'Dinosaur Highway' Tracks Dating Back 166 Million Years are Discovered in England

In this undated photo provided by the University of Birmingham on Thursday, Jan. 2, 2025, work underway as five extensive trackways that formed part of a "dinosaur highway" are uncovered, at Dewars Farm Quarry in Oxfordshire, England. (University of Birmingham via AP)
In this undated photo provided by the University of Birmingham on Thursday, Jan. 2, 2025, work underway as five extensive trackways that formed part of a "dinosaur highway" are uncovered, at Dewars Farm Quarry in Oxfordshire, England. (University of Birmingham via AP)
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'Dinosaur Highway' Tracks Dating Back 166 Million Years are Discovered in England

In this undated photo provided by the University of Birmingham on Thursday, Jan. 2, 2025, work underway as five extensive trackways that formed part of a "dinosaur highway" are uncovered, at Dewars Farm Quarry in Oxfordshire, England. (University of Birmingham via AP)
In this undated photo provided by the University of Birmingham on Thursday, Jan. 2, 2025, work underway as five extensive trackways that formed part of a "dinosaur highway" are uncovered, at Dewars Farm Quarry in Oxfordshire, England. (University of Birmingham via AP)

A worker digging up clay in a southern England limestone quarry noticed unusual bumps that led to the discovery of a “dinosaur highway” and nearly 200 tracks that date back 166 million years, researchers said Thursday.

The extraordinary find made after a team of more than 100 people excavated the Dewars Farm Quarry, in Oxfordshire, in June expands upon previous paleontology work in the area and offers greater insights into the Middle Jurassic period, researchers at the universities of Oxford and Birmingham said.

“These footprints offer an extraordinary window into the lives of dinosaurs, revealing details about their movements, interactions, and the tropical environment they inhabited,” said Kirsty Edgar, a micropaleontology professor at the University of Birmingham, The AP reported.

Four of the sets of tracks that make up the so-called highway show paths taken by gigantic, long-necked, herbivores called sauropods, thought to be Cetiosaurus, a dinosaur that grew to nearly 60 feet (18 meters) in length. A fifth set belonged to the Megalosaurus, a ferocious 9-meter predator that left a distinctive triple-claw print and was the first dinosaur to be scientifically named two centuries ago.

An area where the tracks cross raises questions about possible interactions between the carnivores and herbivores.

“Scientists have known about and been studying Megalosaurus for longer than any other dinosaur on Earth, and yet these recent discoveries prove there is still new evidence of these animals out there, waiting to be found," said Emma Nicholls, a vertebrate paleontologist at the Oxford University Museum of Natural History.

Nearly 30 years ago, 40 sets of footprints discovered in a limestone quarry in the area were considered one of the world's most scientifically important dinosaur track sites. But that area is mostly inaccessible now and there's limited photographic evidence because it predated the use of digital cameras and drones to record the findings.

The group that worked at the site this summer took more than 20,000 digital images and used drones to create 3-D models of the prints. The trove of documentation will aid future studies and could shed light on the size of the dinosaurs, how they walked and the speed at which they moved.

“The preservation is so detailed that we can see how the mud was deformed as the dinosaur’s feet squelched in and out," said Duncan Murdock, an earth scientist at the Oxford museum. "Along with other fossils like burrows, shells and plants we can bring to life the muddy lagoon environment the dinosaurs walked through.”

The findings will be shown at a new exhibit at the museum and also broadcast on the BBC's “Digging for Britain” program next week.



Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter  waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
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Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter  waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)

