Khalid Al-Baker to Asharq Al-Awsat: We Seek to Preserve our Identity, Modernize Saudi Arabia’s Standing

Khalid Al-Baker, CEO of the Quality of Life Program (Asharq Al-Awsat)
Khalid Al-Baker, CEO of the Quality of Life Program (Asharq Al-Awsat)
TT

Khalid Al-Baker to Asharq Al-Awsat: We Seek to Preserve our Identity, Modernize Saudi Arabia’s Standing

Khalid Al-Baker, CEO of the Quality of Life Program (Asharq Al-Awsat)
Khalid Al-Baker, CEO of the Quality of Life Program (Asharq Al-Awsat)

The Quality of Life (QoL) - one of the programs of Saudi Vision 2030 - aims to shape the future of the wellbeing sectors in Saudi Arabia, by making the Kingdom’s cities more attractive, and its cultural offerings richer and more diverse, according to the program’s CEO, Khalid Al-Baker.

In an interview with Asharq Al-Awsat, Al-Baker said that in order to achieve the goal of including at least three Saudi cities among the top 100 cities in the world by 2030, the program attracted investments in the sectors of sports, culture, entertainment, tourism, and other, and launched specialized training programs for Saudi citizens.

Al-Baker spoke eagerly about the program’s impact, as its mission also extends to preserving Saudi Arabia’s rich cultural heritage and promoting arts, music and traditional cuisine.

He said: “Over the past five years, our initiatives have increased access to cultural events and venues, and contributed 20.4 billion riyals ($5.4 billion) to the national GDP.”

He added: “We played a pivotal role in promoting a vibrant cultural scene. The participation rate of talent and local companies reached 33 percent of the total content, and our efforts ignited the cultural energy of Saudi cities by transforming them into international cultural and artistic hubs.”

The Impact

Regarding the program’s positive impact on the well-being and quality of life of Saudis, Al-Baker said: “We have witnessed a significant improvement in the fields of culture, entertainment, sports and tourism... Today, 41 percent of the Kingdom’s population practices physical activity, and in 2022, more than 940 cultural events were held across the country. This was part of a major step that comes in line with the goals of Vision 2030 to provide sports and entertainment opportunities.”

Al-Baker stressed that the program’s efforts “contribute to transforming the Kingdom into a world-class center for arts, culture, entertainment and sports.”

He noted that this transformation was translated in the establishment of organizations such as the Royal Institute of Traditional Arts and the Red Sea International Film Festival, to encourage citizens and tourists to interact with cultural content, discover the rich heritage in Saudi Arabia, and share it with the world.”

International reputation

Al-Baker touched on the international significance of the program and its impact on the world’s view of Saudi Arabia.

“Our mission has an important international dimension. We are changing the global perception of the Kingdom by continuously improving the living standards of Saudis and expatriates, and demonstrating the remarkable progress it has made in the past few years,” he told Asharq Al-Awsat.

The CEO of the QoL program emphasized that work was focused on creating opportunities and change across the country, by meeting local needs and getting rid of inaccurate and outdated preconceptions about life in the Kingdom.

“Our vision for Saudi Arabia is not only to provide the same opportunities as anywhere else, but also to raise international standards for quality of life and place Saudi cities in the top 100 cities for livability in the world,” he stated.

He continued: “Our program seeks to create a thriving cultural and entertainment scene, with 5,000 different events and 20 major sports tournaments, which has boosted tourism and attracted visitors from around the world. We are directly challenging preconceptions about our nation, and everyone is beginning to recognize us as a dynamic society that specializes in technology and looks toward the future.”

The program particularities

Regarding the particularities of the Saudi Quality of Life program compared to other programs in the world, Al-Baker explained that what makes the QoL unique is the commitment to achieving balance between modernization and the preservation of cultural heritage.

“As we evolve by adopting international trends and innovations, we do so with deep respect for our roots and cultural heritage. Our approach is entrenched in our community’s values and traditions, and allows us to maintain our distinct identity, as we seek to build and modernize our global standing. The focus on cultural continuity and development distinguishes our program from programs adopted in other countries,” he remarked.

