'People Could Get Hurt': Conservationists Decry AI Wildlife Visuals

Conservationists warn AI visuals of wild animals make it harder for people to discern what is real. Alex Ogle / AFP/File
Conservationists warn AI visuals of wild animals make it harder for people to discern what is real. Alex Ogle / AFP/File
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'People Could Get Hurt': Conservationists Decry AI Wildlife Visuals

Conservationists warn AI visuals of wild animals make it harder for people to discern what is real. Alex Ogle / AFP/File
Conservationists warn AI visuals of wild animals make it harder for people to discern what is real. Alex Ogle / AFP/File

The black-and-white image appears to show the unlikeliest of interactions: an orangutan cradling endangered leopard cubs deep in the jungles of Malaysia's Sabah state.

But the viral image is not just unlikely, it is fake, part of a trend of wildlife images generated by artificial intelligence that experts warn endanger animals and people.

AFP fact-checkers have debunked scores of similar synthetic visuals, from an elephant climbing a tree to escape flooding in Myanmar to a pink dolphin leaping out of water in the Philippines.

The images are often accompanied by heartwarming anecdotes and have circulated widely in multiple languages on platforms such as Facebook, TikTok and X.

They may seem more like feel-good fiction than dangerous misinformation, but experts warn hyper-realistic visuals of wild animals behaving like pets, or even like humans, can distort public perceptions of wildlife and harm conservation efforts.

"This misunderstanding can lead people to approach animals too closely or interact with them in unsafe ways," Jose Guerrero-Casado, a zoology professor at Spain's University of Cordoba, told AFP.

He cited a widely reported incident in China's northwest Xinjiang region in January, where a woman was attacked by a rare snow leopard after trying to get closer for a photo.

China's forestry department said it stepped up patrols after the incident and warned the public to maintain a safe distance when encountering wild animals.

- Sowing doubt -

Conservationists say AI visuals portraying wild animals as cute or cuddly make it harder for social media users to discern what is real and can fuel exploitation.

They increase demand for certain species "to be used in the tourism industry as photo props, exploited to make social media content or to be kept as pets", said Chris Lewis, a researcher at the international wildlife charity Born Free.

And while the visuals could encourage some people to support animal protection, "the negative impacts outweigh that completely," said Jenny Roberts of conservation group WWF.

"People could get hurt," she told AFP.

WWF uses real images for its fundraising efforts, but fake content online "desensitizes" people to even the most incredible original visuals, she said.

"When you do have something remarkable, people question it," Roberts said, recounting an incident where a camera trap set up by her charity captured a tiger with five cubs in China.

Such footage had never been filmed before in the East Asian country, she said.

"But when we put the content out there, we were questioned on social media: 'Is this AI-generated?'"

- 'Major threat' -

A September study in the journal Conservation Biology, co-authored by Guerrero-Casado, concluded that the rapid spread of AI misinformation and its potential to harm environmental efforts is a "major threat" to society.

The researchers highlighted another challenge for those working in conservation: AI images "could affect the ability of people to identify species" and cause misunderstandings about the abundance and distribution of wildlife.

Scientists often mine data from citizen science platforms that accept photos and recordings of wildlife submitted by users.

But AI generation and manipulation could lead to flawed research, several experts warned in a recent commentary in the journal Nature.

They called for more robust authentication of submissions, and education of users about the risks of manipulating images and recordings.

Meta, Facebook's parent company, and TikTok require users to label realistic visuals that have been generated or significantly altered using AI. They also say their platforms have tools that automatically label content as AI-generated.

However, AFP fact-checkers spotted multiple wildlife posts without clear labels -- even when users had already said in their captions that they were fake.

Meta and TikTok pay AFP to fact-check posts with potentially false information.

"Conservation depends on a well-informed society that understands the ecological and conservation needs of wild species," Guerrero-Casado said.

"AI-generated fake content does not contribute to this goal."



Saudi Film Commission Participates in the 2026 Toronto International Film Festival

Saudi Film Commission Participates in the 2026 Toronto International Film Festival
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Saudi Film Commission Participates in the 2026 Toronto International Film Festival

Saudi Film Commission Participates in the 2026 Toronto International Film Festival

The Saudi Film Commission is participating in the 51st edition of the Toronto International Film Festival (TIFF), scheduled to take place from September 10 to 20, 2026, in Toronto, Canada, the Saudi Press Agency said on Sunday.

The Commission will have a dedicated Saudi pavilion and an official delegation, joined by representatives from Film AlUla, the Red Sea International Film Festival, and the King Abdulaziz Center for World Culture (Ithra), marking Saudi filmmaking’s presence at one of the world’s most prominent film events.

This participation reflects the Commission’s commitment to building international partnerships and creating collaboration opportunities across the film sector, contributing to the sustainable growth of Saudi Arabia’s cinema industry and strengthening the Kingdom’s position as an attractive destination for film production.

The Saudi pavilion at TIFF 2026 will showcase the Commission’s work developing the film sector and highlight the range of filming locations across the Kingdom, helping attract filmmakers and international production companies. Through this participation, the Commission also aims to strengthen engagement with international media outlets and film institutions as well as promote the Kingdom’s incentive programs and production ecosystem to industry decision-makers.

