Disney Offers Fans an Escapist Bubble at D23 Event

Fans show up to tune out the world at Disney's D23 fan convention. Jerod Harris / AFP
Fans show up to tune out the world at Disney's D23 fan convention. Jerod Harris / AFP
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Disney Offers Fans an Escapist Bubble at D23 Event

Fans show up to tune out the world at Disney's D23 fan convention. Jerod Harris / AFP
Fans show up to tune out the world at Disney's D23 fan convention. Jerod Harris / AFP

Disney devotees lined up for a weekend of escapism at D23, the official fan club's biennial convention that draws tens of thousands of people to Anaheim for three days, billed as "the Ultimate Disney Fan Event."

With Disneyland itself just down the road, loyal subjects of the magic kingdom attend galas, buy unique items, trade pins and take photos with some of their favorite costumed characters.

Passes range from $50 to $2,500 -- a small price to pay to escape the real world, fans say.

"Our world is so chaotic and unstable, and it seems like the bad guys are always winning," Monica Romero, 37, told AFP. "Even though people make fun of it because, it's like 'oh, that's not real life.'"

"There's a reason why we like it," she said, adding that the Disney event reminds her "good can always win."

Thirty-eight-year-old Skyla told AFP she visits "the happiest place on Earth" twice a week, so she looks forward to the presentation that offers updates on the park's rides and experiences.

"You go into the park, and the real world gets to disappear for a while, and you just get to enjoy that time and just have happiness," she said, while dressed up as Lady, the pampered cocker spaniel from the cartoon "Lady and the Tramp."

- Pin-tasia -

Celebrities, filmmakers and creatives come to D23 to promote their projects while commercial partners sell Disney-branded merchandise.

Some fans bring collectible pieces to trade, like 19-year-old Chase Halon, a Disneyland worker who has amassed countless pins and is still hunting for more treasures.

"It's really fun and super-addicting as well," he said. "A lot of the stuff that just came out today is pretty hard to find. But a lot of older stuff is also hard to find."

His prized pin is of the purple dinosaur Figment, which is a limited edition that Halon believes could be worth $5,000 "give or take."

The event is also festooned with opportunities to take photos with the fantasy worlds of their beloved characters, from classic princesses and witches to Homer Simpson and "Toy Story."

On the Simpsons set, fans recreated the meme of Homer quietly backing into the bushes.

At the "Devil Wears Prada" space, they struck a pose for the cover of fictional magazine "Runway."

In the Pixar world, they stepped into Andy's room, littered with toys.

Each attraction offered its own opportunity to take a mental vacation from reality.



Australia’s Music Industry Bans AI-Generated Tracks from Official Charts

Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
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Australia’s Music Industry Bans AI-Generated Tracks from Official Charts

Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)

Australia’s recorded music industry will bar tracks wholly generated by artificial intelligence from official charts as burgeoning generative technologies threaten artists’ livelihoods, a representative said on Tuesday.

The crackdown comes as a variation of Madonna’s pop hit “Like a Prayer” created by an Australian producer using AI-generated vocals and drums has spent 16 weeks in the Australian top 20, stoking debate about generative AI’s place in music. It peaked at number two on the Australian Record Industry Association’s top 20 Australian singles chart in May and remained in fourth place on Tuesday.

Wholly AI-generated tracks will be banned from the ARIA charts from Monday next week, but some AI-assisted music will remain eligible, an ARIA statement said.

Tracks can be eligible only if “humans wrote the song and performed the lead vocal and the primary instruments,” among other requirements, the statement said.

AI-generated music would also be ineligible for the Australian industry’s prestigious ARIA awards.

ARIA chief executive Annabelle Herd said: “These changes reflect our intent to remain dynamic and promote the human nature of artistry in what is — to say the least — a rapidly developing space.”

“The ARIA Charts will always remain a transparent measurement of the music Australia consumes, but a chart that rewards unlicensed AI output would undercut the very basis of the recorded music we exist to represent,” Herd added.

