The Actors of ‘The Pitt’ Own the Emmy Acting Categories with 13 Nominated Cast Members

Katherine LaNasa plays Nurse Dana on “The Pitt.” (Getty Images)
Katherine LaNasa plays Nurse Dana on “The Pitt.” (Getty Images)
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The Actors of ‘The Pitt’ Own the Emmy Acting Categories with 13 Nominated Cast Members

Katherine LaNasa plays Nurse Dana on “The Pitt.” (Getty Images)
Katherine LaNasa plays Nurse Dana on “The Pitt.” (Getty Images)

With its ensemble of doctors, nurses, interns and patients squeezed together into a small emergency department with scripts that play out in real time, “The Pitt” feels like a lab made to grow great performances. The Emmys rewarded it accordingly Wednesday.

Thirteen of the 25 nominations for HBO Max's drama about a Pittsburgh ER went to its actors in one of the great achievements for a cast in Emmy history.

In its rookie season last year, “The Pitt” got just three acting nominations but it won all three: best actor in a drama for star Noah Wyle, best supporting actress for Katherine LaNasa and best guest actor for Shawn Hatosy. The trio was nominated again, but this time had a ton of company.

“It feels really exciting to have more of my colleagues up on the board,” LaNasa told The Associated Press on Wednesday during a break in the shooting of Season 3. “You’re happy when you get acknowledged, but you kind of know that you’re only there because of everybody else. So the more people that are getting acknowledged, the better it feels.”

She said that like her character, Nurse Dana, she has a “motherly feeling” toward her colleagues, who are nearly all first-time nominees.

“I’m very wanting them to have this experience as well," she said.

LaNasa was joined in the supporting actress category by doctor-portrayers Taylor Dearden, Fiona Dourif and Sepideh Moafi, who played a new attending physician reckoning with a seizure disorder that is returning in the stress of the ER.

Hatosy, whose night-shift leader Dr. Jack Abbott won a big fan base and was the object of many crushes in Season 2, was bumped up from the guest actor category to supporting actor, where he's joined by Gerran Howell and Patrick Ball.

The 13 nominees will be competing against one another so much that there are only five acting Emmys they can win. That's one for every drama category except best actress, where it didn't submit anyone. The show makes only Wyle a lead.

In the guest acting categories, Brittany Allen and Jeff Kober both pulled off the coup of getting nominations from self-submissions of their portrayal of patients with heartbreaking arcs. Ernest Harden Jr. got a guest nod for playing the ER's constant presence and struggling alcoholic Louie Cloverfield.

And Tal Anderson, an autistic actor who has been an advocate for neurodivergent performers and portrayals, got her first Emmy nomination for playing Becca King, the younger sister of Dearden’s Dr. Mel King who is striving to be treated as an adult.

“Besides the fact that I get to have a small role in this giant, amazing show with so many talented people in the cast and on the crew, it means so much to me to be able to help this character, Becca, be seen and to have a voice,” Anderson told the AP. “As a disabled person myself, it’s such an honor to be able to, through this role, call attention to issues that are so important to the disabled community. It’s everything to have the opportunity to do that.”

LaNasa's Nurse Dana was already among TV's most beloved characters, but went even deeper on the drama in Season 2, in which she gives a rape kit and emotional counseling to a sexual assault victim.

Nurse Dana went meme-able with her loud pronouncements about the ER's “Baby Jane Doe.” The child also provided a pivotal and heart-wrenching scene for Wyle's Dr. Michael “Robby” Robinavitch that may well win him a second best actor trophy at the September ceremony.

With the numbers “The Pitt” pulled in, it was almost surprising to find the many babies that played Baby Jane Doe didn't get nominated.



Nolan’s ‘The Odyssey’ Storms the Box Office with a $264.1 Million Global Debut

 (L-R) English actor Tom Holland, British-American filmmaker Christopher Nolan and US actor Matt Damon pose upon arrival to attend the red carpet for the premiere of their film "The Odyssey" in Mumbai on July 11, 2026. (AFP)
(L-R) English actor Tom Holland, British-American filmmaker Christopher Nolan and US actor Matt Damon pose upon arrival to attend the red carpet for the premiere of their film "The Odyssey" in Mumbai on July 11, 2026. (AFP)
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Nolan’s ‘The Odyssey’ Storms the Box Office with a $264.1 Million Global Debut

 (L-R) English actor Tom Holland, British-American filmmaker Christopher Nolan and US actor Matt Damon pose upon arrival to attend the red carpet for the premiere of their film "The Odyssey" in Mumbai on July 11, 2026. (AFP)
(L-R) English actor Tom Holland, British-American filmmaker Christopher Nolan and US actor Matt Damon pose upon arrival to attend the red carpet for the premiere of their film "The Odyssey" in Mumbai on July 11, 2026. (AFP)

Christopher Nolan’s “The Odyssey” launched with an estimated $124.5 million in domestic ticket sales and another $139.6 million from overseas, notching an even better debut than “Oppenheimer” and marking the filmmaker’s best opening since 2012’s “The Dark Knight Rises.”

