Sunken Silk Road City Reveals Central Asia's Lost History

Little is known about the history of the settlement under Kyrgyzstan's largest lake. Vyacheslav OSELEDKO / AFP
Little is known about the history of the settlement under Kyrgyzstan's largest lake. Vyacheslav OSELEDKO / AFP
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Sunken Silk Road City Reveals Central Asia's Lost History

Little is known about the history of the settlement under Kyrgyzstan's largest lake. Vyacheslav OSELEDKO / AFP
Little is known about the history of the settlement under Kyrgyzstan's largest lake. Vyacheslav OSELEDKO / AFP

The sun had barely risen, but diving volunteer Elizaveta Bodrova was already raring to plunge into the cold waters of Lake Issyk-Kul, where the ruins of a once-thriving city have lain submerged for centuries.

Situated on an ancient trading route between China and Europe, little is known about the history of the settlement under Kyrgyzstan's largest lake or how it came to be flooded an estimated 800 years ago.

Together with a team of around 20 scientists, Bodrova is helping uncover its past, findings that could shape our understanding of the history of Central Asia and beyond.

"The visibility isn't very good today, but I hope we'll still be able to find the boundary of the settlement," the 42-year-old told AFP with a smile, before hopping off a motorboat into the depths below.

The project, which began in 2024 and is funded by the Russian Academy of Sciences, is the first major exploration of the site since it was rediscovered in the 19th century.

- 'Blind spot' -

The settlement is located at the heart of what was once the Silk Road, a trading route that linked China to the Mediterranean from the 2nd century BC until the mid-15th century.

Although often associated with nomads, what is now Kyrgyzstan has been inhabited by multiple civilizations throughout its history, among them Turkic dynasties that traded between Europe and China.

"This is actually a blind spot in history, even though it is right in the center of Central Asia," expedition director Maxim Menshikov, who was steering the boat, said of the ruins.

"It is a very important chapter in the history of humankind, because it was the period that linked East and West during the Middle Ages. The Silk Road is not merely the history of a single region, it is the history of Eurasia as a whole," he added.

The section of Silk Road that passed through the settlement during its existence is thought to have been under the control of the Karakhanids, a Turkic dynasty that controlled much of Central Asia from the 9th to early 13th centuries.

Researchers believe the city, the name and population of which are not known, may have covered up to five square kilometers (nearly two square miles).

Accurately dating the remains has been difficult.

But traces of two cemeteries discovered at the site suggest they were built during the early Islamization of the region.

Among the discovered remains was a decorated public building, possibly a mosque, public bath or religious school.

- Like 'Pompeii' -

After several hours scouring the lakebed, the divers returned to dry land with their spoils: the remains of animal bones and pottery shards.

"The bones that have been found will enable archaeologists to determine their diet and age of the remains, as well as the diet of the people who lived in this region," said Viktor Pozdnyakov, a diver and laboratory assistant on the expedition team.

"The pottery will enable us to date the finds and determine the approximate period more precisely. And, of course, to understand where it was produced, how and by what method," the 22-year-old added.

Back at base, the artefacts are carefully preserved, catalogued and recorded.

Among those in better condition was a child's chamber pot, known as a "tuvaq".

"In fact, these are still in use today in Central Asia and the Caucasus," said Menshikov, pointing to it as evidence of the daily life in the city.

Although known to researchers since the 19th century, the site has only been systematically explored in recent years by Russian and Kyrgyz teams.

The researchers hope their work will improve understanding of Central Asian history.

"You could compare this research to that of Pompeii," said Menshikov, referring to the largely preserved ruins of an ancient Roman city buried by an eruption of Mount Vesuvius in 79 AD.

"They had a highly developed civilization and culture. And in an instant, nature simply destroyed it all," he said.

What submerged the city under Issyk-Kul remains a mystery.

Among the theories is that the settlement sank to the bottom of the lake following a landslide, or that it was gradually flooded by a "tectonic dam" -- a natural damming of a water body that could have occurred following an earthquake.

The probable cause was a "past seismic disaster," said Andrei Strelnikov, a geologist with the Russian Academy of Sciences.



