Egypt Commemorates 118th Anniversary of Heliopolis

Baron Empain palace's in Heliopolis. (Shutterstock)
Baron Empain palace's in Heliopolis. (Shutterstock)
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Egypt Commemorates 118th Anniversary of Heliopolis

Baron Empain palace's in Heliopolis. (Shutterstock)
Baron Empain palace's in Heliopolis. (Shutterstock)

Egypt held weeklong celebrations to mark the 118th anniversary of Heliopolis, or New Egypt, one of the capital Cairo’s most famous neighborhoods.

During Heliopolis Week, the ministries of tourism and communications organized a cultural and arts festival at the Granada Palace to highlight historic events from the neighborhood.

Heliopolis was established by Belgian Baron Édouard Empain in 1905 after the “Heliopolis Oases Company”, currently known as the “Heliopolis Company”, signed a contract to construct a railway line linking the Cairo city center to New Egypt. Empain began building the neighborhood over an area of 25 square kilometers and he later named it Heliopolis.

In a speech at a festival marking the end of Heliopolis Week on Thursday, Ahmed Issa, minister of Tourism and Antiquities, said: “New Egypt was born in the Cairo desert and it boasts several unique breathtaking sights, such as castles, gardens and places of worship.”

Cairo enjoys unique tourism characteristics that can transform it into one of the world’s greatest tourism cities, he stressed.

The Baron Empain palace is a major historic building in Heliopolis, a landmark, and a tourist attraction in the Egyptian capital, he noted.

In 2020, the Egyptian government opened the palace after renovation and development, and turned it into a museum that highlights the history of Heliopolis.

Built by the Barron on Salah Salem street on an area of 12,500 square meters, the palace dates back to 1911. French Architect Alexander Marcel was inspired from the Angkor Wat temple in Cambodia, and the Odisha Hindu temples.

Empain lived in the palace, whose belongings were auctioned in the early 1950s. It remained neglected until its ownership was transferred to the Egyptian culture ministry in 2007. Its renovation was completed in 2020.

The Heliopolis Heritage Foundation organized Heliopolis Week under the sponsorship of different government agencies. The festival was aimed at “putting Heliopolis on the tourism map,” according to officials at the ministry of antiquities and tourism.

The festival included seminars and panel discussions about the history of Heliopolis, and how to revive historic buildings and areas to boost tourism. It also included art exhibitions that highlighted the history of the neighborhood.

Issa said these activities “help shed light on the historic and touristic landmarks in Egypt,” noting recent renovations and restorations in several regions that will help boost the sector.

Egypt plans to attract 30 million foreign tourists by 2028 through the National Tourism Strategy that calls for developing aviation and improving the quality of services in the tourism sector.

Issa had previously revealed tourism to Egypt had grown by 43 percent in the first three months of 2023 compared with the same period last year. Fifteen million tourists are expected by the end of the year.



Celebrating Excellence in Journalism and the Arts, Pulitzer Prizes to Be Awarded Monday

File- Signage for The Pulitzer Prizes appear at Columbia University, May 28, 2019, in New York. (AP Photo/Bebto Matthews, File)
File- Signage for The Pulitzer Prizes appear at Columbia University, May 28, 2019, in New York. (AP Photo/Bebto Matthews, File)
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Celebrating Excellence in Journalism and the Arts, Pulitzer Prizes to Be Awarded Monday

File- Signage for The Pulitzer Prizes appear at Columbia University, May 28, 2019, in New York. (AP Photo/Bebto Matthews, File)
File- Signage for The Pulitzer Prizes appear at Columbia University, May 28, 2019, in New York. (AP Photo/Bebto Matthews, File)

