Nazi-Looted Portrait Found in Home of Dutch SS Leader’s Family

This handout photograph taken in an undisclosed area and released by Arthur Brand on May 11, 2026, shows the painting "Portrait of a Young Girl" by Dutch artist Toon Kelder, an art piece stolen from the world-famous Goudstikker collection by the Nazis, discovered in the house of the descendants of a notorious Dutch SS collaborator. (Handout and Arthur Brand / AFP)
This handout photograph taken in an undisclosed area and released by Arthur Brand on May 11, 2026, shows the painting "Portrait of a Young Girl" by Dutch artist Toon Kelder, an art piece stolen from the world-famous Goudstikker collection by the Nazis, discovered in the house of the descendants of a notorious Dutch SS collaborator. (Handout and Arthur Brand / AFP)
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Nazi-Looted Portrait Found in Home of Dutch SS Leader’s Family

This handout photograph taken in an undisclosed area and released by Arthur Brand on May 11, 2026, shows the painting "Portrait of a Young Girl" by Dutch artist Toon Kelder, an art piece stolen from the world-famous Goudstikker collection by the Nazis, discovered in the house of the descendants of a notorious Dutch SS collaborator. (Handout and Arthur Brand / AFP)
This handout photograph taken in an undisclosed area and released by Arthur Brand on May 11, 2026, shows the painting "Portrait of a Young Girl" by Dutch artist Toon Kelder, an art piece stolen from the world-famous Goudstikker collection by the Nazis, discovered in the house of the descendants of a notorious Dutch SS collaborator. (Handout and Arthur Brand / AFP)

An artwork plundered by the Nazis from the world-famous Goudstikker collection has surfaced in the family of a notorious SS collaborator in the Netherlands, Dutch art detective Arthur Brand told AFP Monday.

"Portrait of a Young Girl", by Dutch artist Toon Kelder, had likely been hanging for decades in the home of descendants of Hendrik Seyffardt, Brand said, describing it as "the most bizarre case of my entire career".

The case has drawn parallels to a find that made global headlines in 2025, when an 18th-century Nazi-looted painting -- also from the collection of late Jewish art dealer Jacques Goudstikker -- featured in a property ad in Argentina.

In the Dutch case, Brand said he was approached by a man who had recently uncovered two horrifying secrets: he was a descendant of Seyffardt, and his family had displayed the looted art for years.

This family member, who wished to remain anonymous, told Brand he saw the painting hanging in the hallway of the granddaughter of Seyffardt, who was assassinated by Dutch resistance fighters in 1943.

Seyffardt, one of the highest-ranking Dutch collaborators with the Nazis, commanded a Waffen-SS unit of Dutch volunteers on the Eastern Front.

The New York Times splashed news of his death on its front page in 1943, and a lavish Nazi state funeral was held for him in The Hague, complete with a wreath sent by Adolf Hitler.

According to Brand, Seyffardt's granddaughter told the family member the painting was "Jewish looted art, stolen from Goudstikker. It is unsellable. Don't tell anyone."

But the family member wanted the story to go public, so contacted Brand, who has made a name for himself cracking numerous high-profile cases of stolen art.

This family member told De Telegraaf daily: "I feel ashamed. The painting should be returned to the heirs of Goudstikker."

The grandmother, quoted by the Dutch daily, said the family was discussing whether the painting should be returned to the Goudstikker heirs, and denied knowing it was looted.

"I received it from my mother. Now that you confront me like this, I understand that Goudstikker's heirs want the painting back. I didn't know that," she was quoted as saying.

- 'Truly tops everything' -

Brand launched his own investigation. The painting has a Goudstikker label on the back and the number 92 carved into the frame.

He searched the archives of an auction in 1940 where part of the looted Goudstikker collection went under the hammer and found item number 92: "Portrait of a Young Girl" by Toon Kelder.

Hermann Goering, a top Nazi official, plundered Goudstikker's entire collection when the art dealer fled to England in 1940.

Brand surmises that the Dutch collaborator Seyffardt acquired the painting at the 1940 auction and it was then passed down throughout the generations.

Lawyers for the Goudstikker heirs confirmed to Brand that this painting was looted and have called for its return.

