Aboriginal Ritual Passed Down Over 12,000 Years, Cave Find Shows

The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people. (AFP Photo)
The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people. (AFP Photo)
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Aboriginal Ritual Passed Down Over 12,000 Years, Cave Find Shows

The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people. (AFP Photo)
The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people. (AFP Photo)

Two slightly burnt, fat-covered sticks discovered inside an Australian cave are evidence of a healing ritual that was passed down unchanged by more than 500 generations of Indigenous people over the last 12,000 years, according to new research.

The wooden sticks, found poking out of tiny fireplaces, showed that the ritual documented in the 1880s had been shared via oral traditions since the end of the last ice age, a study in the journal Nature Human Behaviour said on Monday, AFP reported.

The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people.

When the cave was first excavated in the 1970s, archaeologists discovered the remains of a long extinct giant kangaroo that had previously lived there.

But the Gunaikurnai people were not involved in those digs, "nor were they asked for permission to do research there", lead study author Bruno David of Monash University told AFP.

Further excavations starting from 2020 included members of the local Gunaikurnai Land and Waters Aboriginal Corporation (GLaWAC).

Carefully digging through the soil, the team found a small stick poking out -- then they found another one. Both well-preserved sticks were made from the wood of casuarina trees.

Each one was found in a separate fireplace around the size of the palm of a hand -- far too small to have been used for heat or cooking meat.

The slightly charred ends of the sticks had been cut specially to stick into the fire, and both were coated in human or animal fat.

One stick was 11,000 years old and the other 12,000 years old, radiocarbon dating found.

"They've been waiting here all this time for us to learn from them," said Gunaikurnai elder Russell Mullett, a co-author of the study and head of GLaWAC.

Mullett spent years trying to find out what they could have been used for, before discovering the accounts of Alfred Howitt, a 19th-century Australian anthropologist who studied Aboriginal culture.

Some of Howitt's notes had never been published, and Mullett said he spent a long time convincing a local museum to share them.

In the notes, Howitt describes in the late 1880s the rituals of Gunaikurnai medicine men and women called "mulla-mullung".

One ritual involved tying something that belonged to a sick person to the end of a throwing stick smeared in human or kangaroo fat. The stick was thrust into the ground before a small fire was lit underneath.

"The mulla-mullung would then chant the name of the sick person, and once the stick fell, the charm was complete," a Monash University statement said.

The sticks used in the ritual were made of casuarina wood, Howitt noted.

Jean-Jacques Delannoy, a French geomorphologist and study co-author, told AFP that "there is no other known gesture whose symbolism has been preserved for such a long time".

"Australia kept the memory of its first peoples alive thanks to a powerful oral tradition that enabled it to be passed on," Delannoy said.

"However in our societies, memory has changed since we switched to the written word, and we have lost this sense."

He lamented that the ancient animal paintings found in French caves would probably "never reveal their meaning" in a similar way.

Indigenous Australians are one of the oldest continuous living cultures, and Mullett said the discovery was a "unique opportunity to be able to read the memoirs of our ancestors".

It was "a reminder that we are a living culture still connected to our ancient past," he added.

juc-dl/bc

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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”