The Pulitzer Prizes are set to be announced on Monday, traditionally the most anticipated day of the year for those hoping to earn print journalism's most prestigious honor.
Along with honoring winners and finalists in 15 journalism categories, the Pulitzer Board also recognizes distinguished work in areas including books, music and theater. The awards, which will honor work from 2023, are scheduled to be announced via livestream at 3 p.m. Eastern time.
While forecasting potential winners is a guessing game, the Pulitzers often go to coverage of the year's biggest stories. In this case, the Oct. 7 attack on Israel and subsequent war in Gaza is a possibility and may engender controversy.
With the Committee to Protect Journalists estimating at least 97 journalists and media workers have been killed in Gaza, many observers will be interested to see if the Pulitzers recognize work by Palestinian reporters.
The prizes are administered by Columbia University in New York, which itself has been in the news for student demonstrations against the war in Gaza. The Pulitzer board met away from Columbia this past weekend to deliberate on its winners.
The board issued a statement Thursday saluting student journalists at Columbia and other universities across the country for their work covering the campus demonstrations.
For the first time, the Pulitzers opened eligibility to broadcast and audio companies that also operate digital news sites, such as CNN, NPR and the broadcast networks ABC, CBS and NBC. The work must be primarily in digital journalism, however.
The Columbia Journalism School also administers the duPont-Columbia Awards, which recognize audio and visual journalism and are presented in the winter.
The Pulitzers give out cash awards and a medal for its prestigious public service prize, won last year by The Associated Press for its coverage of the Russian siege of Mariupol in Ukraine.
The Pulitzers also announced that five of the 45 finalists this year used artificial intelligence in research and reporting of their submissions. It was the first time the board required applicants for the award to disclose use of AI.
The prizes were established in the will of newspaper publisher Joseph Pulitzer and first awarded in 1917.


Saudi Arabia: Farasan Islands Host 20th Hareed Festival in Celebration of Culture

This vibrant annual event celebrates the arrival of parrotfish in the islands' shallow waters. SPA
This vibrant annual event celebrates the arrival of parrotfish in the islands' shallow waters. SPA
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Saudi Arabia: Farasan Islands Host 20th Hareed Festival in Celebration of Culture

This vibrant annual event celebrates the arrival of parrotfish in the islands' shallow waters. SPA
This vibrant annual event celebrates the arrival of parrotfish in the islands' shallow waters. SPA

The Farasan Islands, a string of coral islands nestled 40 kilometers off the coast of Jizan in the Red Sea, are abuzz with activity as they host the 20th edition of the Hareed (parrotfish) Festival, the Saudi Press Agency reported Sunday.
This vibrant annual event, held in late April and early May, celebrates the arrival of parrotfish in the islands' shallow waters, SPA said.
For generations, the Farasan people have cherished this natural phenomenon, transforming it into a social gathering that goes beyond the fish. The festival showcases the islands' unique customs, traditions, folk games, and handicrafts. It also throws a spotlight on Farasan's remarkable tourism potential and historical sites.
Festival visitors may have a glimpse at the islands' rich cultural heritage. One of the highlights is "Al-Dana", a captivating form of vocal art that is one of Farasan's oldest folk traditions. It is a poignant expression of longing that arose from the hardships endured by sailors on extended pearl-diving expeditions. The challenges faced by these brave men fueled this art form, which is deeply rooted in Farasan's cultural identity, SPA said.
The festival also provides a platform for Farasan residents to showcase their traditional handicrafts. Visitors get to see the production of fishing traps and nets, the intricate weaving of palm fronds, the creation of bags and rugs, and the art of hat knitting.
A dedicated area at the Hareed fishing site caters to families and children; there, participants can experience the thrill of catching parrotfish using a traditional method that involves setting up barriers to prevent the fish from escaping. This competition, a centuries-old tradition, allows families to connect with the island's fishing heritage.
Just five kilometers from Farasan Grand Island lies Al-Qassar Village, a captivating destination that draws many visitors. This heritage village, built with stone and palm leaves, boasts the largest palm oasis in the archipelago. Al-Qassar served as a summer retreat for Farasan residents, who would travel by camel to spend a three-month getaway during the season of Al-Asef, the northwestern summer wind that comes after the Hareed fishing season.
Famous for its abundance of fresh groundwater, Al-Qassar Village comprises around 400 houses. These unique dwellings with stone walls and roofs made of palm tree planks, leaves, Doum palm, or Anisotes trisulcus branches topped with algae and mud, show traditional building techniques designed to withstand the elements.


