No New Clothes: S. Korean Climate Activist Targets Hyperconsumption 

In this photograph taken on July 23, 2024, South Korean climate activist Lee So-yeon, who has not bought any new clothes for the past six years and now has a wardrobe consisting of used items that she received from friends and family, looks at a selection of her clothes, during an interview with AFP in Seoul. (AFP) 
In this photograph taken on July 23, 2024, South Korean climate activist Lee So-yeon, who has not bought any new clothes for the past six years and now has a wardrobe consisting of used items that she received from friends and family, looks at a selection of her clothes, during an interview with AFP in Seoul. (AFP) 
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No New Clothes: S. Korean Climate Activist Targets Hyperconsumption 

In this photograph taken on July 23, 2024, South Korean climate activist Lee So-yeon, who has not bought any new clothes for the past six years and now has a wardrobe consisting of used items that she received from friends and family, looks at a selection of her clothes, during an interview with AFP in Seoul. (AFP) 
In this photograph taken on July 23, 2024, South Korean climate activist Lee So-yeon, who has not bought any new clothes for the past six years and now has a wardrobe consisting of used items that she received from friends and family, looks at a selection of her clothes, during an interview with AFP in Seoul. (AFP) 

Recovering South Korean shopaholic-turned-climate activist Lee So-yeon used to buy new clothes almost daily -- until a $1.50 winter coat triggered an awakening that stopped her shopping entirely.

While looking at the ultra-cheap padded jacket at an H&M shop in the United States, where she was working at the time, Lee asked herself how any item of clothing could be sold so cheaply.

The 30-year-old embarked on a deep dive into fast fashion production methods and was horrified at the human, social and environmental toll hyperconsumerism is having on the planet -- and on the mental health of women who make and buy cheap clothes.

"I used to buy one new outfit each (working) day of the week," Lee told AFP, adding that each item from major high street retailers would typically cost less than a dollar.

But the reason the clothes are so cheap, Lee learned, is because the women who sew for companies are paid little, while the business model itself is causing significant environmental harm.

Lee stopped buying any new clothes -- and has not purchased a single fast fashion garment since her epiphany around six years ago.

Her much more compact wardrobe consists of used items that she received from friends and family, including a vintage leather jacket that once belonged to her mother.

Unlike fast fashion items, which are often designed to be thrown away after just a few wears, each piece is irreplaceable because it carries a unique story and history, she said.

"Ultimately, the most eco-friendly clothes are the ones already in your wardrobe," said Lee.

- Break the cycle -

Lee now organizes clothing swaps with her friends and family, and has written a book to promote the idea of valuing garments for "the story behind it," rather than chasing ephemeral trends.

She is part of a small but growing global movement seeking to promote second-hand clothing and help people -- especially women -- opt out of the cycle of over-consumption.

The app Lucky Sweater provides a platform for users to trade items from their closets with each other, focusing on sustainable brands, founder Tanya Dastyar told AFP.

"We're programmed to believe the only way to express my fashion or show that I'm beautiful or trendy... is new outfits," Dastyar said.

"But you can still be fashionable and feel good and look great and not have to do that," she said, adding that although trading clothes did not have the same quick dopamine hit as making a fast-fashion purchase, it was far more rewarding over time.

The app's growing uptake indicates that people are hungry to shift their relationship with clothing and consumerism, she said.

People realize: "I don't have to follow trends and I can just dress in a way that feels comfortable to me," she said. "Is that like a mass market thing? No. But do I feel like it can be a movement? Yes."

For Lee, breaking the cycle of cheap clothing consumption helped her improve her mental health.

As a teenager, she would worry about what to wear on school trips -- when uniforms were not required -- at least a month in advance and would go shopping to ease her fears.

"I felt a lot of pressure about how others would see me," she told AFP.

But learning about Bangladesh's 2013 Rana Plaza tragedy -- one of the world's worst industrial disasters that killed more than 1,130 garment factory workers, most of them young women -- was a turning point.

The factory workers died making clothes for "women like me", Lee said.

- No second-hand? -

The global fashion industry is one of the most polluting, accounting for up to 10 percent of greenhouse gas emissions, according to World Bank estimates.

Most modern clothes are made of synthetic materials like nylon and polyester, which are essentially plastic and do not biodegrade in landfills, industry data shows.

Keeping clothes out of landfills can help, but in South Korea, many still avoid used garments, said Kim Dong-hyun, who runs a used clothing export factory.

"People often don't look favorably on someone wearing used clothes because they are seen as unwanted items," Kim told AFP, noting he has found dirty diapers and food waste in the collection bins.

South Korea is the fifth largest exporter of used clothing in the world -- and activists say many garments are essentially dumped in developing countries, which lack the capacity to process them.

At Kim's second-hand clothing factory in Paju, outside Seoul, a mechanical claw categorized piles of used clothes to be exported overseas.

"Many people treat the clothing collection bin as just a trash can," Kim said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”