were made.

Yet as bad as things once looked for “Michael,” the movie turned into a hit. The film’s total production cost came close to $200 million. To defray costs, Lionsgate sold international distribution rights to Universal. A sequel, while not yet announced, is expected.

Critics slammed the film for glossing over some of the less convenient aspects of Jackson’s life. It scored a paltry 38% on Rotten Tomatoes. But audiences were far more enthusiastic.

“Michael” earned an “A-” CinemaScore.

The opening for “Michael” added to a strong spring for Hollywood boosted by box-office hits like Amazon MGM’s “Project Hail Mary” and Universal’s “The Super Mario Galaxy Movie.” After three weeks atop the box office, the “Mario” sequel slid to second place, with $21.2 million. It four weeks, it’s collected $386.5 million domestically.



Movie Review: In ‘Primetime,’ a Sinister Shift in Media, with a Dazzling Robert Pattinson

 This image released by A24 shows Tony Revolori, left, and Robert Pattinson in a scene from "Primetime." (A24 via AP)
This image released by A24 shows Tony Revolori, left, and Robert Pattinson in a scene from "Primetime." (A24 via AP)
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Movie Review: In ‘Primetime,’ a Sinister Shift in Media, with a Dazzling Robert Pattinson

 This image released by A24 shows Tony Revolori, left, and Robert Pattinson in a scene from "Primetime." (A24 via AP)
This image released by A24 shows Tony Revolori, left, and Robert Pattinson in a scene from "Primetime." (A24 via AP)

Buzzing with the sound of dial-up internet and the hum of grainy VHS tape, Lance Oppenheim’s “Primetime,” about Chris Hansen and his Dateline NBC series “To Catch a Predator,” identifies a seedy moment when media became the new arbiter of communal justice.

In “Primetime,” Hansen, as played with malicious precision by Robert Pattinson, is an ambitious TV journalist who scores big ratings by luring child predators out in front of his network TV cameras. But, more than that, he’s a new breed of media power — less a real person than a sleek assemblage of pixels who can, with a damning voiceover and a good close-up, seal a sad soul’s fate for videotape eternity.

In the opening scene of “Primetime,” Hansen has cornered a Long Beach, California, man who’s arrived to meet someone he thinks is a 13-year-old girl. Hansen strides into frame and asks the cowering man what his fate should be. “The electric chair?” he guiltily replies. No, Hansen says. “Dateline NBC.” A look of utter horror spreads across the man’s face.

That this minor character is played by Tony Revolori, the wonderful, kindly and too-little-seen star of “The Grand Budapest Hotel,” is more than a hint at Oppenheim’s sympathies. The British critic Charlie Brooker once wrote of “To Catch a Predator”: “When a TV show makes you feel sorry for potential child-rapists, you know it’s doing something wrong.” It's a good encapsulation of the moral dread that pulses through “Primetime.”

This is Oppenheim’s first feature film. The 30-year-old filmmaker has previously worked primarily in documentary, including the HBO series “Ren Faire” and the upcoming Elizabeth Holmes film “You Can See Everything,” co-directed with Nathan Fielder. And, perhaps because of that nonfiction sensibility, “Primetime” neither has a strong dramatic thrust nor offers especially deep portraits of its characters, including “Predator” producer Andie Bender (Merritt Wever), online vigilante Xavier Von Erck (Matthew Maher) and two of its actor “decoys”: Dan Plumb (Skyler Gisondo) and Del Harvey (Phoebe Bridgers). A more detailed history can be found in David Osit’s 2025 documentary, “Predators.”

Instead, “Primetime,” written by first-time screenwriter Ajon Singh, is predicated on a moment in time when something sinister was shifting in the media landscape. “TV is changing,” pronounces none other than Jeff Zucker, the former NBC Universal chief, playing himself. He frankly tells Hansen that he doesn’t like “To Catch a Predator,” but audiences do. He places the series in primetime, on Wednesday nights opposite ABC's “Lost,” ratcheting up the pressure for Hansen and company to deliver fresh blood. Viewers, no doubt, will be reminded, among other television news portraits, of Dan Gilroy’s “Nightcrawler,” the nocturnal neo-noir of “if it bleeds, it leads” local TV news.

A little glibly, “Primetime” revels in the dated ’00s aspirations of its characters: wannabe serious journalists chasing ratings and Hollywood hopefuls, like Dan, who are coaxed into performing as underaged children. The movie is always sitting in judgment of its characters — not an unfair perspective, by any means, but not one prone to three-dimensionality.

Then again, “Primetime” is most concerned with two-dimensional screens and their capacity to wreck lives, warranted or not. When a fan sitting next to Hansen on a plane asks him if he’s ever tempted to physically “bleed” the show’s targets, he smiles and replies, with a touch of pride: “I think what I do is maybe a little worse.”