Spain Scraps National Bullfighting Prize Sparking Debate

Bullfighting retains a passionate following in some circles in Spain and leading matadors are treated as celebrities - AFP
Bullfighting retains a passionate following in some circles in Spain and leading matadors are treated as celebrities - AFP
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Spain Scraps National Bullfighting Prize Sparking Debate

Bullfighting retains a passionate following in some circles in Spain and leading matadors are treated as celebrities - AFP
Bullfighting retains a passionate following in some circles in Spain and leading matadors are treated as celebrities - AFP

Spain's left-wing government said this week it would scrap a national prize for bullfighting, a move which angered supporters of the controversial spectacle but was welcomed by animal rights groups.

"A growing majority" of Spaniards are concerned about animal welfare, so "we did not believe it is appropriate to maintain an award that rewards a form of animal abuse", said Culture Minister Ernest Urtasun, who belongs to hard-left party Sumar, Socialist Prime Minister Pedro Sanchez's junior coalition partners.

"I think they understand even less that these forms of animal torture are rewarded with medals that come with monetary prizes using public money," he added during an interview with private television La Sexta.

The annual prize, which was created in 2011 under a previous Socialist government and was first awarded in 2013, grants 30,000 euros ($32,000) to winners, according to AFP.

Top matadors such as Enrique Ponce and Julian Lopez, known as "El Juli", have won the prize in the past.

Bullfighting retains a passionate following in some circles in Spain and leading matadors are treated as celebrities.

But the practice's mass appeal has faded and polls show a rising disinterest across the country, especially among the young.

Only 1.9 percent of Spain's population attended a bullfight during the 2021-22 season, down from 8.0 percent in 2018-19, according to a survey of leisure habits carried out by the culture ministry.

In recent years bullfighting has become a key issue in Spain's culture wars, pitting left-wing parties against conservatives who argue it is an integral part of the country's identity.

Spain's main opposition conservative Popular Party (PP) swiftly promised to reinstate the prize if it returns to power.

PP spokesman Borja Semper accused the government of being "obsessed with sticking its finger in the eye of those who do not think" as it does, while the party's spokesman in parliament, Miguel Tellado, said bullfighting was "part of our culture, of our traditions".

Several regional governments, including one run by the Socialists in Castilla-La Mancha where bullfighting is popular, said they would create their own bullfighting prizes to replace the one being scrapped.

The Fundacion del Toro de Lidia, an NGO that promotes bullfighting in Spain, accused Urtasun of carrying out his duties in a discriminatory way against bullfighting.

"A culture minister cannot exercise his powers based on his personal preferences, he has the obligation to promote and encourage all cultural manifestations, among which is bullfighting," it said in a statement.

But animal rights groups welcomed the government's decision.

Animal rights party PACMA called the measure a "positive step" and urged the government to go further with the "total abolition" of all forms of public support for bullfighting.

"We consider it to be a form of legalised animal abuse and cannot be justified under any circumstances, let alone encouraged through any kind of economic or social incentive," it said in a statement.


Saudi Arabia Wins First World Camel Endurance Championship in AlUla

The championship is co-organized by the International Camel Racing Federation and the Royal Commission for AlUA - SPA
The championship is co-organized by the International Camel Racing Federation and the Royal Commission for AlUA - SPA
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Saudi Arabia Wins First World Camel Endurance Championship in AlUla

The championship is co-organized by the International Camel Racing Federation and the Royal Commission for AlUA - SPA
The championship is co-organized by the International Camel Racing Federation and the Royal Commission for AlUA - SPA

The Kingdom of Saudi Arabia won first place at the First World Camel Endurance Championship for men and women, held in AlUla.
The championship, co-organized by the International Camel Racing Federation and the Royal Commission for AlUla, witnessed fierce competition from jockeys representing 20 countries.
Saudi dominance was undeniable, with Saudi male jockeys securing the top three spots and winning trophies in both the first and second rounds. Adding to the Kingdom's triumph, a Saudi woman jockey took home first place in the women's category, SPA reported.
The grueling race tested the endurance of both camels and riders. It covered a total distance of 16 kilometers across two stages, each 8 kilometers long. The event offered a total prize pool exceeding SAR2 million.