Nolan flexed his singular box-office might with a global debut unlike any other. Few filmmakers alive could pull off a starry, big-budget adaptation of Homer’s epic poem. But in a Hollywood where intellectual property rights rule most hits, Nolan turned one of the world’s oldest works of literature into an unlikely summer blockbuster.

The Universal production was no small gamble on Nolan, coming off the 2023 best picture-winning “Oppenheimer.” With a production budget of $250 million, it’s among the most expensive R-rated movies ever made. Universal is spending some $125 million to market it.

But no behind-the-camera name turns out audiences more than Nolan's. So great was the hype on “The Odyssey” that IMAX put tickets on sale for some 70 mm showtimes a full year in advance. To satisfy the extraordinary demand for Nolan's preferred format, IMAX 70 mm, some theaters added midnight and 3 a.m. screenings — and sold them out.

Billed as Nolan’s first feature shot entirely with IMAX cameras, the format drove a huge slice of ticket sales. That included $29.6 million domestically on IMAX and $51.8 million globally, leading to the company's best weekend ever. IMAX is dedicating its screens entirely to “The Odyssey” for three weeks. Though only 41 IMAX screens can screen “The Odyssey” in 70 mm, they accounted for $6.3 million in ticket sales.

Since the pandemic, Nolan has been at the forefront of reviving cinemas. His “Tenet” was one of the first big releases to wade back into theaters in 2020. Three years later, “Oppenheimer” and Greta Gerwig’s “Barbie” combined to create arguably the movies’ signature moment of the decade. “Oppenheimer” ultimately grossed $975 million worldwide.

“The Odyssey” arrived in theaters during Hollywood’s best summer since 2019. Ticket sales are running about 10% ahead of last year, according to Rentrak. The industry is expecting the first $10 billion year at the domestic box office since the pandemic.

The only question for “The Odyssey” will be how front-loaded it is, given that many moviegoers have had this weekend circled for months. The film faced no new-release competition over the weekend, and it won’t next weekend, either. IMAX said that presales for the movie's second weekend would rank among their 10 best presales, proof that many moviegoers are waiting to see the film in their preferred format.

The next movie to pose any competition, ironically, also stars Tom Holland and Zendaya: Sony’s “Spider-Man: Brand New Day” on July 31.

“The Odyssey” stars Matt Damon as Odysseus and features Holland as his son, Telemachus; Anne Hathaway as Penelope; Zendaya as Athena; Robert Pattinson as the suitor Antinous and Charlize Theron as the sea nymph Calypso.

Nolan’s casting of “The Odyssey,” including Lupita Nyong’o as Helen and Elliot Page as a soldier, was controversial to some conservative commentators. Elon Musk called Nolan a “coward” over Nyong’o’s casting.

But that criticism had little to no effect on “The Odyssey” becoming one of the big-screen cultural events of the year. Reviews (95% fresh on Rotten Tomatoes) are among the best of Nolan’s career. Audiences gave it an “A” CinemaScore.


Brenda Fricker, the First Irish Actress to Win an Oscar for ‘My Left Foot,’ Dies at 81

"My Left Foot" stars Brenda Fricker, winner of Oscar for best supporting actress, and Daniel Day Lewis, winner of Oscar for best actor, at the 62nd Annual Academy Awards in Los Angeles, March 26, 1990. (AP)
"My Left Foot" stars Brenda Fricker, winner of Oscar for best supporting actress, and Daniel Day Lewis, winner of Oscar for best actor, at the 62nd Annual Academy Awards in Los Angeles, March 26, 1990. (AP)
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Brenda Fricker, the First Irish Actress to Win an Oscar for ‘My Left Foot,’ Dies at 81

"My Left Foot" stars Brenda Fricker, winner of Oscar for best supporting actress, and Daniel Day Lewis, winner of Oscar for best actor, at the 62nd Annual Academy Awards in Los Angeles, March 26, 1990. (AP)
"My Left Foot" stars Brenda Fricker, winner of Oscar for best supporting actress, and Daniel Day Lewis, winner of Oscar for best actor, at the 62nd Annual Academy Awards in Los Angeles, March 26, 1990. (AP)

Brenda Fricker, who won an Academy Award for her role as Bridget Fagan Brown in the 1989 film “My Left Foot,” has died. She was 81.

