Hornless Rhino Roamed Canadian High Arctic 23 Million Years Ago

Scientists Marisa Gilbert and Danielle Fraser pose with the fossil of the ancient hornless rhino Epiaceratherium itjilik, which lived 23 million years ago in the Canadian High Arctic, laid out in the collections of the Canadian Museum of Nature in Ottawa, Ontario, Canada, in this photograph released on October 27, 2025. (Pierre Poirier/Canadian Museum of Nature/Handout via Reuters)
Scientists Marisa Gilbert and Danielle Fraser pose with the fossil of the ancient hornless rhino Epiaceratherium itjilik, which lived 23 million years ago in the Canadian High Arctic, laid out in the collections of the Canadian Museum of Nature in Ottawa, Ontario, Canada, in this photograph released on October 27, 2025. (Pierre Poirier/Canadian Museum of Nature/Handout via Reuters)
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Hornless Rhino Roamed Canadian High Arctic 23 Million Years Ago

Scientists Marisa Gilbert and Danielle Fraser pose with the fossil of the ancient hornless rhino Epiaceratherium itjilik, which lived 23 million years ago in the Canadian High Arctic, laid out in the collections of the Canadian Museum of Nature in Ottawa, Ontario, Canada, in this photograph released on October 27, 2025. (Pierre Poirier/Canadian Museum of Nature/Handout via Reuters)
Scientists Marisa Gilbert and Danielle Fraser pose with the fossil of the ancient hornless rhino Epiaceratherium itjilik, which lived 23 million years ago in the Canadian High Arctic, laid out in the collections of the Canadian Museum of Nature in Ottawa, Ontario, Canada, in this photograph released on October 27, 2025. (Pierre Poirier/Canadian Museum of Nature/Handout via Reuters)

About 23 million years ago, a species of rhinoceros - similar in size to the modern Indian rhino but lacking a horn - made its home in the challenging environment of the Canadian High Arctic, which at the time was warmer than it is now but still experienced snow and months of wintertime darkness.

Fossils of the polar rhino, named Epiatheracerium itjilik, were found on Devon Island, a landscape underlain by permafrost, in Canada's Arctic archipelago. With about 75% of its skeleton intact, scientists gained a good understanding of the animal. Its remains were discovered in Haughton Crater, one of Earth's northernmost impact craters, about 14 miles (23 km) wide.

The polar rhino lived early in the Miocene epoch, a time of diversification of many mammalian groups. Until this discovery, no rhinoceros was known to have lived in such a high latitude. The fossil site is in Nunavut, Canada's northernmost territory.

About three feet (one meter) tall at the shoulder, this species approximated the size of the modern Indian rhinoceros, and was smaller than modern African rhinos.

"Devon Island during the Miocene was much more temperate and forested, quite unlike the polar desert that is there today," said Danielle Fraser, head of palaeobiology at the Canadian Museum of Nature in Ottawa and lead author of the study published on Tuesday in the journal Nature Ecology and Evolution.

Summers would have been warm but winters cold enough for snowfall. Fraser compared the climate to that of southern Ontario or northern New York state in modern times, though there would have been months of winter darkness and months of summer daylight.

"So, it remains a mystery as to how animals like a rhino survived, though we know modern mammals dig through snow using hooves and antlers to access plants," Fraser said.

"Our study highlights the importance of the Arctic in mammal evolution," Fraser said. "We often think about the tropics as centers for biodiversity - and they are. But the more fossil discoveries we make in the Arctic, the more it is becoming clear that it was an essential region in the evolution of mammals."

The polar rhino fed on the leaves of trees and shrubs as it roamed a forest that, based on fossilized pollen at the site, featured pines, larch, alder, spruce and birch. Its fossils indicate it had a narrow muzzle, like browsing animals today.

The polar rhino may have had a coat of fur given the freezing winter temperatures, Fraser said. Large horned rhinos with extensive fur coats called woolly rhinoceroses lived during the last Ice Age, but they were not closely related to this species.

Other fossils from the site include those of the early seal Puijila darwini, which had feet rather than flippers.

Rhinos first appeared roughly 48 million years ago and spread to every continent but South America and Antarctica. Five species live today, whereas more than 50 are known from the fossil record.

While horns already had evolved in some rhinos, this species did not have one. It also was quite different from other Miocene North American rhinos such as Teleoceras, which was big, short-legged and barrel-chested like a hippo, with a small horn.

As detailed in a study published in July in which Fraser was a co-author, scientists were able to extract and sequence ancient proteins from the tooth enamel of the polar rhino. Proteins offer valuable information about an organism and survive much longer than DNA. That discovery helped the researchers better understand the rhinoceros family tree.

The polar rhino's closest relatives lived in Europe and in the Middle East and southwestern Asia. This indicates that its ancestors crossed from Europe into North America across a land bridge that previously was thought to have disappeared about 50 million years ago.

"Our study says rhinos were crossing for at least 20 million years longer than we thought. This is, in fact, supported by newer geological studies that show that the two North Atlantic routes - one from the UK over Iceland to Greenland and the other from Finland over Svalbard to Greenland - were potentially crossable into the Miocene," Fraser said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”