Indonesia's First Lady Visits Hira Cultural District in Makkah

Indonesian First Lady Iriana Joko Widodo visited on Saturday the Hira Cultural District in Makkah. SPA
Indonesian First Lady Iriana Joko Widodo visited on Saturday the Hira Cultural District in Makkah. SPA
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Indonesia's First Lady Visits Hira Cultural District in Makkah

Indonesian First Lady Iriana Joko Widodo visited on Saturday the Hira Cultural District in Makkah. SPA
Indonesian First Lady Iriana Joko Widodo visited on Saturday the Hira Cultural District in Makkah. SPA

Indonesian First Lady Iriana Joko Widodo has visited the Hira Cultural District in Makkah, where she toured the Revelation Exhibition.

During her visit on Saturday, she expressed her admiration for its collections and translation techniques.


Saudi Arabia Hosts its First Opera, Zarqa Al Yamamah, in Riyadh

The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work. (SPA)
The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work. (SPA)
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Saudi Arabia Hosts its First Opera, Zarqa Al Yamamah, in Riyadh

The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work. (SPA)
The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work. (SPA)

The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work with an international flavor, the Saudi Press Agency said on Friday.
The opera summons the history of defunct nations, to study the reasons for their demise, and provides an interpretation of one of the ancient legends in the Arabian Peninsula.
The opera tells the story of a woman from the Jadis tribe who lived in the pre-Islamic era, in the Yamamah region in the center of the Arabian Peninsula. It's about the dispute that erupted between the Jadis and Tasim tribes, which ended tragically, as Zarqa Al-Yamamah tried to warn her people of the arrival of the enemy, but they did not listen to her.
This operatic work is shaped in a contemporary art form, full of dramatic turns, emotional moments and dramatic events. It presents a different cultural experience full of suspense and touching tragedy.
The opera "Zarqa Al Yamamah" is receiving great local and international attention, as it includes many well-known international names, including Sarah Connolly, Alexandar Stefanovsky, George von Bergen and others. Some promising Saudi talents have also participated in the work, including Khairan Al-Zahrani, Sawsan Al-Bahiti and Rimaz Aqbi.
The opera's art director is Ivan Vukcevich, while the theater director is Daniel Vinzi Paska. Pablo Gonzalez conducts the Dresden Sinfoniker Orchestra with the Czech Philharmonic Choir of Brno.
Some Arabic musical instruments were used in the opera's soundtrack, such as the oud. This has provided a mixture of Western operatic music and Arab music, which represents Saudi culture.


Spain Abolishes National Bullfighting Award in Cultural Shift

Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024.  EPA/Tadeo Alcina
Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024. EPA/Tadeo Alcina
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Spain Abolishes National Bullfighting Award in Cultural Shift

Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024.  EPA/Tadeo Alcina
Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024. EPA/Tadeo Alcina

Spain scrapped an annual bullfighting award on Friday, prompting a rebuke from conservatives over a backlash against a centuries-old tradition they see as an art form but which has run into growing concern for animal welfare.
Spanish-style bullfighting, in which the animal usually ends up killed by a sword thrust by a matador in shining garb, is for supporters a cultural tradition to be preserved, while critics call it a cruel ritual with no place in modern society, Reuters reported.
The Culture Ministry said it based its decision to abolish the award on the "new social and cultural reality in Spain" where worries about animal welfare have risen while attendance at most bullrings has declined.
"I think that's the feeling of a majority of Spaniards who can understand less and less why animal torture is practiced in our country..., and much less why that torture gets awarded with public money," Culture Minister Ernest Urtasun said on X.
The national award came in the form of a 30,000-euro ($32,217) government check and has been bestowed on famous bullfighters such as Julian Lopez, known as "El Juli", or cultural associations related to the bullfighting tradition.
It has recently become a defining issue in Spain's culture wars, pitting left-wing parties such as Sumar, to which Urtasun belongs, against right-wing conservatives who support the tradition.
Borja Semper, spokesperson for the opposition conservative People's Party, told reporters the government move showed that it "does not believe in cultural diversity or liberty", and that his party would reinstate the award whenever it regained power.
The PP leader of the Aragon region, Jorge Azcon, said it would introduce another award. "Tradition should be something that unites us rather than divides," he said.
Opposition to bullfighting has also grown in Latin America, where the tradition was exported in the 16th century, and in southern France, where it spread in the 19th century.
In Spain, the average bullfighting aficionado has gotten older and the number of bullfighting festivals dropped by a third between 2010 and 2023.


