End of the Road for Kolkata’s Beloved Yellow Taxis 

This photograph taken on January 26, 2025 shows passengers riding Hindustan Ambassador yellow taxis along the Howrah bridge in Kolkata. (AFP)
This photograph taken on January 26, 2025 shows passengers riding Hindustan Ambassador yellow taxis along the Howrah bridge in Kolkata. (AFP)
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End of the Road for Kolkata’s Beloved Yellow Taxis 

This photograph taken on January 26, 2025 shows passengers riding Hindustan Ambassador yellow taxis along the Howrah bridge in Kolkata. (AFP)
This photograph taken on January 26, 2025 shows passengers riding Hindustan Ambassador yellow taxis along the Howrah bridge in Kolkata. (AFP)

Kolkata locals cherish their city's past, which is why many in the one-time Indian capital are mourning a vanishing emblem of its faded grandeur: a hulking and noisy fleet of stately yellow taxis.

The snub-nosed Hindustan Ambassador, first rolling off the assembly line in the 1950s with a design that barely changed in the decades since, once ruled India's potholed streets.

Nowadays it is rarely spotted outside Kolkata, where it serves as the backbone of the metropolitan cab fleet and a readily recognizable symbol of the eastern city's identity.

But numbers are dwindling fast, and a court ruling means those that remain -- lumbering but still sturdy -- will be forced off the roads entirely in the next three years.

"I love my car like my son," Kailash Sahani, who has sat behind the wheel of an Ambassador cab for the past four decades, told AFP.

"It's a simple car -- no electronics, no frills," the 70-year-old added. "It's unbelievable how much things have changed... The end of these taxi cars also marks our end."

Sahani is among thousands of Kolkata cabbies relinquishing their vehicles in line with tough emissions standards introduced in 2009 to ease the city's endemic smog problem.

Only around 2,500 Ambassador taxis were still working at the start of this year, down from 7,000 a year earlier, according to Bengal Taxi Association figures.

Another 1,000 will be retired this year, and West Bengal state transport minister Snehasis Chakraborty told AFP that the remainder will be gone by the end of 2027.

"The car is strong. Parts and maintenance are cheap and if it breaks down, it's easy to find a mechanic," said Bengal Taxi Association spokesman Sanjeeb Roy.

Their disappearance, he added, "represents all that's wrong with India's changing economy".

- Litany of defects -

The Hindustan Ambassador was the cornerstone of India's automotive industry for decades from its 1957 debut at a factory on Kolkata's northern outskirts.

Modelled on a similarly regal sedan car from Britain's now long-defunct Morris Motors, the car was a triumphant achievement of industry in the first years of India's history as an independent nation.

A deluxe model, its windows adorned with lace curtains, was for years the main means of conveyance for government ministers and captains of industry.

But the car's shortcomings also served as a reminder of deep structural problems with the quasi-socialist economic system that prevailed in India at the time.

Buyers sat on wait lists for years because pervasive red tape stopped Hindustan Motors from raising production to meet demand, while a near-monopoly on sales left no incentive to maintain quality standards.

That gave rise to an oft-repeated joke about the litany of defects found in the average "Amby": the only thing in the car that doesn't make a sound is its horn.

Market reforms from the 1980s onwards saw the Ambassador muscled off Indian roads by more modern vehicles, and production was halted entirely in 2014 after years of flatlining demand.

- 'Get with the times' -

Kolkata, the headquarters of Hindustan Motors, is the last place where the cars are seen in any great number -- a reminder of the tethers binding the city to India's past.

Grand public buildings evoke the immense riches that flowed through the city's tree-lined boulevards back when it was the second-largest city in the British Empire, after London.

Nobel laureate poet and polymath Rabindranath Tagore was born and died in Kolkata, where the national anthem he composed was sung for the first time during India's long independence struggle.

The city is also renowned for its thrumming nightlife, with crowded and dimly lit restaurants serving up chicken Kiev alongside the same suite of old-world European staples that have been listed on their menus since the late colonial era.

But its importance has shrunk dramatically since that heyday, first with the relocation of India's capital to Delhi in 1911 and then with Mumbai's ascension as the country's most important commercial hub.

Many of Kolkata's younger generations have left in search of better opportunities elsewhere, giving it a median age at least six years older than other big Indian cities, according to census data.

The city's skewed demographics prompted its pre-eminent novelist Amit Chaudhuri to once quip that while Delhi was for seeking power and Mumbai was for chasing riches, Kolkata was for visiting one's parents.

"People like me are under pressure to get with the times," retired Kolkata schoolteacher Utpal Basu, 75, told AFP.

"Old cars go, new ones come," he added. "But it will break my heart when the city loses another icon."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”