Social Media ‘Addicting the Brains of Children,’ Plaintiff’s Lawyer Argues in Landmark Trial

Teenagers pose for a photo while holding smartphones in front of a Meta logo in this illustration taken September 11, 2025. (Reuters)
Teenagers pose for a photo while holding smartphones in front of a Meta logo in this illustration taken September 11, 2025. (Reuters)
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Social Media ‘Addicting the Brains of Children,’ Plaintiff’s Lawyer Argues in Landmark Trial

Teenagers pose for a photo while holding smartphones in front of a Meta logo in this illustration taken September 11, 2025. (Reuters)
Teenagers pose for a photo while holding smartphones in front of a Meta logo in this illustration taken September 11, 2025. (Reuters)

Comparing social media platforms to casinos and addictive drugs, lawyer Mark Lanier delivered opening statements Monday in a landmark trial in Los Angeles that seeks to hold Instagram owner Meta and Google's YouTube responsible for harms to children who use their products.

Instagram's parent company Meta and Google's YouTube face claims that their platforms addict children through deliberate design choices that keep kids glued to their screens. TikTok and Snap, which were originally named in the lawsuit, settled for undisclosed sums.

Jurors got their first glimpse into what will be a lengthy trial characterized by dueling narratives from the plaintiffs and the two remaining defendants.

Meta lawyer Paul Schmidt spoke of the disagreement within the scientific community over social media addiction, with some researchers believing it doesn’t exist, or that addiction is not the most appropriate way to describe heavy social media use.

‘Addicting the brains of children’

Lanier, the plaintiff's lawyer, delivered lively first remarks where he said the case will be as “easy as ABC” — which stands for “addicting the brains of children.” He said Meta and Google, “two of the richest corporations in history,” have “engineered addiction in children’s brains.”

He presented jurors with a slew of internal emails, documents and studies conducted by Meta and YouTube, as well as YouTube’s parent company, Google. He emphasized the findings of a study Meta conducted called “Project Myst” in which they surveyed 1,000 teens and their parents about their social media use.

The two major findings, Lanier said, were that Meta knew children who experienced “adverse events” like trauma and stress were particularly vulnerable for addiction; and that parental supervision and controls made little impact.

He also highlighted internal Google documents that likened some company products to a casino, and internal communication between Meta employees in which one person said Instagram is “like a drug” and they are “basically pushers.”

At the core of the Los Angeles case is a 20-year-old identified only by the initials “KGM,” whose case could determine how thousands of other, similar lawsuits against social media companies will play out. She and two other plaintiffs have been selected for bellwether trials — essentially test cases for both sides to see how their arguments play out before a jury.

Plaintiff grew up using YouTube, Instagram

KGM made a brief appearance after a break during Lanier’s statement and she will return to testify later in the trial. Lanier spent time describing KGM's childhood, focusing particularly on what her personality was like before she began using social media.

She started using YouTube at age 6 and Instagram at age 9, Lanier said. Before she graduated elementary school, she had posted 284 videos on YouTube.

The outcome of the trial could have profound effects on the companies' businesses and how they will handle children using their platforms.

Lanier said the companies’ lawyers will “try to blame the little girl and her parents for the trap they built,” referencing the plaintiff. She was a minor when she said she became addicted to social media, which she claims had a detrimental impact on her mental health.

Lanier said that despite the public position of Meta and YouTube being that they work to protect children, their internal documents show an entirely different position, with explicit references to young children being listed as their target audiences.

The attorney also drew comparisons between the social media companies and tobacco firms, citing internal communication between Meta employees who were concerned about the company’s lack of proactive action about the potential harm their platforms can have on children and teens.

“For a teenager, social validation is survival,” Lanier said. The defendants “engineered a feature that caters to a minor’s craving for social validation,” he added, speaking about “like” buttons and similar features.

Meta pushes back

In his opening statement representing Meta, Schmidt said the core question in the case is whether the platforms were a substantial factor in KGM’s mental health struggles. He spent much of his time going through the plaintiff’s health records, emphasizing that she had experienced many difficult circumstances in her childhood, including emotional abuse, body image issues and bullying.