Parched Philippine Dam Reveals Centuries-Old Town, Luring Tourists

 A drone view shows a centuries-old sunken town that reemerged amid extreme heat in Pantabangan, Nueva Ecija, Philippines, May 2, 2024. (Reuters)
A drone view shows a centuries-old sunken town that reemerged amid extreme heat in Pantabangan, Nueva Ecija, Philippines, May 2, 2024. (Reuters)
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Parched Philippine Dam Reveals Centuries-Old Town, Luring Tourists

 A drone view shows a centuries-old sunken town that reemerged amid extreme heat in Pantabangan, Nueva Ecija, Philippines, May 2, 2024. (Reuters)
A drone view shows a centuries-old sunken town that reemerged amid extreme heat in Pantabangan, Nueva Ecija, Philippines, May 2, 2024. (Reuters)

Ruins of a centuries-old town have emerged at a dam parched by drought in northern Philippines, giving residents a rare spectacle and an extra source of income in a region dependent on rice-growing.

Following a prolonged spell with little rain, the dried-up dam has revealed parts of a sunken church and foundations of old structures from the old town in Nueva Ecija province in recent weeks.

"When I heard about the sunken church of old Pantabangan town resurfacing, I got excited and wanted to see it," said 61-year-old retired nurse Aurea Delos Santos.

Some locals have cashed in on the attraction, ferrying tourists to the island. "Back then, I was only earning 200 pesos ($3.50) from fishing, but when the tourists arrived, I'm earning 1,500 to 1,800 per day," said fisherman Nelson Dellera.

The old town was relocated in the 1970s during the construction of a dam, which now serves as the main irrigation and water source for Nueva Ecija and nearby provinces, according to the local government.

The Philippines and other countries in Southeast Asia have been grappling with extreme heat, prompting schools to suspend classes and governments to urge people to stay indoors to prevent heat stroke.


Looted Gold, Royal Treasures Go on Show Back Home in Ghana

 Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
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Looted Gold, Royal Treasures Go on Show Back Home in Ghana

 Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)

Gold neck discs, a sword, a royal chair and dozens of other treasures looted during British colonial rule went on show in Ghana this week for the first time since their historic return.

People travelled from across the West African country to see the repatriated plunder in the city of Kumasi, the seat of Asante King Otumfuo Osei Tutu II, known as the Asantehene.

"The items that came back are virtually the soul of the people of Asante," the monarch said at the exhibition, which marks his silver jubilee.

The gold regalia was looted during Britain's 1821-1957 colonization of what is now Ghana, much of it taken during violent battles with the Asante kingdom and placed in museums.

London's British and Victoria & Albert museums, and the Fowler Museum at the University of California, sent the artefacts back earlier this year - part of a growing move by Western institutions to reexamine colonial legacies.

Negotiations to return the items took more than 50 years, the Asantehene said.

Other museums in the US and Europe have agreed to hand back treasures taken from the Kingdom of Benin in modern-day Nigeria and received requests for returns from other states across the continent, including Egypt and Ethiopia.

"Most of our things are not written, they are expressed in the art we see," documentary-maker Lawer Akunor said at the show.

"Bringing these (back) is bringing the history to whom it belongs."

Most of the 42 items on display at Kumasi's Manhyia Palace Museum were taken during five battles between the Asante Kingdom and Britain known as the Anglo-Asante wars. Many were pillaged directly from the Asante palace.

