Uniqlo Operator Fast Retailing's Q3 Profit Jumps 45.7%, Raises Forecast

Shoppers walk inside Fast Retailing's Uniqlo casual clothing store in Tokyo, Japan July 10, 2014. REUTERS/Toru Hanai/File Photo
Shoppers walk inside Fast Retailing's Uniqlo casual clothing store in Tokyo, Japan July 10, 2014. REUTERS/Toru Hanai/File Photo
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Uniqlo Operator Fast Retailing's Q3 Profit Jumps 45.7%, Raises Forecast

Shoppers walk inside Fast Retailing's Uniqlo casual clothing store in Tokyo, Japan July 10, 2014. REUTERS/Toru Hanai/File Photo
Shoppers walk inside Fast Retailing's Uniqlo casual clothing store in Tokyo, Japan July 10, 2014. REUTERS/Toru Hanai/File Photo

The Japanese owner of clothing brand Uniqlo said on Thursday that quarterly profit rose 45.7%, as it weathered the impact on supply chains and logistics from the Iran war on its way to an expected fifth straight year of record earnings.

Fast Retailing said its operating profit was 213.79 billion yen ($1.32 billion) in the three months through May, Reuters reported. That compared with 146.74 billion yen for the same period a year earlier and was well above the 177.73 billion yen average of seven analyst estimates compiled by LSEG.

The company ⁠raised its full-year ⁠operating profit forecast to 730 billion yen from 700 billion yen.

Fast Retailing is widely seen as a bellwether for consumer spending in Japan and mainland China, where it has almost 900 stores.

From a single store in the western Japanese city of Hiroshima in 1984, there are now more ⁠than 2,500 Uniqlo locations across the globe, selling inexpensive fleeces and cotton shirts made primarily in Asian manufacturing hubs.

In recent years, the franchise has been rapidly expanding in Europe and North America as it looks beyond China, its largest overseas market.

Fast Retailing's Japanese sales have been supported by a tourism boom driven by a weak yen, now hovering near a 40-year low, while growth in China has slowed due to weak consumer sentiment, prompting store closures and restructuring.

Global fashion retailers ⁠are grappling ⁠with disruptions to supplies and logistics from the Middle East conflict as well as the effect of dramatic weather on clothing demand.

Fast Retailing CFO Takeshi Okazaki said in April that the Iran war was complicating air freight from production bases in Southeast Asia and that sustained increases in oil prices could impact costs for synthetic fibers.

Blistering heat waves have hit Europe and North America this year, prompting Swedish retailer H&M to say it is changing its product line-up and marketing calendar to account for longer, hotter summers.



Hugo Boss Recommends Shareholders Reject Frasers' Bid

FILE PHOTO: A window display is seen at the Boss store in London, Britain, May 30,2024. REUTERS/Chris J. Ratcliffe/File Photo
FILE PHOTO: A window display is seen at the Boss store in London, Britain, May 30,2024. REUTERS/Chris J. Ratcliffe/File Photo
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Hugo Boss Recommends Shareholders Reject Frasers' Bid

FILE PHOTO: A window display is seen at the Boss store in London, Britain, May 30,2024. REUTERS/Chris J. Ratcliffe/File Photo
FILE PHOTO: A window display is seen at the Boss store in London, Britain, May 30,2024. REUTERS/Chris J. Ratcliffe/File Photo

German fashion brand Hugo Boss on Thursday recommended that shareholders do not accept Frasers Group's voluntary takeover offer, saying the British company's offer price of €38 ($43.45) per share was not adequate.

The offer, which was just a 4.3% premium to its price at ⁠the time, does not ⁠reflect Hugo Boss' value and future potential, Reuters quoted the company as saying in a statement.

Hugo Boss has suffered falling sales and profits, and CEO Daniel ⁠Grieder is trying to turn the business around.

Frasers, which holds around 26% of the company, launched the offer to increase its stake in the German company beyond 30% — the threshold above which German regulations require it to make a full acquisition ⁠offer ⁠to other shareholders.