Yet the cast elevates the film, especially Wever, whose producer is so casually good at the kind of manipulation her job requires. Bridgers is also an uncannily natural presence in her first major movie role.

But “Primetime” belongs to Pattinson. He’s always been best in more tightly outlined roles where his natural inclination to blur the edges can really go places. (This year has been especially good in this regard, with Pattinson playing the memorably unnerved fiancé of “The Drama” and the sleazy suitor Antinous of “The Odyssey.”) In “Primetime,” his Hansen is an anxious adjudicator whose zeal for a bigger target — a “whale” — comes as his hypocrisy grows more apparent. A National Enquirer reporter keeps calling with his own expose on Hansen.

From the film’s first moments, though, we know that what Hansen vilifies is within him, too. He sits quoting, maybe relishing, the lurid chat room exchanges of his subject. There aren’t many surprises in this vividly realized but predetermined drama. Yet it’s hard to argue with the case it presents. Says Hansen: “There used to be a pillory in every village. Now, there’s a television in every living room.”


Harvey Weinstein Sentenced to 15 Years in Prison for 2006 Sexual Assault

 Harvey Weinstein appears in Manhattan Court for sentencing Wednesday, Sept. 23, 2026 in New York. (Steven Hirsch/New York Post via AP, Pool)
Harvey Weinstein appears in Manhattan Court for sentencing Wednesday, Sept. 23, 2026 in New York. (Steven Hirsch/New York Post via AP, Pool)
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Harvey Weinstein Sentenced to 15 Years in Prison for 2006 Sexual Assault

 Harvey Weinstein appears in Manhattan Court for sentencing Wednesday, Sept. 23, 2026 in New York. (Steven Hirsch/New York Post via AP, Pool)
Harvey Weinstein appears in Manhattan Court for sentencing Wednesday, Sept. 23, 2026 in New York. (Steven Hirsch/New York Post via AP, Pool)

Harvey Weinstein was sentenced Wednesday to 15 years in prison for sexually assaulting a TV production assistant in 2006, capping a yearslong legal odyssey that a judge said cemented the disgraced movie mogul’s reputation as “the literal face of the #MeToo movement.”

The landmark New York prosecution began nearly a decade ago with multiple accusers, but after retrials, mistrials, acquittals and appeals, it was whittled to a single victim: Miriam Haley, who said the Oscar-winning producer forcibly performed oral sex on her at his Manhattan apartment. She had worked briefly on the Weinstein-produced reality series “Project Runway.”

Weinstein, 74, pleaded for mercy, citing his age and health issues, including cancer and congestive heart failure. He apologized “to anyone I have affected with my actions” and said he felt remorse for Haley. However, he added, “I have to reiterate my innocence.” His lawyers said he will appeal.

Once a towering figure in Hollywood, with such hits as “Shakespeare in Love,” “Pulp Fiction” and “Chocolat,” Weinstein’s downfall came quickly after sexual assault allegations in 2017 set off the #MeToo movement. Several of his dozens of accusers were in court on Wednesday.

Judge Curtis Farber said Weinstein wielded his power as a Hollywood kingmaker to prey on women looking to break into the industry, treating them as “mere objects to be played with and discarded with impunity.”

Farber said Weinstein’s refusal to accept responsibility, portraying himself as a victim during jailhouse interviews, weighed heavily on his sentencing decision. Weinstein had faced up to 25 years in prison.

Some of Weinstein's accusers attended the sentencing

Haley credited the swell of other accusers, some of whom she hugged afterward, for giving her the courage to come forward.

For years, she said, “it was like a dark and painful secret that ate away at my spirit, my enthusiasm and sense of self-worth, that it took a long time to regain.”

Jailed since his original conviction, Weinstein has already served more than six years behind bars, leaving him with about nine years on his sentence. But a pending resentencing in Los Angeles, where he was originally ordered to serve 16 years in prison for a 2013 rape, could put him away for the rest of his life.

Farber said it'll be his counterpart in California who decides whether Weinstein can serve his sentences at the same time. If it were up to him, Farber said, he'd run them consecutively, stacking Weinstein’s New York punishment on top of his Los Angeles sentence.

Weinstein, seated in a wheelchair, was quickly moved out of the courtroom after the sentencing. In the gallery, Jessica Mann, a former aspiring actress whose rape allegations ended in an overturned conviction and two hung juries, wept profusely as prosecutors, Haley and other accusers consoled her.

Weinstein and Haley both spoke in court

Haley, 49, fought through tears herself as she spoke in court. After testifying at two of Weinstein’s trials — the original and last year's retrial — it was her second time confronting the ex-studio boss at a sentencing proceeding.

