Khalil Gibran’s Lebanon Hometown Celebrates ‘The Prophet’ Centennial 

A bust sculpture depicting Lebanese-American writer, poet, and visual artist Gibran Khalil Gibran is displayed at the entrance of his hometown of Bsharre in northern Lebanon on October 5, 2023. (AFP)
A bust sculpture depicting Lebanese-American writer, poet, and visual artist Gibran Khalil Gibran is displayed at the entrance of his hometown of Bsharre in northern Lebanon on October 5, 2023. (AFP)
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Khalil Gibran’s Lebanon Hometown Celebrates ‘The Prophet’ Centennial 

A bust sculpture depicting Lebanese-American writer, poet, and visual artist Gibran Khalil Gibran is displayed at the entrance of his hometown of Bsharre in northern Lebanon on October 5, 2023. (AFP)
A bust sculpture depicting Lebanese-American writer, poet, and visual artist Gibran Khalil Gibran is displayed at the entrance of his hometown of Bsharre in northern Lebanon on October 5, 2023. (AFP)

Nestled in the mountains of northern Lebanon, a museum dedicated to Gibran Khalil Gibran in his hometown of Bsharre has been celebrating the centennial of "The Prophet", the renowned author's most famous work.

Since it was first published in the United States in 1923, millions of copies of "The Prophet" have been sold worldwide, with the book becoming a literary classic that has been translated into dozens of languages from the original English.

"Every reader, no matter where they're from, feels that this book relates to them and moves them deeply... whether they are Christian, Muslim, Jewish" or atheist, said museum director Joseph Geagea.

It "touches the spirituality of each individual, dealing with death, life, friendship, love, children" and other topics, he added.

A collection of poetic prose, "The Prophet" tells the story of Almustafa, who before returning to his homeland, speaks to residents of the city of Orphalese about various aspects of life.

Divided into 26 chapters, verses from "The Prophet" are often quoted at births, weddings and funerals around the world.

"Biblical style is pervasive" in "The Prophet", Lebanese author Alexandre Najjar said during a recent reading in Beirut, also noting the influence of Islam's mystic Sufi tradition.

"The Prophet" captured the hearts of students and hippies in the 1960s, Najjar said, including for the passage: "Your children are not your children... they come through you but not from you."

Elvis Presley "loved the book so much that he used to give it to his friends on their birthday", he added.

Other celebrities and leaders, from John Lennon to Japan's former Empress Michiko and late Indian prime minister Indira Gandhi, were also fond of the book, the museum's Geagea said.

'Deeply spiritual vision'

Gibran was born in Bsharre in 1883, when Lebanon was under Ottoman rule, but wrote most of his books in the United States, where he headed the New York Pen League, the first Arab-American literary society.

Overlooking Lebanon's Qadisha Valley, the museum was set up in a former 18th century monastery and exhibits some 150 paintings by the author that show "his deeply spiritual vision of existence", Geagea said.

A table displays 11 translations of "The Prophet" released between 1923 and 1931.

"Gibran strongly wished to return to Bsharre, which he left at age 12," said Geagea, but the writer died before he could get the chance.

The monks decided to sell the monastery and the surrounding land to Gibran's sister after the author's death in 1931, when he was just 48.

The site was transformed into his burial place and then into a museum for his artworks and other objects, and receives around 50,000 visitors a year from five continents, Geagea said.

Despite his popularity among readers, Gibran's most famous work received a lukewarm reception at the time of writing from American critics, who criticized it as simplistic and moralizing.

In April this year, an exhibition at the United Nations headquarters in New York also marked the work's centenary.



Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."