Space Shuttle Endeavour Hoisted for Installation in Vertical Display at LA Museum

Space Shuttle Endeavour is lifted at the California Science Center, where it will be paired with its iconic orange external fuel tank and two solid rocket boosters inside the soon-to-be-completed Samuel Oschin Air and Space Center, in Los Angeles, California, US January 29, 2024. REUTERS/Mike Blake
Space Shuttle Endeavour is lifted at the California Science Center, where it will be paired with its iconic orange external fuel tank and two solid rocket boosters inside the soon-to-be-completed Samuel Oschin Air and Space Center, in Los Angeles, California, US January 29, 2024. REUTERS/Mike Blake
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Space Shuttle Endeavour Hoisted for Installation in Vertical Display at LA Museum

Space Shuttle Endeavour is lifted at the California Science Center, where it will be paired with its iconic orange external fuel tank and two solid rocket boosters inside the soon-to-be-completed Samuel Oschin Air and Space Center, in Los Angeles, California, US January 29, 2024. REUTERS/Mike Blake
Space Shuttle Endeavour is lifted at the California Science Center, where it will be paired with its iconic orange external fuel tank and two solid rocket boosters inside the soon-to-be-completed Samuel Oschin Air and Space Center, in Los Angeles, California, US January 29, 2024. REUTERS/Mike Blake

NASA's retired Space Shuttle Endeavour was carefully hoisted late Monday to be mated to a huge external fuel tank and its two solid rocket boosters at a Los Angeles museum where it will be uniquely displayed as if it is about to blast off.
A massive crane delicately began lifting the orbiter, which is 122 feet (37 meters) long and has a 78-foot (24-meter) wingspan, into the partially built Samuel Oschin Air and Space Center at the California Science Center in Exposition Park, The Associated Press reported.
The building will be completed around Endeavour before the display opens to the public.
The 20-story-tall display stands atop an 1,800-ton (1,633-metric ton) concrete slab supported by six so-called base isolators to protect Endeavour from earthquakes.
All parts of the vertical launch configuration are authentic components of the shuttle system, including the rust-colored external tank, which was flight-qualified.
Endeavour flew 25 missions between 1992 and 2011, when NASA’s shuttle program ended.
The shuttle was flown to Los Angeles International Airport in 2012 atop a NASA Boeing 747 and then created a spectacle as it was inched through tight city streets to Exposition Park. The external tank arrived by barge and made a similar trip across the city.
The shuttle was initially displayed horizontally in a temporary exhibit hall. A groundbreaking ceremony for the Air and Space Center was held in 2022 on the 11th anniversary of Endeavour’s final return from space.
The process of assembling the shuttle system in vertical configuration was dubbed “Go for Stack,” an informal term for putting together rocket components for launch.
It began in July with precise installation of the bottom segments of the side boosters, known as aft skirts, for the first time outside of a NASA facility. In use, the boosters would be attached to the external tank to help the shuttle's main engines lift off.
The 116-foot-long (35.3-meter-long) rocket motors were trucked to Los Angeles from the Mojave Desert in October and were installed the following month.
In all, NASA operated five shuttles in space. Shuttle Challenger and its crew were lost in a launch accident Jan. 28, 1986. Columbia and its crew were lost during return from orbit Feb. 1, 2003. Retired shuttles Atlantis and Discovery and the test ship Enterprise, which did not go to space, are on display across the country.
Atlantis is at Kennedy Space Center, Florida, where it is displayed as if in orbit with its payload doors open and robotic arm extended. Discovery rests on its landing gear at the National Air and Space Museum's Steven F. Udvar-Hazy Center in Chantilly, Virginia.
Enterprise, which was released from a carrier aircraft for approach and landing tests, is displayed at the Intrepid Museum in New York.



Songs of Silence: Young Actors Perform Indonesia’s First Deaf Musical

 Members of theater troupe Fantasi Tuli (Deaf Fantasy) perform a show titled "Senandung Senyap" (Songs of Silence), during Indonesia's first musical with mostly deaf artists, in Jakarta, Indonesia, October 26, 2024. (Reuters)
Members of theater troupe Fantasi Tuli (Deaf Fantasy) perform a show titled "Senandung Senyap" (Songs of Silence), during Indonesia's first musical with mostly deaf artists, in Jakarta, Indonesia, October 26, 2024. (Reuters)
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Songs of Silence: Young Actors Perform Indonesia’s First Deaf Musical

 Members of theater troupe Fantasi Tuli (Deaf Fantasy) perform a show titled "Senandung Senyap" (Songs of Silence), during Indonesia's first musical with mostly deaf artists, in Jakarta, Indonesia, October 26, 2024. (Reuters)
Members of theater troupe Fantasi Tuli (Deaf Fantasy) perform a show titled "Senandung Senyap" (Songs of Silence), during Indonesia's first musical with mostly deaf artists, in Jakarta, Indonesia, October 26, 2024. (Reuters)

In a Jakarta theatre, the music pulsed from speakers as a group of young artists danced in a musical, bathed in multicolor stage lights. But no one was singing.

Theatre troupe Fantasi Tuli (Deaf Fantasy) was performing Indonesia's first musical with mainly deaf artists and crew on Saturday, using screens around the stage showing dialogue and lyrics as actors performed with their facial expressions and hand signs.

The musical "Senandung Senyap" (Songs of Silence) depicts the plight of students in a middle school for children with disabilities. Directors Hasna Mufidah and Helga Theresia created it to raise awareness and promote the use of sign language.

"My hope is, going forward, inclusivity can be strengthened, that between deaf and hearing people, hearing is not superior - we're equal," Mufidah, who is deaf, said through Indonesian sign language.

Involving more than 60 deaf actors and crew, aged 16 to 40, the musical took three months to prepare. It is inspired by Deaf West Theater in the United States, Helga said.

The performance examines special-needs education in Indonesian schools, where deaf students are often taught with an emphasis on speech training and lip-reading, more than on sign language, amid a wider debate about the best education methods for children with hearing disability.

Some in the deaf community argue oral education can lead to a sense of alienation, and that sign language is a more natural way to communicate for them. Proponents of such a method say it could better integrate people with hearing disability with the more dominant hearing community.

For deaf actor Hanna Aretha Oktavia, the musical was her introduction to sign language and the wider deaf community.

"Throughout dialogue rehearsals we had to use as much expressions as possible and to follow the storyline," Hanna said.

"What's interesting is in rehearsals we have to feel the tempo and vibrations and match them with the choreography. I think that's the most intriguing part because I love to dance. And we paid close attention to the beats with the help of hearing aids. We use big speakers to help guide us," she said.

More than 2 million of Indonesia's 280 million people have a hearing disability, including 27,983 students in special-needs schools.