Al-Baker went on to say that Saudi Arabia focuses on the wellbeing of the people. “What’s beautiful is the Kingdom’s emphasis, through the QoL program, on the necessity of enhancing the human dimension and its importance, through art, culture, sports and entertainment. Not only are we making cities more livable, we are also humanizing them, ensuring they enhance the vitality of our citizens,” he told Asharq Al-Awsat.

Cultural aspects

Al-Baker continued by touching on the cultural aspects of the program. He pointed to three important goals, namely preserving the Kingdom’s cultural heritage, enhancing the country’s contributions to arts and culture, and developing the necessary cultural infrastructure to support these endeavors.

He stated that the increase of cultural production has confirmed the success of the Saudi endeavor to promote the culture scene. Last year, 6,875 local books were published, and 38 new cultural facilities were established, he underlined.

Al-Baker added: “Important steps have also been taken to preserve our heritage. Today, there are 7 World Heritage sites in Saudi Arabia that have been recognized by UNESCO, and 11 qualified archaeological sites. These developments demonstrate the cultural transformation of our urban cities, characterized by improved living standards and enriched experiences for our citizens.”

Diversity

Al-Baker stressed that the Quality of Life program encourages cultural diversity in Saudi Arabia by facilitating the launch and operation of educational and recreational areas.

“These spaces, which allow people of all ages and community members to come together to participate in cultural activities and projects, are at the forefront of our efforts to increase the Saudi contribution to arts and culture, and promote the comprehensive development of our societies. Our goal is to see three of our cities be ranked among the top 100 cities in the world in terms of livability, and to attract talent and expertise from various countries to live, work, and enjoy life inside the Kingdom.”



Row Deepens Over Vanished River Wave in Munich

(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
TT

Row Deepens Over Vanished River Wave in Munich

(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)

A row over the disappearance of a famous river surfing wave in Munich escalated on Sunday as authorities removed a beam inserted over Christmas to recreate the attraction.

The Eisbach wave on a side branch of the Isar River had been a landmark in the Bavarian city since the 1980s but it vanished in October after annual cleanup work along the riverbed.

Activists had placed a beam in the water early on December 25 to partially recreate the wave, according to German media reports, and hung a banner above the water that read "Merry Christmas".

But a spokesman for the Munich fire service told AFP the "installation was removed" on Sunday at the request of city authorities.

Activists have made several attempts to reinstate the wave in the city's Englischer Garten park since October -- only to see them reversed.

The local surfers' association IGSM on Thursday posted a statement on its website saying it had abandoned its campaign to save the wave, accusing city authorities of dragging their feet.

The Eisbach wave was considered the largest and most consistent river wave in the heart of a major city and had become a tourist attraction in Bavaria's state capital.

Franz Fasel, head of the IGSM, told AFP in July that 3,000 to 5,000 local surfers were using it.

Access to the wave was cut off for several months earlier this year after the death of a 33-year-old Munich woman who became trapped under the surface while surfing at night.


New York Subway Ends its MetroCard Era and Switches Fully to Tap-and-go Fares

Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
TT

New York Subway Ends its MetroCard Era and Switches Fully to Tap-and-go Fares

Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)

When the MetroCard replaced the New York City subway token in 1994, the swipeable plastic card infused much-needed modernity into one of the world’s oldest and largest transit systems.

Now, more than three decades later, the gold-hued fare card and its notoriously finicky magnetic strip are following the token into retirement, The Associated Press reported.

The last day to buy or refill a MetroCard is Dec. 31, 2025, as the transit system fully transitions to OMNY, a contactless payment system that allows riders to tap their credit card, phone or other smart device to pay fares, much like they do for other everyday purchases.

Transit officials say more than 90% of subway and bus trips are now paid using the tap-and-go system, introduced in 2019.

Major cities around the world, including London and Singapore, have long used similar contactless systems. In the US, San Francisco launched a pay-go system earlier this year, joining Chicago and others.

MetroCards upended how New Yorkers commute The humble MetroCard may have outlasted its useful life, but in its day it was revolutionary, says Jodi Shapiro, curator at the New York Transit Museum in Brooklyn, which opened an exhibit earlier this month reflecting on the MetroCard’s legacy.