Qassim Artisans Repurpose Date Pits into Value-Added Prayer Beads

Qassim Region are converting discarded date pits into handcrafted prayer beads (subha)
Qassim Region are converting discarded date pits into handcrafted prayer beads (subha)
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Qassim Artisans Repurpose Date Pits into Value-Added Prayer Beads

Qassim Region are converting discarded date pits into handcrafted prayer beads (subha)
Qassim Region are converting discarded date pits into handcrafted prayer beads (subha)

In a creative convergence of traditional heritage, sustainable manufacturing, and resource efficiency, artisans in Qassim Region are converting discarded date pits into handcrafted prayer beads (subha), transforming an agricultural by-product into a high-value consumer item, the Saudi Press Agency reported.

The production journey involves a multi-stage process encompassing sorting, cleaning, drying, precise drilling, sanding, polishing, stringing, and final packaging. The resulting product retains the natural texture, color variations, and contours of the palm seed, reflecting the Kingdom's broader drive to foster innovative secondary industries across the date value chain.

The production journey involves a multi-stage process encompassing sorting, cleaning, drying, precise drilling, sanding, polishing, stringing, and final packaging.

Speaking to the Saudi Press Agency, artisan Noura Al-Harbi explained that the craft requires meticulous manual skill. She stated that after selecting pits of comparable size, artisans drill them for threading, buff rough contours, and polish the surfaces to showcase their organic aesthetic before assembling them with regional decorative motifs. Because no two date pits are identical, each finished rosary possesses a distinct texture and individuality.

Al-Harbi emphasized that the market value of date-pit rosaries is elevated by their symbolic connection to the date palm, a central fixture of Saudi agricultural and cultural identity. This narrative creates strong commercial potential within cultural tourism, corporate gifts, and keepsake sectors, allowing visitors to acquire a product directly tied to local heritage.

The enterprise embodies principles of the circular economy by repurposing agricultural waste from farms and processing plants into marketable craft products. Al-Harbi noted that integrating semi-automated tools for drilling and cutting with manual finishing could scale production volumes while maintaining artisanal quality.

Bridging agriculture, creative entrepreneurship, and tourism, the craft highlights how supporting local artisans and modernizing packaging can expand the economic footprint of the Kingdom's date sector beyond food consumption, creating new avenues for sustainable cottage industries.


Riyadh Art Brings Monumental Works by Saudi Artist Mohammed Al Saleem to its Permanent Collection of Public Art

Created by Saudi-based architecture and engineering consultancy Omrania, the Western Metro Station reinterprets desert sand dunes through earth-colored forms that define entrances - SPA
Created by Saudi-based architecture and engineering consultancy Omrania, the Western Metro Station reinterprets desert sand dunes through earth-colored forms that define entrances - SPA
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Riyadh Art Brings Monumental Works by Saudi Artist Mohammed Al Saleem to its Permanent Collection of Public Art

Created by Saudi-based architecture and engineering consultancy Omrania, the Western Metro Station reinterprets desert sand dunes through earth-colored forms that define entrances - SPA
Created by Saudi-based architecture and engineering consultancy Omrania, the Western Metro Station reinterprets desert sand dunes through earth-colored forms that define entrances - SPA

Riyadh Art announced the addition of seven monumental sculptures by pioneering Saudi artist Mohammed Al Saleem to the Riyadh Art permanent collection. Six works have been installed at Western Metro Station on Line 3 (Orange Line) in Riyadh, with the seventh scheduled for installation at a later date.

The sculptures bring an important part of Al Saleem's artistic practice into the city for which they were originally conceived.

Created in 1985 for a Riyadh Municipality public art competition but never installed, the seven works remained in Al Saleem's workshop for decades. In 2022, the Royal Commission for Riyadh City acquired the sculptures and undertook their restoration and conservation, supervised by his daughter, Najla Mohammed Al Saleem, and Al Saleem's foundation, Dar Al-Funoon Al-Sa'udiyyah, to preserve the artist's original vision, SPA reported.

The seven works are Al Showkah Al Khumasiyah (The Pentagon Thorn), Shurfa (Parapet Merlon), Al Kurah (The Ball), Al Mouthalathat (The Triangles), Bur'aum Al Zahrah (The Flower Bud), and Al Ahilla (The Crescents), all installed this August, with Al Nafourah Al Halazouniyah (The Spiral Fountain) due to be installed at a later date. Drawing on desert landscapes, Najdi architecture, geometric forms, and celestial references, the sculptures reflect Al Saleem's distinctive approach to abstraction and the influence of Riyadh and Najd on his practice.