Some of Britain's main national museums are banned by law from handing over or disposing of the bulk of their collections. So 32 objects from the British Museum and the Victoria & Albert Museum (V&A) are in Ghana on loan.

"We acknowledge the very painful history surrounding the acquisition of these objects. A history tainted by the scars of imperial conflict and colonialism," V&A Director Tristram Hunt said at the opening.

The V&A has loaned 17 items to the Manhyia museum for three years, with the possibility of another three-year renewal. Objects include a gold peace pipe and gold discs worn during royal ceremonies.

Sculptor Gabriel Bekoe said he was inspired by the display.

"Seeing them will help me know what I used to be and that will influence the ideas and concepts I build afterward," he said.


Senegal Tapestry Production Finds New Lease of Life

Senegalese tapestries adorn the walls of organizations the world over. JOHN WESSELS / AFP
Senegalese tapestries adorn the walls of organizations the world over. JOHN WESSELS / AFP
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Senegal Tapestry Production Finds New Lease of Life

Senegalese tapestries adorn the walls of organizations the world over. JOHN WESSELS / AFP
Senegalese tapestries adorn the walls of organizations the world over. JOHN WESSELS / AFP

After cutting away the loose woolen threads from his loom, 28-year-old Senegalese weaver Seydina Oumar Cisse turns the roll to watch the tapestry gradually take shape before his eyes.
Everything from the colors to the design is identical to the original work created by Senegalese artist Cheikh Diouf.
"It's very satisfying," Cisse said, seeing the result of six months' work for the first time.
Cisse is a weaver at the Senegalese manufacturers of decorative arts in the central city of Thies, a leading producer of high quality artistic goods on the African continent.
The establishment's creations adorn the walls of organizations the world over, from the UN headquarters in New York to the African Union in Addis Ababa, as well as the palaces of numerous heads of state.
Tapestry production in Thies was a flagship cultural policy of Senegal's first president, poet Leopold Sedar Senghor, with production now revitalized thanks to a broadening of operations and new partnerships, including with fashion giant Chanel.
The creations are "attracting renewed interest, driven locally by galleries with international stature and a resurgence of interest in textiles and tapestries" on the art market, said Coline Desportes, a researcher at the national institute of art history (INHA).
'Symbiosis of techniques'
Senghor established national tapestry production in Thies in 1966, six years after Senegal gained independence from France, with the goal of "creating a new art for a new nation".
While weaving techniques had previously proved popular in African clothing designs, the art of wall tapestries was little known in Senegal.
Two years before production got underway, four craftsmen headed to France for specialized training, with the new art form representing "the symbiosis of techniques imported from France and traditional culture," according to Senghor.
Over the years the former president's legacy has been kept alive, but not without difficulty.
The state reduced support after Senghor's departure and tapestries went out of fashion, leading production in Thies to almost disappear before orders picked up again in the 2000s.
In the weaving workshops, situated within the white and green walls of former army barracks, the weavers have no room for error.
Each meticulously follows the cardboard lines on their looms, using wool from Europe and cotton from Thies to trace their designs.
'Cultural powerhouse'
Not far away, a group of about 30 American school students listen to a talk given by the head of the cardboard workshop, where the models which guide the weaving process are produced.
The establishment now welcomes tourists and film crews onto the premises, evidencing its commitment to diversifying operations.
Fourteen rooms will soon be available for visitors, as well as an artists' residence, managing director Aloyse Diouf said.
"We want to turn the manufacturers into a cultural powerhouse, a link between art and tourism," he added, although government commissions remain essential to keeping production afloat.
"Tapestry is not necessarily linked to our history and has remained mainly elitist -- it is mainly the authorities who buy tapestries to contribute to Senegal's artistic influence," Diouf said.
"The ownership of this art form by the Senegalese is a long-term project that we are developing by inviting schools to visit the factories".
The establishment now also produces prayer rugs, batik and ceramics, which are slightly more affordable for the Senegalese than the wall tapestries, which cost 1.5 million CFA francs ($2,400) per square meter.