TIFF is one of the world’s leading film events and one of the most important launch platforms ahead of the awards season. Founded in 1976 in Toronto, the festival has grown into a major gathering point for filmmakers, critics, and film institutions worldwide.

Its 51st edition is expected to feature a wide international lineup of films from numerous countries, alongside the TIFF Film Market, which will be held at the Metro Toronto Convention Centre from September 10 to 16.


Cooking Was Already an Artform in Bronze Age Syria

What they once ate now tells the story of how they lived (SPA)
What they once ate now tells the story of how they lived (SPA)
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Cooking Was Already an Artform in Bronze Age Syria

What they once ate now tells the story of how they lived (SPA)
What they once ate now tells the story of how they lived (SPA)

While the folk of Bronze Age Europe were mostly making do with simple stews and bread, people in Syria were already importing ingredients and using pots of differing temperatures to support “sophisticated” cuisine, researchers said on Friday.

The evidence from Danish experts suggests people living in what is now the city of Hama 4,500 years ago were already enjoying dishes of simmered goat, gazelle and cereals, AFP reported.

The city’s cooks used pots with different heating properties depending on the type of meal they were about to prepare, much as we choose between cast-iron or non-stick frying pans today.

Mette Marie Hald, from the National Museum of Copenhagen, and her team reached the conclusion after examining animal bones, plant remains and fats from inside cooking pots found in the city.

“It feels a bit modern, actually, the way that you have different pots and you have different sort of serving wares,” the archaeobotanist told AFP.

Locally produced pots were made from clay and calcite, while others were made from clay mixed with basalt and were imported from as far away as China.

Meals could be prepared with imported ingredients such as gazelle, which itself came from much further east.

Hald said the evidence of “sophisticated cooking” they had uncovered in Hama was supported by recipes written down in much later periods.

Danish archaeologists started digging in Hama in the first half of the 20th century, she said, so there has been quite a lot of research on everyday life there.

But she added that they had not really focused on food culture before.

“This is a period of kingdoms, well-organised cities and stratified societies,” she said.

“In that way, it’s not surprising that they also knew sophisticated cooking. I think the surprising element is we can actually prove it.”


Coastal Erosion Forces Cancellation of California Music Festival

MALIBU, CALIFORNIA - SEPTEMBER 10: People gather near erosion damage along a beach access road to Point Dume, which remains closed due to the erosion from powerful surf and high tides earlier this summer, on September 10, 2026 in Malibu, California. Mario Tama/Getty Images/AFP
MALIBU, CALIFORNIA - SEPTEMBER 10: People gather near erosion damage along a beach access road to Point Dume, which remains closed due to the erosion from powerful surf and high tides earlier this summer, on September 10, 2026 in Malibu, California. Mario Tama/Getty Images/AFP
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Coastal Erosion Forces Cancellation of California Music Festival

MALIBU, CALIFORNIA - SEPTEMBER 10: People gather near erosion damage along a beach access road to Point Dume, which remains closed due to the erosion from powerful surf and high tides earlier this summer, on September 10, 2026 in Malibu, California. Mario Tama/Getty Images/AFP
MALIBU, CALIFORNIA - SEPTEMBER 10: People gather near erosion damage along a beach access road to Point Dume, which remains closed due to the erosion from powerful surf and high tides earlier this summer, on September 10, 2026 in Malibu, California. Mario Tama/Getty Images/AFP

A music festival set to feature The Killers, Olivia Dean and Jack White was cancelled Friday because the California beach where it was to be held has been eaten away by coastal erosion.

The two-day Ocean Way Festival had been planned for later this month in Santa Monica, but waves up to 15 feet (4.5 meters) and storm runoff has left the beach in the city near Los Angeles badly degraded, forcing local officials to pull the plug.

"Storm surf generated by Hurricane Marie and runoff from a storm drain outfall eroded a large portion of the festival site," AFP quoted a statement from the city of Santa Monica as saying.

The storm, which churned the waters of the Pacific over the last week, stripped sand off the beach, making it no longer safe to hold the festival there, the city said.

"The surf took the beach we planned this on, and we cannot put tens of thousands of festival-goers on that sand until it's safe," said Mayor Caroline Torosis.

The coastal city of Santa Monica -- the official end point of Route 66 -- has a wide stretch of golden sand and a large wooden pier that features frequently in American television shows and movies.

News of the festival cancellation came days after the pounding surf opened a huge sinkhole on the driveway of a beachfront home belonging to Oscar-winning US actor Nicolas Cage.

Officials in Malibu, which sits just north of Santa Monica, have ordered the evacuation of 31 homes because of the danger posed by the hole.

Further south, at least seven homes in Dana Point were declared uninhabitable after the coast on which they sit rapidly eroded, with one house collapsing into the sea.

A similar problem has occurred in nearby Laguna Beach.

The waters of the Pacific Ocean have been unsettled in recent weeks by a series of tropical storms, with some of them developing into hurricanes.

Scientists say a near-record strength El Nino climate episode is warming the ocean's waters and creating extra volatility.

While the phenomenon is part of a natural cycle, human-caused climate change is thought to be super-charging the heating and exacerbating its effects.