The Irish character actor died Thursday night in Dublin after a period of ill health, her agent, Phil Belfield said in a statement.

Fricker became the first Irish woman to win an Academy Award in 1990 for best supporting actress for her portrayal of the determined mother of Christy Brown, who was born with cerebral palsy and could control only his left foot. Daniel Day-Lewis, who played Christy Brown, won the award for best actor.

“We will never see her like again and the world is lesser for the lack of her,” Belfield said. “I was honored to know, love and work with her and she will always have a place in my heart and in the heart of so many film and TV fans the world over.”

Fricker, who appeared in more than 90 films and television shows between 1964 and 2024, was known for her role as the “pigeon lady” in the 1992 film “Home Alone 2: Lost in New York,” where she played a homeless woman who befriended Macaulay Culkin’s character in New York’s Central Park.

She also featured in the original cast of the BBC medical drama “Casualty” and appeared alongside Cate Blanchett in “Veronica Guerin,” the story of an Irish investigative journalist who was murdered in 1996.

Born in Dublin in 1945, Fricker received the city’s highest honor earlier this year when she was awarded the Freedom of the City.

In her autobiography “She Died Young: A Life in Fragments,” Fricker describes both happy childhood escapades with her sister Grania and her struggles to overcome sexual violence and mental health issues, which caused her to be institutionalized several times. Published in September 2025, the book appeared on the Irish Sunday Times bestseller list.

Simon Harris, Ireland’s deputy prime minister, said the country had lost a national treasure.

“She truly was among the greatest exports this country has ever produced and an ambassador for Irish talent on the world stage,” he said. “Quite simply, we will never see the like of her ever again.”


Netflix Tumbles 9% as Weak Earnings Forecast Deepens Doubts Over Growth

 The Netflix logo is pictured at the company's Hollywood studio offices at Sunset Bronson Studios in Los Angeles, California on December 5, 2025. (AFP)
The Netflix logo is pictured at the company's Hollywood studio offices at Sunset Bronson Studios in Los Angeles, California on December 5, 2025. (AFP)
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Netflix Tumbles 9% as Weak Earnings Forecast Deepens Doubts Over Growth

 The Netflix logo is pictured at the company's Hollywood studio offices at Sunset Bronson Studios in Los Angeles, California on December 5, 2025. (AFP)
The Netflix logo is pictured at the company's Hollywood studio offices at Sunset Bronson Studios in Los Angeles, California on December 5, 2025. (AFP)

Netflix's shares tumbled ‌9.2% before the bell on Friday following another weaker-than-expected earnings forecast from the streaming major, deepening doubts about its ability to sustain growth momentum.

While the company has gone beyond its traditional subscription-driven model, relying on advertising, live content and price hikes to boost revenue per user, it has been locked in a battle for user attention with traditional media such as Walt Disney ‌and social ‌media such as YouTube. The ‌stock ⁠is down more than ⁠44% since hitting an all-time high in June 2025.

"The story lacks excitement," said Jeffrey Wlodarczak, analyst at Pivotal Research Group.

Subscriber growth remains central to Netflix's business, he said, adding that younger audiences are increasingly gravitating toward free social ⁠media platforms over long-form content.

"We ‌believe this will ‌result in slower subscriber growth and attempts by the company ‌to offset this via more aggressive ‌price increases and investment in content."

The company forecast quarterly earnings per share and revenue below analyst estimates for a second quarter in a row, on Thursday, ‌with at least 11 analysts lowering their price targets.

The streaming giant will also ⁠cut ⁠its twice-yearly release of a viewing-hours report to once a year starting in January 2027. It stopped publishing quarterly subscriber numbers in 2025.

The first half of 2026 did little to ease bearish concerns, and the second half's content slate is weaker compared to a year ago, fueling the bear case, according to Jefferies analysts.

Netflix's shares were trading at 19.92 times 12-month forward profit estimates, compared with 13.54 for Walt Disney and Comcast's 6.57.