The family member who contacted Brand also wants the painting returned to the Goudstikker heirs, but the police are powerless as the theft has passed the statute of limitations.

The Dutch Restitution Committee, which advises on looted Nazi art, is also hamstrung as it cannot compel private individuals to return artworks.

"The family member sees public exposure as the only way to hopefully return the painting to the Goudstikker heirs, where it rightfully belongs," Brand told AFP.

Brand, who has been nicknamed the "Indiana Jones of the Art World" for his extraordinary finds, said this surpassed anything he had uncovered before.

"I have recovered Nazi-looted art from World War II before, including pieces in the Louvre, the Dutch Royal Collection, and numerous museums," he said.

"But discovering a painting from the famous Goudstikker collection, in the possession of the heirs of a notorious Dutch Waffen-SS general, truly tops everything."



Venice’s Growing Flamingo Population Finds Refuge in Recovering Wetlands

FILE PHOTO: A general view of the Grand Canal, in Venice, Italy, June 23, 2025. REUTERS/Yara Nardi/File Photo
FILE PHOTO: A general view of the Grand Canal, in Venice, Italy, June 23, 2025. REUTERS/Yara Nardi/File Photo
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Venice’s Growing Flamingo Population Finds Refuge in Recovering Wetlands

FILE PHOTO: A general view of the Grand Canal, in Venice, Italy, June 23, 2025. REUTERS/Yara Nardi/File Photo
FILE PHOTO: A general view of the Grand Canal, in Venice, Italy, June 23, 2025. REUTERS/Yara Nardi/File Photo

Perhaps nothing better illustrates the flamingo’s status as a newcomer to the Venetian Lagoon than the fact that the local dialect has no word for them.

But the pale pink birds — called “fenicotteri” in Italian — are now flocking to Venice in record numbers, as ecological efforts to restore damaged wetlands could help expand their habitat and possibly induce them to nest in the lagoon, The Associated Press reported.

Flamingos — which most famously nest in Spain and France — started showing up in the vast Venetian Lagoon in the early 2000s, mostly in fishing valleys and mudflats in the lagoon’s furthest reaches, with only rare sightings in the canaled historic center of Venice that is most frequented by global tourists.

Venice Lagoon becomes an unlikely flamingo haven Environmentalists say their arrival in Venice as the European flamingo’s range expands is a sign of the lagoon’s health and suitability as a feeding ground.

Last year, the number of wintering flamingos in Venice peaked at a record of nearly 24,000. That is 8,000 more than the previous year, numbers “that position the Venetian Lagoon as one of the most important wintering spots in its entire habitat range,” said ornithologist Alessandro Sartori.

Sartori surveys the lagoon weekly by boat for signs of nesting, which would indicate a self-sustaining Venetian colony. So far there are no fresh signs after two nesting attempts, in 2008 and 2013, in northern lagoon fishing valleys suffered serious setbacks, including violent hail that killed dozens of birds.

More than 90% of the birds counted in last year’s census were in the northern lagoon, which contains a large area of natural salt marsh. The flamingos are also attracted by the traditional fishing valleys, semi-natural embanked wetlands that provide abundant food but can also bring them into conflict with human activity.

Venice seeks to recover its lost marsh A project to reconstruct salt marshes in the more isolated southern lagoon — past the historic center and the industrial port — raises prospects that flamingo numbers will increase there as well by offering a new habitat in an area of the lagoon where wetland erosion has been especially severe. It could also draw the birds away from competing human uses in the north.

The Venetian Lagoon, covering an expanse of 550 square kilometers (more than 200 square miles), was originally nearly half salt marsh. Today the area of salt marsh — or “barene” in the Venetian dialect — is just about 7%, about half of it reconstructed, said Jane da Mosto, the executive director of We Are Here Venice, the local partner in the EU’s 23.6 million euro ($27.5 million), 5-year WaterLANDS project to restore wetlands across Europe.

The damage is especially stark in the central and southern lagoon, due to the combination of natural erosion and the dredging of shipping channels to access the Marghera industrial port in the 1960s.