Eligible music must also be produced using legal AI services. Music was appearing on streaming services that had apparently been developed with AI tools trained on artists’ music without authorization.

The Australian rules are in step with new principles released in July by the London-based International Federation of the Phonographic Industry. The federation represents the recording industry worldwide.

The international guidelines state that to qualify for official music charts, a track must be “substantially human made.”

Sydney Conservatorium of Music composer and lecturer Alexis Weaver told Australian Broadcasting Corp. the debate around AI in music was “exceptionally fraught and very emotional for a lot of musicians and so everyone will have a different opinion.”

Weaver applauded ARIA’s move as a “wonderful step forward” that sent a message ARIA wanted to “prioritize and value human creativity.”

“It can be quite hard to avoid AI tools in the current landscape,” Weaver said. “There is a way to use it while you’re still steering the ship and making the main creative choices.”


Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France
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Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company signed on Monday a Memorandum of Understanding with the French government to explore the development of a new entertainment-led, mixed-use destination in France.

The MoU was among several agreements and memoranda signed on the sidelines of the official visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The MoU marks the beginning of a phase of joint work to define the project’s scope, development model and contractual framework, in accordance with the applicable procedures and approvals in France.

The project will build on the capabilities, experience and partnerships that Qiddiya Investment Company is developing from Saudi Arabia. It reflects the Company’s evolution as a Saudi national brand contributing to the creation and development of entertainment experiences while expanding its global presence.

Qiddiya City remains the Company’s flagship project and the principal reference point for its model. The international project will provide a platform to introduce Qiddiya’s Power of Play philosophy, broaden the Company’s experience and partnerships, and strengthen the presence of the Saudi model in global markets.


Dutch Say Won’t Participate in ‘No Longer’ Neutral Eurovision

A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. (Reuters)
A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. (Reuters)
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Dutch Say Won’t Participate in ‘No Longer’ Neutral Eurovision

A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. (Reuters)
A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. (Reuters)

The Netherlands will not participate in next year's Eurovision Song Contest, its broadcaster said Monday, saying the event can "no longer be considered neutral" given divisions over the Gaza war. 

"It is undeniable that international conflicts are increasingly affecting the Contest, undermining its neutral character. The Eurovision Song Contest has therefore become a platform for division," said Taco Zimmerman, Director-General of AVROTROS in a statement from the broadcaster. 

The contest has recently been hit by a wave of boycotts over Israel's participation. 

Earlier this month, organizers announced they were excluding any country involved in an armed conflict from hosting the competition. 

"However, the recently announced changes... do not provide sufficient confidence that the independent and neutral character of the Eurovision Song Contest has been restored," said the AVROTROS statement. 

Israel came close to winning the competition in both 2025 and 2026, ultimately finishing second on each occasion. 

Next year's event, the world's biggest live televised music event, will take place on May 15 in Bulgaria's Black Sea city of Burgas. 

It will be the first time that the Balkan nation hosts the contest, coming after Bulgarian singer Darina Yotova, known as Dara, won this year's contest in the Austrian capital Vienna with the catchy floor-filler "Bangaranga". 

Since its launch in 1955, Eurovision has become the ultimate pop platform, catapulting Swedish icons ABBA to worldwide fame, as well as boosting the likes of Celine Dion, Cliff Richard and Olivia Newton-John. 

The 2026 competition was watched by 131 million viewers, down 35 million on the year before after five countries boycotted it over Israel's participation. 

The Netherlands, Iceland, Spain, Ireland and Slovenia all pulled out of the contest -- with the latter three refusing to broadcast the show at all. 

The Dutch took part in the very first Eurovision Song Contest back in 1956 and have won on five occasions. 

The most recent winner was Duncan Laurence whose song Arcade won the contest in 2019, going on to top charts globally. 

It became the first Eurovision entry to reach one billion streams on Spotify, according to the Eurovision website. 

The withdrawal is "painful as we would have very much liked to be part of the Contest again next year," said Zimmerman. 

"As a public broadcaster, we remain committed to our values. They guide us in everything we do, even when that means stepping away from an event that is very close to our hearts," he added.