Grieder, who took over five years ago, aimed to make the brand a global leader, but his expansion plans came to fruition just as consumer demand started to weaken post-pandemic amid surging inflation.


Hong Kong’s Robert Wun: The Bold Millennial Conquering Haute Couture

 A model presents a creation by Robert Wun for the Women Haute Couture Fall/Winter 2026-2027 collection as part of the Paris Fashion Week, in Paris, on July 8, 2026. (AFP)
A model presents a creation by Robert Wun for the Women Haute Couture Fall/Winter 2026-2027 collection as part of the Paris Fashion Week, in Paris, on July 8, 2026. (AFP)
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Hong Kong’s Robert Wun: The Bold Millennial Conquering Haute Couture

 A model presents a creation by Robert Wun for the Women Haute Couture Fall/Winter 2026-2027 collection as part of the Paris Fashion Week, in Paris, on July 8, 2026. (AFP)
A model presents a creation by Robert Wun for the Women Haute Couture Fall/Winter 2026-2027 collection as part of the Paris Fashion Week, in Paris, on July 8, 2026. (AFP)

Five years ago, Hong Kong-born designer Robert Wun was working from his kitchen -- now he dresses some of the world's best-known entertainers.

In a short space of time, the 34-year-old has rocketed from unknown to one of the most sought-after fashion names, designing for everyone from Lady Gaga to rapper Cardi B, who sat front row at his latest show on Wednesday in Paris.

"I have some days off, sometimes," he told AFP with a smile, while admitting to being "quite exhausted mentally and physically because I haven't had a break for two and a half years."

"It's something I always wanted, so that's why I seldom complain about it."

Working with his team and models again ahead of presenting his latest collection, Wun appeared relaxed and good humored, a man at ease with the success that wasn't obvious for someone from his background.

His mother worked in insurance and his father in electric cabling, while the conservative Hong Kong boys' school he attended was a hostile place for creative teenagers like him.

"That's where my stubbornness came in, because I was getting bullied a lot. I managed to still stick with what I truly wanted to do, or how I wanted to do things, or how I want to express myself," he explained.

He found his calling -- and other kindred spirits -- studying at the London College of Fashion, going on to make the British capital his permanent home.

He now lives in Hackney in east London, with his 12-person studio in Dalston producing two or three made-to-measure outfits a month for red carpet events, galas or weddings.

Wun was possibly the busiest couturier at this year's Met Gala in New York, dressing eight people, including K-pop star Lisa, couture collector Jordan Roth and Japanese tennis player Naomi Osaka.

Asked by AFP what she admired about Wun, Cardi B said "everything".

"The creativity, the colors ... It's really the quality," added the New Yorker, who was one of the earliest adopters of Wun's designs after his breakout collection in 2021.

The "I Like It" singer sat next to Chinese superstar Fan Bingbing, underlining how Wun's popularity straddles East and West.

- Horror influences -

Fascinated by the natural world and heavily influenced by film, the British-Chinese designer produces work that is widely described as bold, futuristic and sculptural.

It can often feel dark and claustrophobic too, incorporating influences from horror movies, leading some to see him as the fashion world's millennial interpreter of the anxiety-filled 2020s.

After catching the eye of Vogue and other fashion influencers five years ago, he made his Haute Couture debut in Paris in 2023 as a guest.

Undaunted by becoming the first Hong Kong designer on the fashion world's elite stage, he sent out models in outfits with stains and obvious defects.

For Autumn-Winter 2025, he included what looked like blood-stained handprints, while he also likes to incorporate disembodied hands or limbs.

What you will not find is an obvious Chinese aesthetic.

"It's a beautiful thing to be able to reference your culture and put it into your work. There's so many creators out there doing a marvelous job at that," Wun explained.

He aims for something more universal, boundary-defying, or as he puts it "the power of taking a back seat sometimes to let your work speak for itself, not yourself being the center (of attention).

