Documentary About Sudan Wins Award at GFF

Photo showing all the participants in the Final Cut Venice 2023
workshop
Photo showing all the participants in the Final Cut Venice 2023 workshop
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Documentary About Sudan Wins Award at GFF

Photo showing all the participants in the Final Cut Venice 2023
workshop
Photo showing all the participants in the Final Cut Venice 2023 workshop

The documentary “Sudan, When Poems Fall Apart” has won the GFF Award at the Final Cut Venice 2023, an initiative aimed at supporting films in post-production phase. This year’s edition of the initiative saw the participation of seven works from the Middle East and North Africa.

El Gouna Film Festival (GFF) described the winning documentary as an “extraordinary” project. “The documentary draws a deep picture of Sudan by seamlessly narrating the stories of four women: Shajan, Marmal, Maha, and Rafida. The documentary is a sincere love poem about Sudan. It uses the overlapping stories of the four women to recreate the image of an ongoing revolution,” GFF said in a statement on Tuesday.

The documentary is a French-Tunisian co-production, directed by Hind Meddeb who has an impressive work record including films like “Paris, Stalingrad”, and “Tunisian Clash”, which shed lights on the reality of rappers in Tunisia after the fall of Ben Ali’s regime. In appreciation of the project, GFF offers a money prize of $5,000 to support the post-production stages.

“We are delighted to screen and support the extraordinary project ‘Sudan, When Poems Fall Apart’ at the Final Cut Venice 2023. This award emphasizes the festival’s commitment to the creative voices in the Arabic cinema, and to building sustainable connections in the Arabic cinema industry,” said Intishal al-Timimi, GFF director. He also congratulated the talented teams behind the film project “She Was not Alone”, scheduled to participate in the festival next month.

Young Sudanese actor, Mustafa Shehata, said El Gouna Film Festival shed lights on the Sudanese cinema and celebrates it. “This interest manifested in the participation of the film ‘You Die at Twenty’ in the 2019 edition, during which it won the Golden Award for Best Feature Film. That edition also screened the film ‘Talk About Trees’ by director Suhaib Qasim al-Bari, which also won the Best Documentary Film Award,” he told Asharq Al-Awsat.

Shehata, the lead actor in ‘You Will Die at Twenty’, said “the interest in Sudanese cinema in the upcoming edition of GFF means a lot to us in light of the war circumstances in our country,” especially since the Sudanese cinema had started to recover in the few past years. He also said ‘You Will Die at Twenty’ by director Amjad Abu al-Ala was a great comeback opportunity for the Sudanese cinema, along with ‘Tree Talk’ and ‘Offside Khartoum’ by Marwa Zein. This celebration from GFF reflects “the solidarity with the Sudanese cinema, which insists on surviving despite everything.”

The festival announced that the film project “She Was Not Alone” also won the GFF Award. It’s an Iraqi-Saudi-US co-production, directed by Hussein Al-Assadi, and produced by Ishtar Iraq Film Production. The film is a poetic contemplation of the life of a Bedouin woman named Fatima, who lives alone in the wetlands of Iraq with her beloved animals. The film explores the difficult choices that the character faces. It was selected to participate in the GFF post-production category, and compete for awards and grants provided by the festival and a number of influential partners in the film industry.



'Incomprehensible': Red Cross Museum Fears Closure amid Swiss Funding Cuts

The collection houses around 30,000 objects as well as archives and the first Nobel Peace Prize medal, given to Red Cross founder Henry Dunant. Fabrice COFFRINI / AFP
The collection houses around 30,000 objects as well as archives and the first Nobel Peace Prize medal, given to Red Cross founder Henry Dunant. Fabrice COFFRINI / AFP
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'Incomprehensible': Red Cross Museum Fears Closure amid Swiss Funding Cuts

The collection houses around 30,000 objects as well as archives and the first Nobel Peace Prize medal, given to Red Cross founder Henry Dunant. Fabrice COFFRINI / AFP
The collection houses around 30,000 objects as well as archives and the first Nobel Peace Prize medal, given to Red Cross founder Henry Dunant. Fabrice COFFRINI / AFP

The Red Cross museum in Geneva is warning that it risks closure after its funding was axed in a broad government cost-cutting plan, with some suggesting it could be moved to Abu Dhabi.

The International Red Cross and Red Crescent Museum has been a national institution in Switzerland for nearly four decades, playing a key role in promoting and explaining international humanitarian law and principles in the birthplace of the Geneva Conventions.

Museum director Pascal Hufschmid said he was shocked to learn last September that the fate of the museum was, apparently inadvertently, being threatened by a small administrative measure in a government savings drive, AFP reported.

"It jeopardizes the very existence of the museum," the Swiss historian, who took the helm of the institution in 2019, told AFP in a recent interview.

The museum, built adjacent to the International Committee of the Red Cross (ICRC) headquarters, opened in 1988. It welcomes around 120,000 people annually, ranging from elementary school classes to visiting dignitaries.

It keeps a collection of around 30,000 objects, including the first Nobel Peace Prize medal, given in 1901 to Red Cross founder Henry Dunant, an award shared with the French pacifist Frederic Passy.

It also houses the archives of the ICRC's International Prisoners of War Agency, established to restore contact between people separated during World War I, which have been listed on UNESCO's Memory of the World Register.

'Incredible heritage'

"Through this incredible heritage," Hufschmid said, the aim is to create "a dialogue on what humanitarian action means on a daily basis".

He said the Swiss government had long recognized the value of the museum, and its role in telling "the story of an idea born in Switzerland, of major figures of Swiss history", like Dunant.

Since 1991, the private museum has received an annual subsidy from the Swiss foreign ministry of 1.1 million francs ($1.2 million), accounting for about a quarter of its overall budget.

But a general cost-cutting measure, proposed by a group of experts and approved by the government last September, included the decision to transfer responsibility for subsidizing the museum to the culture ministry.

At first, Hufschmid said he was not too concerned at what appeared to be merely an administrative change, until he realized "the transfer actually meant a major reduction of the subsidy".

This was because the culture ministry requires museums seeking its funding to take part in a competition, facing off against hundreds of other museums.

When successful, Hufschmid said, museums typically obtain a subsidy of "between five and seven percent of their expenses, (which) in our case would mean approximately 300,000 francs".

'Structural deficit'

"Suddenly, I understood that we would be facing a structural deficit starting 2027, (and) that we would have to close," he said, calling the situation "totally incomprehensible".

He said the government decision was taken as Switzerland marked the 75th anniversary of the adoption of the Geneva Conventions, and amid warnings of dwindling respect for international humanitarian law.

Hufschmid has since been lobbying parliamentarians and decision-makers with ideas to save the museum.

The Geneva canton has stepped up its support, and parliamentarians both at the regional and national levels have voiced support for the institution -- but so far the threat of closure remains.

Hufschmid has proposed nationalization among other possible solutions.

Others have raised the possibility of moving the museum, with suggestions that Abu Dhabi, which hosts other museums including an outpost of the Louvre, could house its collection.

But Hufschmid said such a move "doesn't make any sense". "We were shocked when we heard that, because we are so deeply connected to Swiss identity, to Swiss heritage, to ideas born in Switzerland... (as) the depository state of the Geneva Conventions," he said.

"We are a Swiss museum and we will stay in Switzerland."