Schmidt presented a clip from a video deposition from one of KGM‘s mental health providers, Dr. Thomas Suberman, who said social media was “not the through-line of what I recall being her main issues,” adding that her struggles seemed to largely stem from interpersonal conflicts and relationships.

He painted a picture — with KGM’s own text messages and testimony pointing to a volatile home life — of a particularly troubled relationship with her mother.

Schmidt acknowledged that many mental health professionals do believe social media addiction can exist, but said three of KGM’s providers — all of whom believe in the form of addiction — have never diagnosed her with it, or treated her for it.

Schmidt stressed to the jurors that the case is not about whether social media is a good thing or whether teens spend too much time on their phones or whether the jurors like or dislike Meta, but whether social media was a substantial factor in KGM’s mental health struggles.

A reckoning for social media and youth harms

A slew of trials beginning this year seek to hold social media companies responsible for harming children's mental well-being. Executives, including Meta CEO Mark Zuckerberg, are expected to testify at the Los Angeles trial, which will last six to eight weeks.

Experts have drawn similarities to the Big Tobacco trials that led to a 1998 settlement requiring cigarette companies to pay billions in health care costs and restrict marketing targeting minors.

A separate trial in New Mexico, meanwhile, also kicked off with opening statements on Monday. In that trial, Meta is accused of failing to protect young users from sexual exploitation, following an undercover online investigation. Attorney General Raúl Torrez in late 2023 sued Meta and Zuckerberg, who was later dropped from the suit.

A federal bellwether trial beginning in June in Oakland, California, will be the first to represent school districts that have sued social media platforms over harms to children.

In addition, more than 40 state attorneys general have filed lawsuits against Meta, claiming it is harming young people and contributing to the youth mental health crisis by deliberately designing features on Instagram and Facebook that addict children to its platforms. The majority of cases filed their lawsuits in federal court, but some sued in their respective states.

TikTok also faces similar lawsuits in more than a dozen states.



ByteDance Reportedly Suspends Launch of Video AI Model after Copyright Disputes

FILE PHOTO: The ByteDance logo is seen at the company's office building in Shanghai, China July 4, 2023. REUTERS/Aly Song/File Photo
FILE PHOTO: The ByteDance logo is seen at the company's office building in Shanghai, China July 4, 2023. REUTERS/Aly Song/File Photo
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ByteDance Reportedly Suspends Launch of Video AI Model after Copyright Disputes

FILE PHOTO: The ByteDance logo is seen at the company's office building in Shanghai, China July 4, 2023. REUTERS/Aly Song/File Photo
FILE PHOTO: The ByteDance logo is seen at the company's office building in Shanghai, China July 4, 2023. REUTERS/Aly Song/File Photo

TikTok's Chinese parent, ByteDance, has put on hold the global launch of its latest video-generation model, Seedance 2.0, after a series of copyright disputes with major Hollywood studios and streaming platforms, The Information reported on Saturday, citing two people with direct knowledge of the situation.

Reuters could not immediately verify the report. ByteDance did not immediately respond to a request for comment. ByteDance said last month it would take steps to prevent the unauthorized use of intellectual property on its AI video generator Seedance 2.0, ⁠following threats of ⁠legal action from US studios, including Disney.

Disney sent a cease-and-desist letter to the Chinese firm last month, accusing it of using Disney characters to train and power Seedance 2.0 without permission, after videos generated by the model went viral in China, including one of Tom Cruise ⁠and Brad Pitt in a fight.

Disney said ByteDance had pre-packaged Seedance with a pirated library of copyrighted characters from franchises including Star Wars and Marvel, portraying them as public-domain clip art. ByteDance, which officially unveiled the model in February, has said the system is aimed at professional film, e-commerce and advertising use, highlighting its ability to process text, images, audio and video at once to reduce content production costs.

Seedance 2.0 has drawn attention after earning comparisons with DeepSeek, a ⁠Chinese AI ⁠company that has built models rivaling those of Anthropic and OpenAI. Tech executives, including Elon Musk, have praised its ability to generate cinematic storylines from a handful of prompts.