Before MetroCards, bus and subway riders relied on tokens, the brass-colored coins introduced in 1953 that were purchased from station booths. When the subway opened in 1904, paper tickets cost just a nickel, or about $1.82 in today’s dollars.

“There was a resistance to change from tokens to something else because tokens work,” Shapiro said on a recent visit to the museum, housed underground in a decommissioned subway station. “MetroCards introduced a whole other level of thinking for New Yorkers.”

The Metropolitan Transportation Authority launched public campaigns to teach commuters how to swipe the originally blue-colored cards correctly, hoping to avoid the dreaded error message or lost fares. Officials even briefly toyed with the idea of a quirky mascot, the Cardvaark, before coming to their senses.

The cards quickly became collectors items as the transit system rolled out special commemorative editions marking major events, such as the “Subway Series” between baseball’s New York Mets and the New York Yankees in the 2000 World Series. At the time, a fare cost $1.50.

Artists from David Bowie and Olivia Rodrigo to seminal New York hip hop acts, such as the Wu-Tang Clan, the Notorious B.I.G. and LL Cool J, have also graced the plastic card over the years, as have iconic New York shows like Seinfeld and Law & Order.

“For me, the most special cards are cards which present New York City to the world,” said Lev Radin, a collector in the Bronx. “Not only photos of landmarks, skylines, but also about people who live and make New York special.”

Perfecting the correct angle and velocity of the MetroCard swipe also became something of a point of pride separating real New Yorkers from those just visiting.

During her failed 2016 presidential campaign, Hillary Clinton, a former US Senator from New York, took an excruciating five swipes at a Bronx turnstile. In fairness, her chief Democratic opponent at the time, US Sen. Bernie Sanders of Vermont, a native Brooklynite, didn't even appear to realize tokens had been discontinued.

Cost savings and lingering concerns Unlike the MetroCard rollout, OMNY has required little adjustment.

Riders reluctant to use a credit card or smart device can purchase an OMNY card they can reload, similar to a MetroCard. Existing MetroCards will also continue to work into 2026, allowing riders to use remaining balances.

MTA spokespersons declined to comment, pointing instead to their many public statements as the deadline approaches.

The agency has said the changeover saves at least $20 million annually in MetroCard-related costs.

The new system also allows unlimited free rides within a seven-day period because the fare is capped after 12 rides. It'll max out at $35 a week once the fare rises to $3 in January.

Still, new changes come with tradeoffs, with some critics raising concerns about data collection and surveillance.

Near Times Square on a recent morning, Ronald Minor was among the dwindling group of "straphangers" still swiping MetroCards.

The 70-year-old Manhattan resident said he's sad to see them go. He has an OMNY card but found the vending machines to reload it more cumbersome.

“It’s hard for the elders,” Minor said as he caught a train to Brooklyn. “Don’t push us aside and make it like we don’t count. You push these machines away, you push us away.”

John Sacchetti, another MetroCard user at the Port Authority stop, said he likes being able to see his balance as he swipes through a turnstile so he knows how much he’s been spending on rides.

“It’s just like everything else, just something to get used to," he said as he headed uptown. "Once I get used to it, I think it’ll be okay.”


French Legend Brigitte Bardot Dead at 91

FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
TT

French Legend Brigitte Bardot Dead at 91

FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa

French film legend Brigitte Bardot, a cinema icon of the 1950s and sixties who walked away from global stardom to become an animal rights protector, has died aged 91, her foundation said Sunday.

Bardot had rarely been seen in public in recent months but was hospitalized in October and in November released a statement denying rumors that she had died. The foundation did not say when or where she died.

"The Brigitte Bardot Foundation announces with immense sadness the death of its founder and president, Madame Brigitte Bardot, a world-renowned actress and singer, who chose to abandon her prestigious career to dedicate her life and energy to animal welfare and her foundation," it said in a statement sent to AFP.

Bardot became a global star after appearing in "And God created Woman" in 1956, and went on to appear in about 50 more movies before giving up acting.

She retired from film to settle permanently near the Riviera resort of Saint-Tropez where she devoted herself to fighting for animals.

Her calling apparently came when she encountered a goat on the set of her final film, "The Edifying and Joyous Story of Colinot.”

To save it from being killed, she bought the animal and kept it in her hotel room.