“Having been sexually assaulted by Harvey Weinstein has had a devastating effect on my life and sense of security that may never go away,” Haley said. “Making the decision to speak up will have me looking over my shoulder for years to come.”

Weinstein hired private investigators to keep tabs on her, she said, and his defense lawyers and supporters ridiculed her in the media.

“It’s a life sentence for me,” she said.

Minutes later, Weinstein apologized while underscoring his claims of innocence. He maintains that he never raped or sexually assaulted anyone.

It was also Weinstein’s second time speaking at his sentencing — the latest in a series of courtroom soliloquies filled with complaints about his lodging at New York City's notorious Rikers Island jail complex, boasts about his philanthropy and reminiscence about his moviemaking prowess.

“Reflecting on all that has happened since 2017 has helped me recognize how my past conduct has negatively affected others,” Weinstein said, some of his accusers shaking their heads as he spoke. “I live with many regrets and sincerely apologize to anyone I have affected with my actions.”

“I really do have remorse for Miriam Haley,” he added. “I am not a violent man. I ask for mercy. I promise I will pass it on.”

Haley says Weinstein 'still feels entitled'

Haley said afterward that she was happy with the sentence. But, she said, it's clear from Weinstein’s remarks that he does not acknowledge what he did.

“I think he still feels entitled, and that’s part of the problem,” said Haley, who has also gone by the name Mimi Haleyi.

Other accusers, including psychotherapist and former model Kaja Sokola, stood with her as she spoke outside the courthouse.

Haley’s lawyer, Gloria Allred, rejected any suggestion that Weinstein’s sentencing means the #MeToo era is over, telling reporters: “Women are empowered in a way they have never been before.”

“Today was about the survivors,” said Manhattan District Attorney Alvin Bragg, who sat in the courtroom alongside Weinstein’s accusers.

“I’m moved, as we should all be moved, by their courage and their steadfastness,” he added.

A retrial, a split verdict and another sentencing

Weinstein was originally sentenced in 2020 to 23 years in prison — 20 years for assaulting Haley and three years for raping Mann.

New York’s highest court erased those guilty verdicts in 2024, ruling that Weinstein was prejudiced by testimony from other women whose allegations weren’t part of the case.

Tried for a second time last year, Weinstein was again convicted of a first-degree criminal sex act for assaulting Haley. In a messy split verdict, the jury acquitted him of forcibly performing oral sex on Sokola and could not reach a verdict on a rape charge involving Mann.

After another retrial ended in a hung jury in May, Manhattan prosecutors dropped the rape charge rather than pursue a fourth trial after Mann said she could not bear to testify again.

The Associated Press does not typically identify people who say they are victims of sexual assault unless they grant permission, which Haley, Sokola and Mann have done.


Lionel Richie Takes a Break from Performing after Heart Procedure

Lionel Richie attends The King's Trust Global Gala at Casa Cipriani on Thursday, May 2, 2024, in New York. (Photo by Evan Agostini/Invision/AP)
Lionel Richie attends The King's Trust Global Gala at Casa Cipriani on Thursday, May 2, 2024, in New York. (Photo by Evan Agostini/Invision/AP)
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Lionel Richie Takes a Break from Performing after Heart Procedure

Lionel Richie attends The King's Trust Global Gala at Casa Cipriani on Thursday, May 2, 2024, in New York. (Photo by Evan Agostini/Invision/AP)
Lionel Richie attends The King's Trust Global Gala at Casa Cipriani on Thursday, May 2, 2024, in New York. (Photo by Evan Agostini/Invision/AP)

Lionel Richie is taking a break from touring as he recovers from a heart procedure, a representative for the singer confirmed in a statement to The Associated Press on Wednesday.

Richie underwent a common procedure for atrial fibrillation, or A-fib, and the “doctor said everything went perfectly,” it read. “Lionel is doing great but will take some time off and will be back on stage soon.”

A-fib is a quivering or irregular heartbeat that is a worrisome stage-setter for blood clots, stroke and heart failure. Some researchers believe more than 10 million Americans have it — most of them older.

The 77-year-old singer also postponed two concerts earlier this year, in June, after falling ill. And in August, reports of Richie checking himself into a hospital after a performance in St. Louis made the rounds online.

Richie was scheduled to perform with Earth, Wind & Fire Saturday in San Francisco, Sept. 30 in Chicago and Oct. 3 in Columbus, Ohio.

According to his website, he is currently scheduled to launch his “King of Hearts” residency shows at Las Vegas’ the Wynn in October and November.

The Oscar and four-time Grammy Award-winning Richie launched his career with The Commodores before becoming a successful solo artist. In addition to his well-known hits like “Hello,” Richie co-wrote the iconic charity single “We Are the World” with Michael Jackson and has sold over 100 million records.

He is also a judge on “American Idol.”