ByteDance had been aiming to make the new video model available to customers worldwide in mid-March, but the company has since suspended those plans, The Information report said.

ByteDance's legal team is working to identify and resolve potential legal issues and engineers are adding safeguards to prevent the model from generating content that could lead to further intellectual property violations, the report added.


Fake Images, Videos in Wartime: How to Tell Fact from Deepfakes

Misinformation spreads rapidly on social media during crises and conflicts (Shutterstock)
Misinformation spreads rapidly on social media during crises and conflicts (Shutterstock)
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Fake Images, Videos in Wartime: How to Tell Fact from Deepfakes

Misinformation spreads rapidly on social media during crises and conflicts (Shutterstock)
Misinformation spreads rapidly on social media during crises and conflicts (Shutterstock)

As tensions escalate across several fronts in the Middle East, information is spreading almost as quickly as the events themselves.

Social media platforms are often the first place where images, videos, and reports of alleged attacks or military developments appear.

But alongside legitimate information, a wave of misleading or fabricated content is also circulating online, making it increasingly difficult to separate fact from fiction.

A Growing Digital Challenge

Cybersecurity experts warn that the rapid spread of misinformation, particularly through manipulated videos and deepfake technologies, has become a growing digital threat during periods of geopolitical instability.

Maher Yamout, Lead Security Researcher at Kaspersky, told Asharq Al-Awsat that distinguishing reliable information from false narratives becomes especially critical during emergencies, when emotions run high, and people tend to share content quickly without verifying it.

“With developments unfolding in the Middle East, government authorities in Gulf Cooperation Council countries have warned against publishing or circulating information from unknown sources,” he said.

“Fake news, misleading or inaccurate information presented as real news, becomes more dangerous during emergencies.”

Misinformation Spreads Fast

Fake news is not new, but its scale and speed have changed dramatically with the rise of social media and artificial intelligence tools. During periods of geopolitical tension, unverified reports or manipulated videos can spread within minutes, reaching millions before fact-checkers can respond.

Experts generally divide fake news into two main categories. The first involves fully fabricated content designed to influence public opinion or attract traffic to specific websites. The second contains elements of truth but presents them inaccurately because the author failed to verify all the facts or exaggerated certain details.

Both can confuse audiences during crises, particularly when users rely on social media rather than trusted news outlets for updates.

Authorities in several countries have also warned that sharing inaccurate information, even unintentionally, may expose users to legal accountability.

Governments and digital security experts are therefore urging greater digital awareness and responsibility when sharing information during sensitive periods.

AI-Powered Deception

Artificial intelligence has added a new layer to the misinformation problem through so-called deepfake technologies, fabricated videos created using machine learning techniques such as face swapping or synthetic visual generation.

In some cases, authentic footage can be altered to appear as if it documents events that never occurred.

Yamout said verifying information has become more important than ever with the spread of deepfakes.

“Artificial intelligence makes it possible to combine different video clips to produce new scenes showing events or actions that never happened in reality, often with highly realistic results,” he said.

Such technology can make manipulated videos appear convincing and potentially mislead users, especially when they circulate in emotionally charged contexts. Edited clips may appear to show attacks, military movements, or political statements that never took place.

Even when these videos are later debunked, their initial spread can still trigger confusion or public anxiety.

How to Verify Information

Cybersecurity experts say users themselves play a key role in limiting the spread of misinformation. While platforms and regulators are developing tools to detect fake content, individuals can take simple steps to verify information before sharing it.

The first step is checking the source. Websites that publish false information may contain spelling errors in their web addresses or use unusual domains that mimic well-known media outlets.

Yamout advises carefully reviewing the website address and checking the “About Us” section on unfamiliar sites. It is generally safer to rely on official sources such as government websites or trusted media organizations.

Users should also verify the identity of the author or the organization behind the report. If the author is unknown or lacks clear expertise in the subject, the information should be treated cautiously.

Comparing reports with other credible sources is also important. Professional news organizations follow editorial guidelines and verification procedures, meaning major events are typically reported by multiple reputable outlets.

Yamout also highlighted the importance of checking dates and timelines, noting that some misleading content recirculates old events and presents them as recent developments.

