Washington's Abandoned Embassies Have Stories to Tell

The Syrian embassy is seen behind locked gates in Washington, DC on November 14, 2025. ANDREW CABALLERO-REYNOLDS / AFP
The Syrian embassy is seen behind locked gates in Washington, DC on November 14, 2025. ANDREW CABALLERO-REYNOLDS / AFP
TT

Washington's Abandoned Embassies Have Stories to Tell

The Syrian embassy is seen behind locked gates in Washington, DC on November 14, 2025. ANDREW CABALLERO-REYNOLDS / AFP
The Syrian embassy is seen behind locked gates in Washington, DC on November 14, 2025. ANDREW CABALLERO-REYNOLDS / AFP

In Washington's embassy district, years' worth of wildly overgrown vegetation outside an empty building was finally pruned away in September as the flag of Syria was raised.

The symbolic reopening of the compound after 11 years of closure serves as a reminder that a number of buildings in the area of Washington called Kalorama are in a state of sad abandon, thanks to the violent jolts of world diplomacy.

Since the embassy of Afghanistan closed a few months after the Taliban returned to power in 2021, its mailbox outside has been filled with yellowing newspapers.

And not far away, weeds grow in the parking lot of a mansion that used to house the Russian trade delegation in Washington. The State Department ordered it closed in reprisal for Russia's alleged attempt to interfere in the 2016 US presidential election.

The Syrian Embassy was shut down by the US government in 2014 after three years of civil war. Now, in principle at least, it can reopen.

The Trump administration announced this on November 10 after a White House visit by Syria's new president Ahmed al-Sharaa, who led the ouster of Assad in late 2024.

Angry neighbors

But the building is in such bad shape it could take years to get it up and running again, former Syrian diplomat Bassam Barabandi told AFP.

Barabandi left his post in 2013 after it emerged that he had secretly made passports for people opposed to the Assad regime.

He recalled that even back then, before he left, areas of the building had been partially condemned.

"So, just imagine," he said, of its state now.

Down the street, the overgrown hedges outside the abandoned ambassador's residence were sometimes trimmed by gardeners employed by wealthy neighbors irked by the unsightliness.

A utility company notice of gas being cut off still hangs from the front door knob.

A few buildings away, near a mansion owned by Barack and Michelle Obama, the embassy of Afghanistan stands.

"So one day it was there. The next day it just was, it was gone," said US postal worker Trina Thompson, who has done rounds in the neighborhood for 25 years.

That was in March 2022 and then-deputy ambassador Abdul Hadi Nejrabi watched it all. It was he who handed the keys to the embassy back to the US government.

Kabul had fallen to the Taliban seven months earlier and Hadi Nejrabi and his diplomatic colleagues represented a government that no longer existed.

Soon their bank accounts were frozen and they were no longer paid.

The embassy was still offering consular services to Afghan citizens but "we reached a point the State Department officially asked us to close the embassy and just hand over the keys," Hadi Nejrabi told AFP.

A team from the State Department's Office of Foreign Missions went to the embassy to oversee the closure.

"We checked every room, and then we just came out and we locked the door and I just gave the key," the former diplomat said.

It is this State Department section which is responsible for the upkeep of other countries' embassies.

Under the Vienna Convention on Diplomatic Relations, states are supposed to respect and protect other countries' embassies in cases where diplomatic relations are severed.

'Border on theft'

The State Department lists 29 such buildings which it is supposed to be looking after: three associated with Afghanistan, six with Venezuela, and 11 with Iran -- these three countries have no relations with the United States now. But the list also features three buildings for China and six Russian ones.

The buildings now off limits to the Russians include consulates in San Francisco and Seattle and a massive compound in Maryland.

They were closed in a spat of tit for tat reprisals after the 2016 election won by Donald Trump.

The Russian Embassy told AFP these closures are illegal under the Vienna Convention and "border on theft."

"While property rights of the Russian Federation for these six objects are recognized and have not been challenged by the US side, continuously denying access for Russian diplomats even to inspect the grounds and buildings is preposterous, cementing the bilateral relations' 'toxic legacy' of previous years."

Elsewhere in Kalorama the embassy of Iran has stood empty since 1980, after the Iranian revolution that ousted the US-backed shah.

The squat, blue-domed building used to host fancy receptions for the Washington diplomatic crowd. But unlike the Syrian embassy, it looks far from reopening as US-Iran tensions remain fierce.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
TT

Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
TT

Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
TT

Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”