Archaeologists in Virginia Unearth Colonial-era Garden with Clues about Enslaved Gardeners

Colonial Williamsburg archaeologists continue their excavation of an 18th Century ornamental garden on Wednesday, July 31, 2024, in Williamsburg, Va. (AP Photo/John C. Clark)
Colonial Williamsburg archaeologists continue their excavation of an 18th Century ornamental garden on Wednesday, July 31, 2024, in Williamsburg, Va. (AP Photo/John C. Clark)
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Archaeologists in Virginia Unearth Colonial-era Garden with Clues about Enslaved Gardeners

Colonial Williamsburg archaeologists continue their excavation of an 18th Century ornamental garden on Wednesday, July 31, 2024, in Williamsburg, Va. (AP Photo/John C. Clark)
Colonial Williamsburg archaeologists continue their excavation of an 18th Century ornamental garden on Wednesday, July 31, 2024, in Williamsburg, Va. (AP Photo/John C. Clark)

Archaeologists in Virginia are uncovering one of colonial America's most lavish displays of opulence: An ornamental garden where a wealthy politician and enslaved gardeners grew exotic plants from around the world.

Such plots of land dotted Britain’s colonies and served as status symbols for the elite. They were the 18th-century equivalent of buying a Lamborghini.

The garden in Williamsburg belonged to John Custis IV, a tobacco plantation owner who served in Virginia's colonial legislature. He is perhaps best known as the first father-in-law of Martha Washington. She married future US President George Washington after Custis’ son Daniel died.

Historians also have been intrigued by the elder Custis’ botanical adventures, which were well-documented in letters and later in books. And yet this excavation is as much about the people who cultivated the land as it is about Custis, The AP reported.

“The garden may have been Custis’ vision, but he wasn’t the one doing the work,” said Jack Gary, executive director of archaeology at Colonial Williamsburg, a living history museum that now owns the property. “Everything we see in the ground that’s related to the garden is the work of enslaved gardeners, many of whom must have been very skilled.”

Archaeologists have pulled up fence posts that were 3 feet (1 meter) thick and carved from red cedar. Gravel paths were uncovered, including a large central walkway. Stains in the soil show where plants grew in rows.

The dig also has unearthed a pierced coin that was typically worn as a good-luck charm by young African Americans. Another find is the shards of an earthenware chamber pot, which was a portable toilet, that likely was used by people who were enslaved.

Animals appear to have been intentionally buried under some fence posts. They included two chickens with their heads removed, as well as a single cow’s foot. A snake without a skull was found in a shallow hole that had likely contained a plant.

“We have to wonder if we’re seeing traditions that are non-European,” Gary said. “Are they West African traditions? We need to do more research. But it’s features like those that make us continue to try and understand the enslaved people who were in this space.”

The museum tells the story of Virginia’s colonial capital through interpreters and restored buildings on 300 acres (120 hectares), which include parts of the original city. Founded in 1926, the museum did not start telling stories about Black Americans until 1979, even though more than half of the 2,000 people who lived there were Black, the majority enslaved.

In recent years, the museum has boosted efforts to tell a more complete story, while trying to attract more Black visitors. It plans to reconstruct one of the nation’s oldest Black churches and is restoring what is believed to be the country’s oldest surviving schoolhouse for Black children.

There also are plans to recreate Custis’ Williamsburg home and garden, known then as Custis Square. Unlike some historic gardens, the restoration will be done without the benefit of surviving maps or diagrams, relying instead on what Gary described as the most detailed landscape archaeology effort in the museum's history.

The garden disappeared after Custis' death in 1749. But the dig has determined it was about two-thirds the size of a football field, while descriptions from the time reference lead statues of Greek gods and topiaries trimmed into balls and pyramids.