His latest autumn-winter collection was named "Childsplay" and drew inspiration from fairytales and Japanese animator Hayao Miyazaki, whose films are beloved by kids and adults alike.

"It was never really my intention to do something that perhaps people see as very serious, or as a reflection upon the times, when things are difficult and dark," he said.

"I really used childhood as the anchor ... I'm not using the lens of a child to create this collection. It's more from the point of an adult that has lost childhood, and what are we supposed to do now, looking back."


Blazy’s Chanel Fairy Tale Continues with Whimsical Couture Show

A model presents a creation for Chanel for the Women Haute Couture Fall/Winter 2026-2027 collection as part of the Paris Fashion Week, in Paris, on July 7, 2026. (AFP)
A model presents a creation for Chanel for the Women Haute Couture Fall/Winter 2026-2027 collection as part of the Paris Fashion Week, in Paris, on July 7, 2026. (AFP)
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Blazy’s Chanel Fairy Tale Continues with Whimsical Couture Show

A model presents a creation for Chanel for the Women Haute Couture Fall/Winter 2026-2027 collection as part of the Paris Fashion Week, in Paris, on July 7, 2026. (AFP)
A model presents a creation for Chanel for the Women Haute Couture Fall/Winter 2026-2027 collection as part of the Paris Fashion Week, in Paris, on July 7, 2026. (AFP)

Franco-Belgian designer Matthieu Blazy delved into fairy tales as inspiration for his second Chanel Haute Couture show from "Jack and the Beanstalk" to "Goldilocks".

The 42-year-old has won rave reviews from fashion experts since being appointed in December 2024 to start a fresh chapter in the life of the venerable Parisian fashion house.

"Much like the story of (Chanel founder) Gabrielle Chanel, Matthieu Blazy's tenure at the maison writes itself like a fairy tale," Elle magazine's fashion editor wrote on Tuesday.

His first collections have been snapped up by buyers worldwide, helping the group report a slight rise in sales last year when many of its peers were struggling with lower demand.

For the Autumn/Winter Haute Couture collection, unveiled at the Grand Palais exhibition space in central Paris, Blazy sent out models against a backdrop of colorful flowers, climbing plants and magic mirrors.

The collection featured pieces with direct references to fairy tales: coats made to look as though they were crafted from straw, evoking scarecrows, and almost transparent dresses embroidered with climbing vines.

Other details, such as a handbag shaped like a sleeping teddy bear or a row of buttons showing a duck transform into a swan, hinted at other stories.

"I asked myself whether Gabrielle Chanel's life was a fairy tale. In her library I found the little book 'Les Fées, contes des contes' (which translates as 'Fairies, Tales of Tales' by Charles Perrault) and, together with the Haute Couture ateliers, we explored the idea of clothes that carry stories, like books," the designer said in a statement.

The model who opened the show was carrying a copy of Perrault's book.

Celebrities at the show included Teyana Taylor, Tilda Swinton, Pedro Pascal and Lupita Nyong'o.

-- Armani --

The show was one of the most eagerly anticipated of this haute Couture week, alongside Jonathan Anderson's presentation for Dior.

Anderson scooped his rivals for one of the biggest prizes in the fashion industry this year -- designing Taylor Swift's wedding dress for her ceremony in New York last weekend.

Another highlight on Tuesday will be the Armani show.

Following the death of founder Giorgio Armani in September 2024, his niece, Silvana Armani, took charge of the brand's Haute Couture collections.

In January, she presented her first collection, described as "classic Armani with a touch of originality", featuring fluid satin suits and luxurious evening gowns in a palette of black, white, nude pink and aqua green.

Wednesday's shows by Balenciaga and Jean Paul Gaultier, both of which recently changed creative directors and were absent from the previous season, are also among the most eagerly awaited moments of this edition.

In total, 30 fashion houses will present their Haute Couture collections to Thursday, in a category of fashion reserved for a select group of brands whose creations are intended primarily for gala events and red carpets.