Oscar-winning Palestinian Films Daily 'Israeli Impunity' in West Bank

Palestinian women stand at a cemetery in Khan Younis, where a makeshift tent camp for displaced people was set up, in the southern Gaza Strip, Friday, Oct. 31, 2025. (AP Photo/Abdel Kareem Hana)
Palestinian women stand at a cemetery in Khan Younis, where a makeshift tent camp for displaced people was set up, in the southern Gaza Strip, Friday, Oct. 31, 2025. (AP Photo/Abdel Kareem Hana)
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Oscar-winning Palestinian Films Daily 'Israeli Impunity' in West Bank

Palestinian women stand at a cemetery in Khan Younis, where a makeshift tent camp for displaced people was set up, in the southern Gaza Strip, Friday, Oct. 31, 2025. (AP Photo/Abdel Kareem Hana)
Palestinian women stand at a cemetery in Khan Younis, where a makeshift tent camp for displaced people was set up, in the southern Gaza Strip, Friday, Oct. 31, 2025. (AP Photo/Abdel Kareem Hana)

Armed with his camera, Oscar-winning Palestinian filmmaker Basel Adra has spent years in the occupied West Bank documenting what he describes as the impunity Israelis enjoy in their mistreatment of Palestinians.

From his terrace, he points to the nearby Israeli settlement of Maon, just a short distance away. The view appears calm, but he said incidents involving settlers and Israeli soldiers take place almost daily, AFP reported.

The situation has only worsened since the start of the war in Gaza in October 2023, said Adra, the co-director of "No Other Land," a documentary he made with Israeli filmmaker Yuval Abraham that this year won an Academy award.

"The world allows Israelis -- and gives them the impunity -- to commit crimes," the 29-year-old filmmaker told AFP at his home in the village of At Tuwani.

In the nine months after accepting his Oscar in Hollywood, Adra has given score of interviews and captured hundreds of videos capturing settler violence allegedly carried out under army protection.

"Dozens of Palestinian communities, villagers fled from their homes in this time due to the settler and occupation forces violence and attacks and killings," Adra said.

Taking a team of AFP journalists on a tour to illustrate the difficulties of life for Palestinians in the West Bank, Adra headed to the nearby Bedouin village of Umm al-Khair.

To reach it, one must pass an Israeli settlement.

On a wall, an inscription in Arabic warns: "No future for Palestine."

Since the war in Gaza began with Hamas's October 2023 attack on Israel, settler and army attacks in the West Bank have killed around 1,000 Palestinians, according to the Palestinian health ministry in Ramallah.

During the same period, Palestinian attacks in the same region have killed at least 43 Israelis, including soldiers, according to official Israeli figures.

Even the presence of international and Israeli activists, intended to deter violence, has done little to change reality for Palestinians in the West Bank.

Adra recalled the killing of a close friend, fellow activist Awdah Hathaleen, on July 28.

Hathaleen, he said, was filming "settlers with a bulldozer going through his family land, destroying their olive trees and fence".

His death, widely filmed by other activists and reported in the media, prompted Israeli police to open an investigation, though they did not classify it as murder.

"A couple of days after this criminal settler committed these crimes, he was allowed to come again to the same place, to continue digging the same land," Adra said.

The young filmmaker, who displayed the Oscar statue, has also been targeted.

"I've been arrested several times by the army," Adra said.

"Once, settlers came onto our land, they started pushing us, throwing stones. They had sticks, and one of them had a gun. Two of my brothers were slightly injured."

"We called the police. They arrived, but the attack continued while they watched."

The military said it had received reports that "several terrorists" had hurled rocks at Israeli civilians near At Tuwani injuring two of them.

"Upon receiving the report, the security forces were dispatched to the scene, conducted searches in the area and questioned suspects," the military told AFP.

Adra said that in Masafer Yatta, the cluster of villages that includes At Tuwani, settler activity is unrelenting.

"They keep building settlements and illegal outposts 24 hours a day, seven days a week," he said.

After a long legal battle, the Supreme Court ruled in favor of the army in 2022, paving the way for the eviction of residents from eight Palestinian villages in the area.

In the village of Umm al-Khair, a few concrete houses are surrounded by settler structures -- mobile homes flying Israeli flags and permanent structures encircling the Bedouins.

At his desk, community leader Khalil Hathaleen -- brother of the slain activist -- spreads out 14 demolition orders received on October 28.

According to army documents in Hebrew and Arabic, residents have 14 days to appeal.

"Even if the entire village is demolished, we will stay on this land and we will not leave," Hathaleen said.

"Because there is nowhere else to go."

Like other communities in the area, the approximately 200 residents of Umm al-Khair are descendants of Bedouins expelled from the Negev desert in southern Israel in the early 1950s.

About three million Palestinians live in the West Bank, which Israel has occupied since 1967. Some 500,000 Israelis live there in settlements deemed illegal under international law.

At the end of October, the Israeli parliament voted to advance two far-right-backed bills calling for annexation of the territory.

"Growing up, I believed very much in international law," Adra said.

"I believe that the materials that I'm filming, the documentation, when they are seen abroad, somebody is going to do something."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”