Taiwan's Antique Jade Dealers See Trade Losing Luster

Chang Juben, chairman of Taiwan's Association of Jade Collectors, shows a Yuan dynasty jade belt ornament featuring a carving of a dragon among clouds. Sam Yeh / AFP
Chang Juben, chairman of Taiwan's Association of Jade Collectors, shows a Yuan dynasty jade belt ornament featuring a carving of a dragon among clouds. Sam Yeh / AFP
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Taiwan's Antique Jade Dealers See Trade Losing Luster

Chang Juben, chairman of Taiwan's Association of Jade Collectors, shows a Yuan dynasty jade belt ornament featuring a carving of a dragon among clouds. Sam Yeh / AFP
Chang Juben, chairman of Taiwan's Association of Jade Collectors, shows a Yuan dynasty jade belt ornament featuring a carving of a dragon among clouds. Sam Yeh / AFP

Tracing a palm-sized jade pig resting on its haunches, an antique trader in Taiwan said the ears on the nearly 400-year-old piece are a marker of its authenticity.

"The folds in the pig's ears show the handiwork, the ancient handicraft" of the Ming dynasty (1368-1644), said the 60-year-old trader, who would only provide his last name as Lee.

"It takes very careful carving. If it were duplicates, they wouldn't make it that delicate and detailed."

Lee's shop in Taipei's Da'an district holds ancient treasures worth more than a condominium located in the same neighborhood, AFP said.

The value of his merchandise represents just a fraction of an industry that the island's jade association says brought in nearly $16 million annually in recorded pre-pandemic antique jade sales.

But dealers warn the sector is flagging post-Covid. With the global economy in tatters, buyers are more cautious about taking a chance on expensive items, especially with the market awash with counterfeits.

Taipei's worsening ties with Beijing have also meant restrictions are still in place for visitors from mainland China, effectively cutting out the industry's biggest buyers.

Relations have plummeted since Taiwanese President Tsai Ing-wen, who refuses to accept Beijing's claim that the self-ruled island belongs to China, was elected in 2016.

"About seven to 12 years ago, it was very good times for people in Taiwan who are in the antiques or jade trade," said Liu San-bian, who runs a store in Metropolitan Jewelry and Antiques Emporium, a treasure trove of ateliers.

"It declined when cross-strait politics slowly affected travel between both sides," he said, summing up the dilemma in four Chinese characters meaning: "Hard to buy, hard to sell."

"Chinese people stopped coming in and rich people in Taiwan are not buying. There is no supply in the market... and collectors here are not willing to release their items for sale."

- 'Ingrained in our DNA' -

Taiwan was the go-to place for hunters of Chinese relics long before it became a powerhouse for hi-tech semiconductors. Collectors said most were carried out of mainland China during the Cultural Revolution, ending up on the island and nearby Hong Kong.

The Chinese government generally considers the trade of antiques from historical eras to be illegal if they were not passed down through inheritance or bought from authorized venues, such as cultural relic stores.

But there is a gray area in Taiwan, where collectors say they have obtained the items through legitimate means, especially if the items were personal belongings.

"To the Chinese, it is ingrained in our DNA," Chang Juben, chairman of Taiwan's Association of Jade Collectors, told AFP.

"Collectors in Taiwan began collecting when they realized that these were valuable national treasures... Taiwan has a reputation in the Greater Chinese community, that you can come here to see, touch and buy good jades here."

The antique jade market took off around 2011, when Beijing-friendly Ma Ying-jeou was president, bringing in "an endless stream of buyers from China and other countries", Chang said.

Now Taiwan's market is about a quarter of its former annual value -- roughly $9.4 million to $15.7 million in the boom years -- and it is easy to be steered towards inauthentic "artifacts".

"It relies on word of mouth," Chang said. "You have to walk the right path and find the right person."

Most reputable collectors are also "protective" about their stock, refusing to show their best items to a novice who won't appreciate it or to a buyer simply looking to resell for profit.

- 'Build a reputation' -

A two-hour flight to Hong Kong -- a hub for Chinese antiques sold in both sprawling markets and upscale auction houses -- tells a different story.

Pola Antebi, deputy chairman at Christie's auction house in Hong Kong, said she is seeing a trend in which antique collectors are releasing long-cherished collections held for up to five decades.

"We've sold several substantial collections from Taiwan in Hong Kong in recent years, including the notable Chang Wei-Hwa collection of early jades," Antebi told AFP.

That portfolio of jades from the Qin and Han dynasties fetched $9.3 million in November, while three previous auctions of Chang Wei-Hwa's collection brought in $24.7 million from 2019 to 2021.

Taiwan's jade "players" remain confident the trade "will survive no matter what", said the trader Lee.

His unique shop, which houses aquariums of iridescent corals, gets visitors via word of mouth. One trip can turn into several before any transaction is made -- if at all.

"It takes very long to build a reputation, but it is very easy to ruin it. If one item you sell turns out to be fake... that's all it takes to ruin you," he said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”