Created by Saudi-based architecture and engineering consultancy Omrania, the Western Metro Station reinterprets desert sand dunes through earth-colored forms that define entrances, allow natural light, and provide shade for pedestrians. Located within Western Station's outdoor plaza, the works bring these references into a contemporary public setting shaped by movement and connection.

"Mohammed Al Saleem holds an important place in the history of modern Saudi art, and his work is deeply connected to Riyadh and the landscape and architecture of Najd," said Senior Director of Riyadh Art Bader AlShenaifi. "Bringing these works into the Riyadh Art permanent collection preserves an important part of Saudi Arabia's artistic heritage while giving Al Saleem's work a lasting presence in the public life of the city that inspired so much of his practice."

The works join the Riyadh Art permanent collection, a citywide collection of public artworks installed across neighborhoods, public spaces, and major transport corridors throughout the capital. The Riyadh Art permanent collection now comprises 82 artworks across the capital.


Paris’ Louvre and Other Top Museums to Close on Saturday Over Concern about Protest Violence

Visitors wait outside as protesters block the entrance to the Louvre Museum to express their support for the high school students' movement in Paris, France, 19 October 2026, two days after demonstrations and riots took place alongside nationwide cost-of-living protests. (EPA)
Visitors wait outside as protesters block the entrance to the Louvre Museum to express their support for the high school students' movement in Paris, France, 19 October 2026, two days after demonstrations and riots took place alongside nationwide cost-of-living protests. (EPA)
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Paris’ Louvre and Other Top Museums to Close on Saturday Over Concern about Protest Violence

Visitors wait outside as protesters block the entrance to the Louvre Museum to express their support for the high school students' movement in Paris, France, 19 October 2026, two days after demonstrations and riots took place alongside nationwide cost-of-living protests. (EPA)
Visitors wait outside as protesters block the entrance to the Louvre Museum to express their support for the high school students' movement in Paris, France, 19 October 2026, two days after demonstrations and riots took place alongside nationwide cost-of-living protests. (EPA)

The Louvre and several other major Paris museums will be closed on Saturday over concerns about potential violence during planned protests, France’s culture ministry said.

In a statement to The Associated Press, the ministry said the Orsay and Picasso museums were also among those that will close.

Protests last Saturday devolved into mayhem, with rioters setting fires, smashing shop windows, looting and clashing with police. The ministry called on all institutions under its authority to adopt any necessary measures to ensure “visitor safety, staff protection and the preservation of artworks,” according to the statement.

Others are taking the same tack. After two days when admission was invite-only, Art Basel Paris opened to the public on Friday — but only for the day, with the threat of unrest prompting organizers on Thursday to cancel the weekend program.

Paris’ Grand Palais is hosting 211 international galleries and their exhibitions for Art Basel, considered one of the world’s most prestigious contemporary art fairs.

“It’s kind of like the art Olympics,” New York-based artist Drake Carr, who is showing his work with Mariposa Gallery, said in an interview.

However, timing proved unfortunate, with the French capital gripped by social tension. The clashes and widespread looting over the weekend marked France’s most violent unrest in years.

A protest on Thursday afternoon in Paris was peaceful, and Art Basel's organizers announced the decision to close for the weekend around the same time. The protest planned for Saturday is expected to be much larger.

"This decision has not been taken lightly, and the safety of everyone involved in the fair remains our utmost priority," organizers said in a statement. Its website posted a similar announcement and said weekend ticketholders would be contacted.

Saloni Doshi, an art collector who travelled to Paris from India for the fair, grew worried last Saturday as she saw the fires and panicked people, and she received phone calls from friends asking whether Paris was safe. She agreed with the organizers' rationale to close.

“It's hard that something like this has to happen, but state activities and people's freedom have to continue,” she told the AP. “I cannot imagine that a bunch of elite, privileged people getting inconvenienced because of this should have a voice.”

Antoine Donzeaud and Elisa Rigoulet, the owners of the gallery exo exo, felt the same.

“We understand this decision, which we consider reasonable and consistent with the urgency of the social demands currently unfolding in France,” they said in a text message.