Rescued Lion Cub from Lebanon Wildlife Trade is Safe in South Africa

Freya and Pi are the latest of nearly two dozen big cats rescued from various situations by Animals Lebanon. - The AP.
Freya and Pi are the latest of nearly two dozen big cats rescued from various situations by Animals Lebanon. - The AP.
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Rescued Lion Cub from Lebanon Wildlife Trade is Safe in South Africa

Freya and Pi are the latest of nearly two dozen big cats rescued from various situations by Animals Lebanon. - The AP.
Freya and Pi are the latest of nearly two dozen big cats rescued from various situations by Animals Lebanon. - The AP.

Freya, a 6-month-old lion cub rescued from the wildlife trade in Lebanon, poked a curious nose out of her transport crate and sniffed the air. Satisfied, she took her first cautious steps in her new forever home in a sanctuary in South Africa.

Freya's relocation to the Drakenstein Lion Park is only a partial success story.

She will never live as a lion should in the wild. She has been given lifetime sanctuary at Drakenstein, which has taken in other lions from zoos and circuses in France, Chile, Romania and elsewhere. Some have terrible backstories of abuse, noted on placards at the sanctuary: Ares was blind and neglected when he was rescued. Brutus had been beaten hard enough to break his jaw.

But as Freya settles in at Drakenstein, animal welfare groups have again drawn attention to South Africa's contradictory position when it comes to the species that often symbolizes African wildlife, The AP reported.

South Africa, with an admirable reputation for conservation and ethical sanctuaries like Drakenstein, also has a thriving captive lion business where the big cats are bred for petting and other encounters but also for killing in “canned hunting” experiences or for the lion bone trade.

South Africa has special permission through the endangered plant and animal trade treaty CITES to export lion bones and skeletons, mostly to Southeast Asia to be used in traditional medicines. Canned hunting, where lions are chased down and shot in enclosures with no chance of a fair chase or escape, is also legal.

Animal welfare groups have pushed for the business of breeding lions in captivity to end. The South African government announced recently it plans to close down the industry and it's expected to take two to three years if there are no legal challenges.

It has been a stain on South Africa's conservation brand, said Audrey Delsink, the Africa wildlife director for Humane Society International, which was involved in Freya's relocation. She said it was important for people to realize that the cute cubs used for petting encounters at some South African parks — but not at Drakenstein — end up being big lions shipped off to be killed.

“They’ve been pulled from their mothers, they’ve been hand-raised for you to take selfies with and enjoy them, and then eventually the same lions are going to be shot for trophies in a camp from which they cannot escape, and then end up as a bag of bones,” Delsink said.

There are more than 300 captive lion facilities in South Africa, with more than 7,000 lions. That is double the number of lions in the South African wild. Campaigners against the business say it should be made more clear to visitors that the vast majority of South Africa's lions live in cages in the world's largest captive lion industry.

“We cannot pull the wool over tourists' eyes anymore,” Delsink said.

As for Freya, her rescuers hope that she will eventually bond and live in the same enclosure as young male cub Pi, who they believe is her brother and was brought from Lebanon in April.

Pi was illegally trafficked and owned by a man who used him to promote his TikTok account, said Jason Mier, director of Animals Lebanon, which rescued Pi and Freya. Pi often had his mouth taped shut when used for videos or selfies and was locked in a small cage at night. He was kept as a status symbol for his owner “to be able to show off I’m powerful, I have money, look at me,” Mier said.

Freya and Pi are the latest of nearly two dozen big cats rescued from various situations by Animals Lebanon. Some have come to Drakenstein, which doesn’t allow cub petting or any close encounters, but does welcome visitors to see the lions and learn about them.

Freya and Pi wouldn't survive if released in the wild, so the sanctuary is the best option for them. Those involved in Pi's rescue said they remember watching the cub experience grass under his paws for the first time at Drakenstein, even if it was in the enclosure he and Freya will likely inhabit for the rest of their lives.



Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
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Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP

Like many of his fellow Tunisians, 23-year-old Amine Elhani has never been to the cinema, but now, thanks to a mobile theater touring the country, he can finally enjoy the big screen.

The bright red truck of CinemaTdour, or "moving cinema", has transformed parking lots and factory grounds in underserved towns and neighbourhoods across the North African country into pop-up theaters.

In the central town of Djemmal, dozens of workers unloaded the expandable truck, easily setting up a fully equipped outdoor movie theater with 100 seats.

"The screen is huge, and the sound effects are amazing," said Elhani, who had so far only watched films on his phone or computer.

He had "never had the chance to go to a movie theater", he told AFP.

"It's a fantastic experience, especially because I'm watching with friends."

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs.

Recognizing this gap, CinemaTdour was launched in May by private cultural network Agora and nonprofit Focus Gabes, with funding from private donors.

"We wanted a way to reach as many viewers as possible, in a short time and on a limited budget, while offering them an authentic cinematic experience," project director Ghofrane Heraghi told AFP.

Mobile cinemas have long existed in other countries, but Heraghi said CinemaTdour was "unique" for turning a truck into a full-fledged theater.

Without government funding, CinemaTdour relies heavily on partnerships with private companies to cover costs like film rights, maintenance and staffing.

The truck itself was purchased on credit for about one million Tunisian dinars ($315,000), Heraghi said, with annual operating expenses of around 500,000 dinars.

For 10 days in Djemmal, residents could watch films for free thanks to a partnership with German car parts manufacturer Draxlmaier, which has a factory in the town.

Jihene Ben Amor, Draxlmaier's communications manager in Tunisia, said the company wanted to "contribute to the development" of remote and underserved regions where it operates.

For many workers, earning up to 1,000 dinars a month, the cost of tickets and the journey to a main city with a movie theater can be prohibitive.

"Having this cinema right outside their workplace also gives workers a sense of pride and belonging," said Ben Amor.

- 'Social impact' -

After Djemmal, CinemaTdour set up in Hay Hlel, an impoverished neighbourhood of the capital Tunis.

Many children gathered around the pop-up theater, eager for their turn.

Yomna Warhani, 11, was beaming with excitement, anticipating her first ever movie screening.

"I can't wait to see what it's like inside and what films they'll show," she said.

Nejiba El Hadji, a 47-year-old mother of four, said: "It's not just the kids who are thrilled, believe me."

To her, the mobile cinema was a rare source of joy in an otherwise bleak environment.

"We have nothing here, no cultural centers and no entertainment, just the streets," said Hadji.

"People say our kids are lost, but no one does anything about it."

CinemaTdour's two-week stay in Hay Hlel was funded by the World Health Organization, with screenings themed on mental health, smoking and drug abuse, and violence against women.

The shows were tailored for younger audiences as well as for viewers with hearing or visual impairments.

Heraghi, the project head, said that "what drives us is the social impact of culture."

"We want to break stereotypes, shift mindsets, and promote values like social cohesion and community spirit."

In just a few months, CinemaTdour has reached more than 15,000 people, including 7,500 in the southern oasis town of Nefta where a month of free screenings was sponsored by a date exporter.

The project now hopes to secure funding for additional trucks to expand its activities across the country.

But Heraghli has even bigger aspirations, she said, "taking it to Algeria, Libya, and maybe even across Africa".