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Canadian Hits All the Right Notes to Win 2024 Air Guitar World Champion

Zach "Ichabod Fame" Knowles from Canada performs during the first round in the final of the Air Guitar World Championship in Oulu, Finland, 23 August 2024. (EPA)
Zach "Ichabod Fame" Knowles from Canada performs during the first round in the final of the Air Guitar World Championship in Oulu, Finland, 23 August 2024. (EPA)
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Canadian Hits All the Right Notes to Win 2024 Air Guitar World Champion

Zach "Ichabod Fame" Knowles from Canada performs during the first round in the final of the Air Guitar World Championship in Oulu, Finland, 23 August 2024. (EPA)
Zach "Ichabod Fame" Knowles from Canada performs during the first round in the final of the Air Guitar World Championship in Oulu, Finland, 23 August 2024. (EPA)

They’re the most fervent musicians no one has ever heard.

Performers at this year's Air Guitar World Championships in Finland tuned up Friday at the Olympics of air guitar for the 27th time, featuring dedicated competitors like "Shred Lasso” and “Guitarantula.”

This year's challenge began Wednesday with Airientation in Oulu, a city nearly 540 kilometers (335 miles) north of Helsinki, and was headlined by a class open to veterans and new guitarists alike. The Dark Horses Qualifications followed on Thursday, culminating with the World Championships Final on Friday night with the crowning of Canada's Zachary “Ichabod Fame” Knowles as the 2024 Air Guitar World Champion.

It was a tough competition with former 2023 World Champion Nanami “Seven Seas” Nagura of Japan and 2022 winner Kirill “Guitarantula” Blumenkrants of France in second and third place respectively.

Contestants are judged on the performance of two songs in two separate rounds, each lasting 60 seconds. While passion is a must, a real pick or even a finger-picking style is optional. Props and costumes are allowed — but backup bands and real instruments are forbidden.

This year’s audience favorite was Mathilde “Clitoriff” Dollat from France with an intense show made all the more dramatic by the heavy rain that drenched the performer and audience alike.

Nanami “Seven Seas” Nagura of Japan last year took home the title — her third, making her the winningest air guitarist in a competition that dates back to 1996. She's seeking a four-peat against nine dark horses as well as the national champions from the United States, Belgium, Canada, Germany, Ireland, Finland and France.

The jury had to consider a contestant's “originality, ability to be taken over by the music, stage presence, technical merit, artistic impression and airness” in deciding to award points on a 4.0 to 6.0 scale, according to the competition’s online rulebook. The contestant with the highest total cumulative score won.

“Air guitar playing is not instrumental sports or arts, nor does it require any special venues or skills, so it is accessible to all,” according to the championships' website. “Air guitar can be grasped regardless of gender, age, ethnic background, and social status. Air guitar playing is equal.”

And don't fret — regardless of the winner, no one's air guitar gently weeps here. The contest organizers aim to promote world peace with their slogan, “MAKE AIR, NOT WAR.”

“According to the ideology of the competition, wars would end, climate change stop and all bad things disappear, if all the people in the world played the Air Guitar," according to their website. “This is why the whole universe is invited to play the Air Guitar for world peace at the end of the competition.”

So pick up your air guitar and play.

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Archaeologists in Virginia Unearth Colonial-era Garden with Clues about Enslaved Gardeners

Colonial Williamsburg archaeologists continue their excavation of an 18th Century ornamental garden on Wednesday, July 31, 2024, in Williamsburg, Va. (AP Photo/John C. Clark)
Colonial Williamsburg archaeologists continue their excavation of an 18th Century ornamental garden on Wednesday, July 31, 2024, in Williamsburg, Va. (AP Photo/John C. Clark)
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Archaeologists in Virginia Unearth Colonial-era Garden with Clues about Enslaved Gardeners

Colonial Williamsburg archaeologists continue their excavation of an 18th Century ornamental garden on Wednesday, July 31, 2024, in Williamsburg, Va. (AP Photo/John C. Clark)
Colonial Williamsburg archaeologists continue their excavation of an 18th Century ornamental garden on Wednesday, July 31, 2024, in Williamsburg, Va. (AP Photo/John C. Clark)

Archaeologists in Virginia are uncovering one of colonial America's most lavish displays of opulence: An ornamental garden where a wealthy politician and enslaved gardeners grew exotic plants from around the world.

Such plots of land dotted Britain’s colonies and served as status symbols for the elite. They were the 18th-century equivalent of buying a Lamborghini.

The garden in Williamsburg belonged to John Custis IV, a tobacco plantation owner who served in Virginia's colonial legislature. He is perhaps best known as the first father-in-law of Martha Washington. She married future US President George Washington after Custis’ son Daniel died.

Historians also have been intrigued by the elder Custis’ botanical adventures, which were well-documented in letters and later in books. And yet this excavation is as much about the people who cultivated the land as it is about Custis, The AP reported.

“The garden may have been Custis’ vision, but he wasn’t the one doing the work,” said Jack Gary, executive director of archaeology at Colonial Williamsburg, a living history museum that now owns the property. “Everything we see in the ground that’s related to the garden is the work of enslaved gardeners, many of whom must have been very skilled.”

Archaeologists have pulled up fence posts that were 3 feet (1 meter) thick and carved from red cedar. Gravel paths were uncovered, including a large central walkway. Stains in the soil show where plants grew in rows.

The dig also has unearthed a pierced coin that was typically worn as a good-luck charm by young African Americans. Another find is the shards of an earthenware chamber pot, which was a portable toilet, that likely was used by people who were enslaved.

Animals appear to have been intentionally buried under some fence posts. They included two chickens with their heads removed, as well as a single cow’s foot. A snake without a skull was found in a shallow hole that had likely contained a plant.

“We have to wonder if we’re seeing traditions that are non-European,” Gary said. “Are they West African traditions? We need to do more research. But it’s features like those that make us continue to try and understand the enslaved people who were in this space.”

The museum tells the story of Virginia’s colonial capital through interpreters and restored buildings on 300 acres (120 hectares), which include parts of the original city. Founded in 1926, the museum did not start telling stories about Black Americans until 1979, even though more than half of the 2,000 people who lived there were Black, the majority enslaved.

In recent years, the museum has boosted efforts to tell a more complete story, while trying to attract more Black visitors. It plans to reconstruct one of the nation’s oldest Black churches and is restoring what is believed to be the country’s oldest surviving schoolhouse for Black children.

There also are plans to recreate Custis’ Williamsburg home and garden, known then as Custis Square. Unlike some historic gardens, the restoration will be done without the benefit of surviving maps or diagrams, relying instead on what Gary described as the most detailed landscape archaeology effort in the museum's history.

The garden disappeared after Custis' death in 1749. But the dig has determined it was about two-thirds the size of a football field, while descriptions from the time reference lead statues of Greek gods and topiaries trimmed into balls and pyramids.