He added that social media algorithms can create so-called “echo chambers,” where users are shown content that aligns with their existing views and interests. This makes it essential to consult diverse and reliable sources before forming conclusions.

Playing on Emotions

Many fake news stories are designed to provoke strong emotional reactions. Sensational headlines or dramatic clips are often crafted to trigger fear, anger, or shock, emotions that increase the likelihood that users will quickly share the content.

“Many fake news stories are written in a clever way to provoke strong emotional reactions,” Yamout said.

Maintaining critical thinking and asking a simple question — why was this story written? — can help users avoid spreading misinformation, he added.

This dynamic is amplified on social media platforms, where algorithms tend to promote content that generates strong engagement. Emotionally charged posts can therefore spread faster than balanced reporting.

Spotting Signs of Manipulation

Images and videos themselves may provide clues that they have been altered. Edited photos may display distorted background lines, unnatural shadows, or unrealistic skin tones.

In manipulated videos, inconsistencies may appear in lighting, eye movement, or facial expressions. While these signs are not always easy to detect, particularly on smartphones, they can raise doubts about the authenticity of widely shared clips.

A Shared Digital Responsibility

Experts say limiting the spread of misinformation during crises requires cooperation among governments, technology companies, media organizations, and users.

Yamout said the simplest rule may also be the most effective: “If you are not sure the content is accurate, do not share it.”

Responsible sharing can help curb the spread of misinformation and protect digital communities.

As digital platforms continue to shape how information travels across borders, the ability to critically evaluate online content is becoming an essential skill.

During periods of geopolitical tension and conflict, when rumors and facts can blur, the challenge is not only cybersecurity but also protecting the credibility of information itself.


Adobe Shares Drop after CEO Exit Adds to AI-disruption Concerns

FILE PHOTO: Signage for Adobe is displayed at National Retail Federation (NRF) 2026: Retail's Big Show, in New York City, US, January 12, 2026. REUTERS/Kylie Cooper/File Photo
FILE PHOTO: Signage for Adobe is displayed at National Retail Federation (NRF) 2026: Retail's Big Show, in New York City, US, January 12, 2026. REUTERS/Kylie Cooper/File Photo
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Adobe Shares Drop after CEO Exit Adds to AI-disruption Concerns

FILE PHOTO: Signage for Adobe is displayed at National Retail Federation (NRF) 2026: Retail's Big Show, in New York City, US, January 12, 2026. REUTERS/Kylie Cooper/File Photo
FILE PHOTO: Signage for Adobe is displayed at National Retail Federation (NRF) 2026: Retail's Big Show, in New York City, US, January 12, 2026. REUTERS/Kylie Cooper/File Photo

Adobe's shares plunged 9% in premarket trading on Friday after the Photoshop maker said CEO Shantanu Narayen would step down after 18 years at the helm, unsettling investors already wary of AI-driven disruptions to the design software market.

The longtime CEO's exit comes at a critical juncture as Adobe works to reassure investors it can keep pace with sweeping changes brought by artificial intelligence in the software landscape.

It follows a broader slide in software stocks after fears that ⁠AI agents could ⁠supplant some traditional applications that led to a nearly $1 trillion rout in software stocks globally last month.

"The loss of an iconic leader at a time of peak uncertainty around the future of software more broadly, and the positioning of Adobe ⁠specifically in this new GenAI world is bound to further investor uncertainty and anxiety around the shares," said analysts at Morgan Stanley.

Adobe's shares are down about 23% so far this year, extending a slide that has stretched over the past two years.

The company, which makes Illustrator, Premiere Pro and other tools for creative professionals, is among a group of SaaS providers including Salesforce that have ⁠struggled to win ⁠new clients amid a wave of AI start-ups.

On Thursday, Adobe reported double-digit growth in total revenue and customer subscription segments in the first quarter, reflecting resilient spending on its product suite.

"After steering the Adobe ship through rough seas over the past several years, several data points from the most recent quarter suggest the captain (Narayen) may have brought this franchise into a safe harbor, from which it can continue to thrive," Morgan Stanley analysts said.