Indian Desert School's Unique Design Offers Respite from Heat

Temperatures inside the school can be as much as 20 percent lower than those outside. Idrees MOHAMMED / AFP
Temperatures inside the school can be as much as 20 percent lower than those outside. Idrees MOHAMMED / AFP
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Indian Desert School's Unique Design Offers Respite from Heat

Temperatures inside the school can be as much as 20 percent lower than those outside. Idrees MOHAMMED / AFP
Temperatures inside the school can be as much as 20 percent lower than those outside. Idrees MOHAMMED / AFP

In the sweltering heat of India's Thar desert, where summer highs soar above 50 degrees Celsius, an architecturally striking school is an oasis of cool thanks to a combination of age-old techniques and modern design.
The Rajkumari Ratnavati girls' school uses the same yellow sandstone as the 12th-century fort in nearby Jaisalmer, in India's western state of Rajasthan, dubbed the "golden city" due to the color of the rock, AFP said.
Like the fort, the school has thick rubble walls that help bounce back the heat, while the interior is plastered with lime, a porous material that regulates humidity and aids natural cooling.
Unlike the ancient fort, its roof is lined with solar panels, which provide all the school's power in an area with frequent electricity cuts.
Temperatures inside the school, designed by US-based architect Diana Kellogg and built by local artisans -- many of them parents of pupils -- can be as much as 20 percent lower than those outside.
"I love going to the school," said eight-year-old Khushboo Kumari, one of the 170 students.
"The air feels as if it is coming from an AC."
The school's classrooms are arranged around an open elliptical courtyard resembling a Roman coliseum, and walls with grids of vents create shade while allowing for cooling airflow.
Elevated windows allow hot air to escape as it rises. Rainwater is harvested from the flat roof.
In some places, the walls are dotted with perforations -- a technique known as "jali" that was traditionally used for modesty, shielding women from view in the conservative society.
At the school, it is used to promote ventilation, creating a breeze channeled by the building's oval shape.
"There is cross-ventilation," said school supervisor Rajinder Singh Bhati, aged 29. "The white tiles on the terrace reflect the sunlight."
"It is totally eco-friendly."
'Airy and cool'
India this year baked in its longest-ever heatwave, according to government weather experts.
Temperatures surged above 50 degrees Celsius (122 degrees Fahrenheit), with warnings people will face increasingly oppressive heat in the future.
Manohar Lal, 32, the father of pupil Khushboo, said students looked forward to class thanks to the relative cool.
"There are frequent power cuts in Rajasthan, and children have to suffer as temperatures touch almost 50 degrees Celsius in summer," Lal said outside his modest home of mud and brick, which does not have a ceiling fan.
"But there are no such worries in the school because it is powered by solar energy," he added.
"It is airy and cool, and that is why the children enjoy going to school".
'Feels like heaven'
The school is supported by the US-based CITTA Education Foundation, meaning pupils attend for free in a state where the literacy rate for women is about 52 percent.
Uniforms, school materials and lunch for pupils are also provided.
"It's a big thing that they are getting quality education free of cost, considering they can't even afford proper meals or clothing," said Hindi teacher Priyanka Chhangani, 40.
Kellogg, the architect, said combining tradition with modern design and sustainable techniques was key.
"Because the craftsmen were so familiar with the stone, we were able to integrate traditional architectural details along with indigenous heritage details, so that the structure felt authentic to the region", she said.
Her oval design was inspired by "feminine symbols of strength", she added.
But while her design focused on tackling baking heat, it also faces an unexpected, climate change-driven problem -- floods.
Intense rainfall during the annual monsoon is common from June to September, but experts say climate change is increasing its frequency and severity.
That increased rainfall has begun to impact the school, which was designed for a drier climate.
This year, a long-dormant river was overflowing, washing away soil at one side of the school.
Rajan Rawal, a professor at India's Centre for Environmental Planning and Technology University, said the increasing intensity of rain was impacting buildings designed for other weather.
"Disasters like heat waves and floods impact the structural stability," Rawal said.
They also affect the thermal performance of the building, he added.
But teacher Chhangani said the school was still changing the lives of the pupils.
"These children don't even have fans at home," she said. "When they come to school, it feels like heaven to them."