“And since then, there’s been much more widespread erosion and loss of sediments from the lagoon to the point that Venice is now on a trajectory to becoming a marine bay,” said da Mosto. The wetlands reconstruction project “is specifically to show that it’s possible to address this trend and change the course of history.”

Rebuilding the salt marshes increases the lagoon’s ability to capture carbon dioxide, a greenhouse gas and driver of climate change, and mitigates the effects of rising sea levels. But da Mosto said much larger areas would need to be restored to produce meaningful climate benefits. The goal of the EU project is to make salt marsh reconstruction scalable.

Flamingos can also benefit as biodiversity increases.

Da Mosto’s team is researching ways to increase biodiversity on the reconstructed marshes, including planting species that can help reduce erosion and make the wetlands more resilient.

The mudflat where they are working contains signs of flamingo activity, chiefly stray pink feathers. On a recent day, a flock of some 30 were perched in the distance — scattering when a pair of squawking oystercatchers alerted them to visitors.

Already, Sartori believes that the reconstruction has begun to draw more flamingos to the area. Over the last three years, he has seen their numbers in the southern lagoon grow from just a handful to as many as 300 to 400 in certain periods.

“The hope is that they can find — as they have found in other parts of the Mediterranean — right here on these barene, places where they can nest,” Sartori said.

Venice’s pink newcomers could draw a different kind of visitor The flamingos' presence in the lagoon underlines the importance of the Venetian ecosystem and offers a new way for visitors to interpret the canaled city and outer islands through their ecological — and not just historical and artistic — significance.

Still, visitors to Venice who hope to casually spy flamingos will probably be disappointed, and AP reporters recently had to travel by boat for an hour to spot any. The flamingos inhabit shallow, difficult-to-access reaches of the lagoon where navigating safely requires close attention to tides and channels.

Even at a distance, the birds are easily disturbed and quick to take flight.

Sartori predicts flamingo spotting — already a possibility from the shores of the small lagoon islands of Murano and Burano but rare in the historic center — could become more common as their numbers continue to grow.

“Obviously this should always be done with respect for the animals, keeping a safe distance and not interfering with their daily lives,” he said.


Meteor Explodes over US with Blast Equivalent to 300 Tons of TNT

This image taken from video shows a suspected meteor falling through the sky in the greater Pittsburgh, Pa., area on Tuesday, March 17, 2026. (Jared Rackley via AP)
This image taken from video shows a suspected meteor falling through the sky in the greater Pittsburgh, Pa., area on Tuesday, March 17, 2026. (Jared Rackley via AP)
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Meteor Explodes over US with Blast Equivalent to 300 Tons of TNT

This image taken from video shows a suspected meteor falling through the sky in the greater Pittsburgh, Pa., area on Tuesday, March 17, 2026. (Jared Rackley via AP)
This image taken from video shows a suspected meteor falling through the sky in the greater Pittsburgh, Pa., area on Tuesday, March 17, 2026. (Jared Rackley via AP)

A meteor crashing toward Earth exploded over the northeastern United States on Saturday, NASA said, setting off booms that echoed over the region with a blast equivalent to 300 tons of TNT.

The fireball broke up over northeastern Massachusetts and southeastern New Hampshire at 2:06 pm (1806 GMT), the US space agency's deputy news chief Jennifer Dooren told AFP in a statement.

"This fireball was not associated with any currently active meteor shower, but it was a natural object and not a re-entry of space debris or a satellite," she said.

"The energy released at breakup is estimated to be equivalent to about 300 tons of TNT, which accounts for the loud booms."

The meteor was traveling at 75,000 mph (more than 120,000 kph) at an altitude of 40 miles when it broke apart, Dooren said.

Area residents were alarmed by the unexpected loud booms, with social media users reporting they were so powerful that houses were shaking.

In 2013 a fireball streaked above Chelyabinsk, Russia. The house-sized space rock blew apart 14 miles above the ground, releasing a blast equivalent to 440,000 tons of TNT, NASA said.

The explosion blew out windows over 200 square miles (518 square kilometers), injuring more than 1,600 people, mostly due to broken glass.