The world knew Jimmy Carter as a president and humanitarian, but he also was a woodworker, painter and poet, creating a body of artistic work that reflects deeply personal views of the global community — and himself.
His portfolio illuminates his closest relationships, his spartan sensibilities and his place in the evolution of American race relations. And it continues to improve the finances of The Carter Center, his enduring legacy, The Associated Press said.
Creating art provided “the rare opportunity for privacy” in his otherwise public life, Carter said. “These times of solitude are like being in another very pleasant world.”
‘One of the best gifts of my life' Mourners at Carter’s hometown funeral will see the altar cross he carved in maple and collection plates he turned on his lathe. Great-grandchildren in the front pews at Maranatha Baptist Church slept as infants in cradles he fashioned.
The former president measured himself a “fairly proficient” craftsman. Chris Bagby, an Atlanta woodworker whose shop Carter frequented, elevated that assessment to “rather accomplished.”
Carter gleaned the basics on his father’s farm, where the Great Depression meant being a jack-of-all-trades. He learned more in shop class and with Future Farmers of America. “I made a miniature of the White House,” he recalled, insisting it was not about his ambitions.
During his Navy years, Jimmy and Rosalynn Carter chose unfurnished military housing to stretch his $300 monthly wage, and he built their furniture himself in a shop on base.
As president, Carter nurtured woodworking rather than his golf game, spending hours in a wood shop at Camp David to make small presents for family and friends. And when he left the White House, West Wing aides and Cabinet members pooled money for a shopping spree at Sears, Roebuck & Co. so he could finally assemble a full-scale home woodshop.
“One of the best gifts of my life,” Carter said.
Working in their converted garage, he previewed decades of Habitat for Humanity work by refurbishing their one-story house in Plains. He also improved his fine woodworking skills, joining wood without nails or screws. He also bought Japanese carving tools, and fashioned a chess set later owned by a Saudi prince.
Not just any customer Carter frequented Atlanta’s Highland Woodworking, a shop replete with a library of how-to books and hard-to-find tools, and recruited the world’s preeminent handmade furniture maker, Tage Frid, as an instructor, Bagby said.
Still hanging near the store entrance is a picture of Frid, who died in 2004, teaching students including a smiling former president at the front of the class.
“He was like a regular customer,” Bagby said, other than the “Secret Service agents who came with him.”
Carter built four ladder-back chairs out of hickory in 1983, and Sotheby’s auctioned them for $21,000 each at the time, the first of many sales of Carter paintings and furniture that raised millions to benefit The Carter Center.
It was rarely about the money, though. Jill Stuckey, a longtime friend who would have the Carters over to her home in Plains, recalled seeing the former president carrying out one of her chairs.
“I said, ‘What are you doing?’” she recalled. “He said, ‘It’s broken. I’m going to take it home and fix it.’”
He was at her back door at 7:30 the next morning, holding her repaired chair.
Carter compared woodworking to the results of his labor as a Navy engineer, or as a boy on the farm: “I like to see what I have done, what I have made.”
‘No special talent,' but his paintings drive auctions Carter employed a folk-art style as a late-in-life amateur painter and claimed “no special talent,” but a 2020 Carter Center auction drew $340,000 for his painting titled “Cardinals," and his oil-on-canvas of an eagle sold for $225,000 in 2023, months after he entered hospice care.
Carter’s work hangs throughout the center’s campus. A room where he met with dignitaries is encircled with birds he painted after he and Rosalynn took on bird watching as a hobby.
Near the executive offices are a self-portrait and a painting of Rosalynn in their early post-presidential years, hanging across from a trio of Andy Warhol prints showing Carter in office.
Carter’s earliest years predominate, with boyhood farm scenes and portraits of influential figures like his father James Earl Carter Sr., whose death in 1953 led him to abandon a Navy career and eventually enter politics in Georgia.
Some of his subjects, including both of his parents, are looking away. Carter's likeness of his mother shows “Miss Lillian” as a 70-year-old Peace Corps volunteer in India. Jason Carter said the piece was particularly meaningful to his grandfather, who lost reelection at a relatively youthful 56.
“When he got out of the White House, she was standing there saying, ’Well, I turned 70 in the Peace Corps. What are you going to do?” Jason Carter said.
One Carter subject who meets his gaze is a young Rosalynn — they married when she was 18 and he was 21. He described her as “remarkably beautiful, almost painfully shy, obviously intelligent, and yet unrestrained in our discussions.”
Another who doesn’t look away is Rachel Clark, a Black sharecropper who had hosted the future president after they worked in the fields. “Except for my parents, Rachel Clark was the person closest to me,” Carter wrote of his childhood.
'Just a word of praise' Carter wrote more than 30 books — even a novel — but was most introspective in poetry.
On his first real recognition of Jim Crow segregation: “A silent line was drawn between friend and friend, race and race.”
On his Cold War submarine’s delicate dance with enemies: “We wanted them to understand ... to share our love of solitude ... the peace we yearned to keep.”
Rosalynn’s smile, he gushed, silenced the birds, “or may be I failed to hear their song.”
Perhaps Carter’s most revealing poem, “I Wanted to Share My Father’s World,” concerns the man who never got to see his namesake son’s achievements. He wrote that he despised Earl’s discipline, and swallowed hunger for “just a word of praise.”
Only when he brought his own sons to visit his dying father did he “put aside the past resentments of the boy” and see “the father who will never cease to be alive in me.”