Saudi Arabia’s Prince Mohammed bin Salman Royal Reserve Reintroduces the Arabian Hare

Twenty Arabian hares, carefully selected to boost genetic diversity, have been introduced through the reserve’s rewilding program. (SPA)
Twenty Arabian hares, carefully selected to boost genetic diversity, have been introduced through the reserve’s rewilding program. (SPA)
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Saudi Arabia’s Prince Mohammed bin Salman Royal Reserve Reintroduces the Arabian Hare

Twenty Arabian hares, carefully selected to boost genetic diversity, have been introduced through the reserve’s rewilding program. (SPA)
Twenty Arabian hares, carefully selected to boost genetic diversity, have been introduced through the reserve’s rewilding program. (SPA)

Saudi Arabia’s Prince Mohammed bin Salman Royal Reserve has reintroduced the Arabian hare (Lepus capensis arabicus) to be the 14th native species returned to the reserve since the ReWild Arabia program began in winter 2022, reported the Saudi Press Agency on Sunday.

The reintroduction of this primary consumer supports the re-establishment of a critical layer of the trophic food web, restoring energy pathways from vegetation to predators. It also supports the recovery of ecosystem functioning at the landscape scale.

Arabian hares sit at a crucial link in the food chain, influencing ecosystem processes both up and down the trophic pyramid. As herbivores, they graze and disperse seeds, helping to regulate vegetation across the reserve’s ecosystems. For desert predators, they are a principal food source, transferring energy upward from scarce desert plant biomass with a high ectotrophic efficiency, sustaining higher-level wildlife.

Reserve CEO Andrew Zaloumis said: “True rewilding restores processes, not just populations. By bringing back the Arabian hare - a keystone prey for the Prince Mohammed bin Salman Royal Reserves' jackals, foxes, wildcats and hyenas, and ecosystem shaper - we strengthen the connections that allow desert life to recover and flourish. This is the foundation of ReWild Arabia.”

Twenty Arabian hares, carefully selected to boost genetic diversity, have been introduced through the reserve’s rewilding program. Due to their ecological significance, the animals will initially remain in purpose-built breeding enclosures to accelerate population growth before release. The first leveret (hare young) has already been born. These introductions will strengthen the reserve’s existing sparse population by increasing numbers and diversifying genetics.

Unlike many desert species that retreat underground to escape extreme heat, Arabian hares are uniquely adapted to life on the land’s surface, hence their other name, the desert hare. They are among the few mammals able to survive extreme temperatures without burrowing.

Their cryptic coloration provides effective camouflage, reducing detection by predators. Large ears, which can reach up to 17 centimeters in length, 30% of their total body length, act as efficient cooling systems and provide acute hearing, with pinnae capable of rotating independently. Combined with near-360-degree vision, these adaptations enable early detection of predators.

When threatened, Arabian hares can reach speeds of up to 80 kilometers per hour, zig-zagging sharply to evade pursuit. Despite these defenses, predation rates in desert environments can reach up to 90 percent, underscoring their importance as a primary prey species.

Since the ReWild Arabia program began, 14 species have been successfully reintroduced. The Arabian hare marks the sixth species to breed within the program. To date, the reserve has recorded over 100 sand gazelle births, 19 mountain gazelle births, the first two Nubian ibex kids, 36 Arabian oryx calves, and a Persian onager foal.

These milestones reflect the reserve’s long-term objective: to establish self-sustaining wildlife populations and build founder populations capable of supporting restoration efforts across Saudi Arabia and the wider region.

Large-scale rewilding across the reserve is guided by its Integrated Development Management Plan, which delivers habitat-wide restoration across 24,500 square kilometers of marine and terrestrial ecosystems. Supported by an advanced ranger program and strong community engagement, this work advances Vision 2030 and the Saudi Green Initiative, contributing to national commitments to restore biodiversity and protect 30% of the Kingdom’s land and sea by 2030.

The 24,500 km² Prince Mohammed bin Salman Royal Reserve stretches from the lava plains of the Harrats to the deep Red Sea in the west, connecting NEOM, Red Sea Global, and AlUla. It is home to the magnificent Wadi al-Disah and Red Sea Global’s AMAALA destination.

The reserve encompasses 15 distinct ecosystems. At just 1% of the Kingdom’s terrestrial area and 1.8% of its marine area, it boasts over 50% of the Kingdom’s species, making it one of the most biodiverse protected areas in the Middle East.

The reserve is committed to restoring and conserving the natural and cultural environment. This includes the reintroduction of 23 historically occurring native species, 14 of which have already been reintroduced, including the Arabian oryx, Persian onager, sand gazelle and mountain gazelle, as part of a wide-ranging rewilding program.

The Prince Mohammed bin Salman Royal Reserve is overseen by the Royal Reserves Council, chaired by Prince Mohammed bin Salman, Crown Prince and Prime Minister. Its program is integrated with Saudi Arabia’s wider sustainability and conservation programs, including the Saudi Green and Middle East Green Initiatives.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”