Australian Researchers Teach Brain Cells to Play 'Doom'

In this photo taken on May 5, 2026, senior scientific specialist Kwaku Dad Abu Bonsrah pipettes nutrients onto neurons on Micro Electrode Array (MEA) chips at Cortical Labs' Physical Containment Level 2 (PC2) laboratory in Melbourne. (Photo by William WEST / AFP)
In this photo taken on May 5, 2026, senior scientific specialist Kwaku Dad Abu Bonsrah pipettes nutrients onto neurons on Micro Electrode Array (MEA) chips at Cortical Labs' Physical Containment Level 2 (PC2) laboratory in Melbourne. (Photo by William WEST / AFP)
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Australian Researchers Teach Brain Cells to Play 'Doom'

In this photo taken on May 5, 2026, senior scientific specialist Kwaku Dad Abu Bonsrah pipettes nutrients onto neurons on Micro Electrode Array (MEA) chips at Cortical Labs' Physical Containment Level 2 (PC2) laboratory in Melbourne. (Photo by William WEST / AFP)
In this photo taken on May 5, 2026, senior scientific specialist Kwaku Dad Abu Bonsrah pipettes nutrients onto neurons on Micro Electrode Array (MEA) chips at Cortical Labs' Physical Containment Level 2 (PC2) laboratory in Melbourne. (Photo by William WEST / AFP)

Australian researchers have trained lab-grown brain cells on a silicon computer chip to play the nineties shooter game "Doom" and say they are just scratching the surface of what the neurons could be capable of doing.

It's the science-fiction work of biotech boffins at Cortical Labs, who researched and developed the technology that harnesses the workings of the brain's networking system.

Each so-called "biological computer" contains around 200,000 living human brain cells, grown from stem cells that were harvested from blood donations.

Having mastered the simple computer game "Pong", where a paddle is moved up and down to send a ball across a screen, the brain cells have moved on to bigger things.

Initially, the neurons were at the "level of a beginner who's never played a video game before," Alon Loeffler, Cortical Labs' senior application scientist, told AFP.

"Doom" involves a chaotic 3D game-world where the user is required to explore its surroundings and dispatch enemies -- no easy task for a clump of cells.

"They were walking into walls a lot, shooting the walls, turning around, doing funny things like that," Loeffler said.

"And then eventually they started targeting the enemies more regularly and correctly."

It's not the cleanest execution, however. One demon takes several attempts to slaughter, with shots fired in multiple directions before the target is hit.

But the mind-bending research proves the neurons can adapt to stimuli in real time and complete goal-directed learning, Cortical Labs say.

The researchers converted the digital environment in "Doom" into patterns of electrical signals the neurons on the chip could understand.

When an enemy appears, specific electrodes stimulate the neurons on the special chip called a CL1, causing them to react.

Different patterns of neuron activity produce specific responses, such as firing the gun or moving left or right.

Researchers monitor the electrical activity of the neurons from a computer screen connected to the CL1, represented by thousands of tiny dots.

From this data, the team adjusts their input to influence and train the neuron's activity.
The CL1 isn't limited to computer games -- the chip can be coded to perform a range of applications, from drug screening to AI-like machine learning.

"We are just scratching the surface of what these neural cultures can achieve when integrated in systems like our CL1," said chief scientific and operations officer Brett Kagan.

"Our neural cultures have been explored for a variety of tasks," he said -- everything from "robotics, real-time learning tasks that are similar to AI, as well as healthcare, medicine, disease modelling, drug screening and even personalised medicine".

Kagan describes the CL1 chip as "a more sustainable and more powerful form of intelligence".

The human brain runs on an estimated 20 watts of power, a level of efficiency that silicon computing and artificial intelligence have not yet been able to replicate.

While it's "not aimed to replace what AI is doing" it's intended to "give us abilities that we've never had before", Kagan said.

The cells have a six-month lifespan and aren't yet capable of producing consistent, programmable results.

But analysts say the project's value could lie in its more sustainable power consumption compared to regular chips.

"We need better ways to manage that power envelope and get higher levels of efficiency," William Keating, CEO of semiconductor research company Ingenuity, said.

"This isn't wacky science or some bunch of scammers. This is real science and it's making real progress."