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Noor Riyadh 2024: World’s Largest Light Art Festival Returns with Over 60 Installations

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
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Noor Riyadh 2024: World’s Largest Light Art Festival Returns with Over 60 Installations

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA

Noor Riyadh, the world’s largest light art festival, has returned under the Riyadh Art Project. Running from November 28 to December 14, 2024, the festival spans three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District.

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.”
This year’s festival includes contributions from 18 Saudi artists alongside 43 international creators. Participating artists include Architect Saad Al-Howede, Artist Asmaa Aljohani, Artist Anna Ridler, Artist Jiyen Lee, Artist Stefano Cagol, Artist Krista Kim, Artist Stanza, Artist Javier Riera, Studio Atelier Sisu, and Artist Ryoji Ikeda, SPA reported.
Director of Riyadh Art Project Architect Khalid Al-Hazani emphasized Noor Riyadh’s vision of transforming the city into an accessible and inspiring artistic space where creativity flourishes in public areas. Festival Director Nouf Almoneef highlighted Noor Riyadh as a beacon of creativity and connection, inviting visitors to explore this year’s theme through a vibrant collection of installations across Riyadh.
Curators Dr. Effat Abdullah Fadag and Dr. Alfredo Cramerotti present Light Years Apart as an exploration of the profound connection between Althara (the earth) and Althuraya (the stars), reflecting on humanity’s journey from its current realities to its greatest aspirations.
The festival’s installations are strategically placed across its three hubs, reflecting Riyadh’s historical and cultural significance. The King Abdulaziz Historical Center bridges the city’s past and future, Wadi Hanifah provides a natural backdrop, and JAX District serves as an interactive space blending digital creativity, art, and technology.
Prominent installations include Artist Chris Levine’s Higher Power (2024), a city-wide light projection from the Al Faisaliah Tower delivering a Morse code message of hope and unity visible across Riyadh. In Wadi Hanifah, Artist Daan Roosegaarde’s SPARK creates a mesmerizing display of biodegradable floating sparks, while Shifting Perspectives by Saudi Artist Maryam Tariq explores perceptual ambiguity through pixelated imagery at Digital City.
At the King Abdulaziz Historical Center, Studio United Visual Artists’ Aether features 1,500 drones performing a synchronized light show, while Artist Rashed AlShashai’s The Fifth Pyramid uses illuminated pathways to reimagine the ancient structure, symbolizing Riyadh’s transformation into a global art capital.
Noor Riyadh also offers dynamic community projects, including free workshops, guided tours, family activities, and interactive events. Adults can participate in photography and mixed media workshops, while children engage in creative activities like crafting kaleidoscopes and puppetry.
Since its inception in 2019, Riyadh Art has showcased over 500 artworks by more than 500 artists, welcoming over six million visitors. Noor Riyadh has achieved 14 Guinness World Records, solidifying its status as the most impactful light art festival globally. With its 2024 edition, Noor Riyadh continues to position Riyadh as a hub of culture, innovation, and artistic expression.

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Muddy Footprints Suggest 2 Species of Early Humans Were Neighbors in Kenya 1.5 Million Years Ago

An aerial view shows a research team standing alongside the fossil footprint trackway at the excavation site on the eastern side of Lake Turkana in northern Kenya in 2022. AP
An aerial view shows a research team standing alongside the fossil footprint trackway at the excavation site on the eastern side of Lake Turkana in northern Kenya in 2022. AP
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Muddy Footprints Suggest 2 Species of Early Humans Were Neighbors in Kenya 1.5 Million Years Ago

An aerial view shows a research team standing alongside the fossil footprint trackway at the excavation site on the eastern side of Lake Turkana in northern Kenya in 2022. AP
An aerial view shows a research team standing alongside the fossil footprint trackway at the excavation site on the eastern side of Lake Turkana in northern Kenya in 2022. AP

Muddy footprints left on a Kenyan lakeside suggest two of our early human ancestors were nearby neighbors some 1.5 million years ago.
The footprints were left in the mud by two different species “within a matter of hours, or at most days,” said paleontologist Louise Leakey, co-author of the research published Thursday in the journal Science.
Scientists previously knew from fossil remains that these two extinct branches of the human evolutionary tree – called Homo erectus and Paranthropus boisei – lived about the same time in the Turkana Basin.
But dating fossils is not exact. “It’s plus or minus a few thousand years,” said paleontologist William Harcourt-Smith of Lehman College and the American Museum of Natural History in New York, who was not involved in the study.
Yet with fossil footprints, “there’s an actual moment in time preserved,” he said. “It’s an amazing discovery.”
The tracks of fossil footprints were uncovered in 2021 in what is today Koobi Fora, Kenya, said Leaky, who is based at New York's Stony Brook University.
Whether the two individuals passed by the eastern side of Lake Turkana at the same time – or a day or two apart – they likely knew of each other’s existence, said study co-author Kevin Hatala, a paleoanthropologist at Chatham University in Pittsburgh.
“They probably saw each other, probably knew each other was there and probably influenced each other in some way,” The Associated Press quoted him as saying.
Scientists were able to distinguish between the two species because of the shape of the footprints, which holds clues to the anatomy of the foot and how it’s being used.
H. erectus appeared to be walking similar to how modern humans walk – striking the ground heel first, then rolling weight over the ball of the foot and toes and pushing off again.
The other species, which was also walking upright, was moving “in a different way from anything else we’ve seen before, anywhere else,” said co-author Erin Marie Williams-Hatala, a human evolutionary anatomist at Chatham.
Among other details, the footprints suggest more mobility in their big toe, compared to H. erectus or modern humans, said Hatala.
Our common primate ancestors probably had hands and feet adapted for grasping branches, but over time the feet of human ancestors evolved to enable walking upright, researchers say.
The new study adds to a growing body of research that implies this transformation to bipedalism – walking on two feet — didn’t happen at a single moment, in a single way.
Rather, there may have been a variety of ways that early humans learned to walk, run, stumble and slide on prehistoric muddy slopes.
“It turns out, there are different gait mechanics – different ways of being bipedal,” said Harcourt-Smith.