Khalil Gibran’s Lebanon Hometown Celebrates ‘The Prophet’ Centennial 

A bust sculpture depicting Lebanese-American writer, poet, and visual artist Gibran Khalil Gibran is displayed at the entrance of his hometown of Bsharre in northern Lebanon on October 5, 2023. (AFP)
A bust sculpture depicting Lebanese-American writer, poet, and visual artist Gibran Khalil Gibran is displayed at the entrance of his hometown of Bsharre in northern Lebanon on October 5, 2023. (AFP)
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Khalil Gibran’s Lebanon Hometown Celebrates ‘The Prophet’ Centennial 

A bust sculpture depicting Lebanese-American writer, poet, and visual artist Gibran Khalil Gibran is displayed at the entrance of his hometown of Bsharre in northern Lebanon on October 5, 2023. (AFP)
A bust sculpture depicting Lebanese-American writer, poet, and visual artist Gibran Khalil Gibran is displayed at the entrance of his hometown of Bsharre in northern Lebanon on October 5, 2023. (AFP)

Nestled in the mountains of northern Lebanon, a museum dedicated to Gibran Khalil Gibran in his hometown of Bsharre has been celebrating the centennial of "The Prophet", the renowned author's most famous work.

Since it was first published in the United States in 1923, millions of copies of "The Prophet" have been sold worldwide, with the book becoming a literary classic that has been translated into dozens of languages from the original English.

"Every reader, no matter where they're from, feels that this book relates to them and moves them deeply... whether they are Christian, Muslim, Jewish" or atheist, said museum director Joseph Geagea.

It "touches the spirituality of each individual, dealing with death, life, friendship, love, children" and other topics, he added.

A collection of poetic prose, "The Prophet" tells the story of Almustafa, who before returning to his homeland, speaks to residents of the city of Orphalese about various aspects of life.

Divided into 26 chapters, verses from "The Prophet" are often quoted at births, weddings and funerals around the world.

"Biblical style is pervasive" in "The Prophet", Lebanese author Alexandre Najjar said during a recent reading in Beirut, also noting the influence of Islam's mystic Sufi tradition.

"The Prophet" captured the hearts of students and hippies in the 1960s, Najjar said, including for the passage: "Your children are not your children... they come through you but not from you."

Elvis Presley "loved the book so much that he used to give it to his friends on their birthday", he added.

Other celebrities and leaders, from John Lennon to Japan's former Empress Michiko and late Indian prime minister Indira Gandhi, were also fond of the book, the museum's Geagea said.

'Deeply spiritual vision'

Gibran was born in Bsharre in 1883, when Lebanon was under Ottoman rule, but wrote most of his books in the United States, where he headed the New York Pen League, the first Arab-American literary society.

Overlooking Lebanon's Qadisha Valley, the museum was set up in a former 18th century monastery and exhibits some 150 paintings by the author that show "his deeply spiritual vision of existence", Geagea said.

A table displays 11 translations of "The Prophet" released between 1923 and 1931.

"Gibran strongly wished to return to Bsharre, which he left at age 12," said Geagea, but the writer died before he could get the chance.

The monks decided to sell the monastery and the surrounding land to Gibran's sister after the author's death in 1931, when he was just 48.

The site was transformed into his burial place and then into a museum for his artworks and other objects, and receives around 50,000 visitors a year from five continents, Geagea said.

Despite his popularity among readers, Gibran's most famous work received a lukewarm reception at the time of writing from American critics, who criticized it as simplistic and moralizing.

In April this year, an exhibition at the United Nations headquarters in New York also marked the work's centenary.



Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
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Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA

Saudi Arabia's Heritage Commission completed the first season of its joint scientific mission with the University of Exeter at the ancient Al-Juhfah Miqat site, uncovering more than 1,700 artifacts, including pottery, glass, stone pieces, shells, and worked objects, confirming the site's significance along the Egyptian pilgrimage route.

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel believed to have served pilgrims and travelers, and 13 tombstones dating to the Umayyad and Abbasid periods. Some finds originated from the Levant, Egypt, and Ethiopia, reflecting the diverse origins of pilgrims who passed through this miqat, SPA reported.

Al-Juhfah Miqat is located 187 kilometers northwest of Makkah and has been an established miqat since the early Islamic period, associated with the Prophet's migration, and is known to have flourished in the second Hijri century, with water facilities and shops serving pilgrims.

These works are part of the Heritage Commission's efforts to survey and document archaeological sites along the Hijrah route between Makkah and Madinah, using advanced technologies to reveal the historical and civilizational depth of the Kingdom.


Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
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Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah showcases a collection of rare Quranic artifacts and collectibles that document Muslims’ care for the Holy Quran throughout the ages. Among the most notable exhibits is a rare Quran dating back to 1259 AH, corresponding to 1843 AD, which stands as a historical testament to the beauty of Quranic manuscript writing and ornamentation.

The manuscript is distinguished by its precise script written in black ink with full diacritical marks. Its pages are adorned with gilded borders, golden verse separators, and intricate floral decorations that highlight the advanced craftsmanship achieved in the gilding and embellishment of Quran manuscripts during that historical period, SPA reported.

Information accompanying the artifact indicates that the Quran later underwent restoration and rebinding to protect it from deterioration. This step helped preserve this rare Quranic treasure and maintain it as a witness to a cultural and civilizational legacy spanning more than a century and a half.

The display of this Quran is part of the educational and cultural content presented by the Holy Quran Museum, which enables visitors and pilgrims to explore diverse examples of historical Qurans and rare manuscripts and to learn about the various stages of writing, copying, and decorating Quranic manuscripts across different Islamic eras.

The museum serves as a prominent cultural and educational destination in Makkah, highlighting the historical efforts of Muslims in serving and preserving the Holy Quran. It also promotes awareness of the value of Islamic heritage associated with the Holy Quran through modern museum displays and interactive educational experiences that enrich visitors’ experiences and enhance their connection with the history of the Holy Quran.


Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
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Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP

Gazing at two large engraved 16th-century elephant tusks on display at Nigeria's National Museum Lagos, a guide surprised visitors by telling them: "You can touch them gently".

One of the three galleries at the museum in Nigeria's cultural and entertainment hub has been remodeled to allow visitors to interact with some artefacts, reversing the typical ban on touching exhibits, as well as take unrestricted photographs in an effort to engage younger audiences, curator Nkechi Adedeji told AFP.

As the group felt the texture of the elephant tusks to the tune of Afrobeats softly playing on overhead speakers, a young photographer was busy snapping away, likely for a social media post.

According to Tinuke Odunfa, the interior designer of the gallery, the plan was to modernize the space and present Nigerian history in an "intentional" and "immersive" environment.

"Everything was intentional in terms of how the space should be experienced, in terms of the colors, how the space leads you," Odunfa told AFP.

The gallery holds one of the country's most extensive collections, including major archaeological and ethnographic artefacts such as 5th-century terracotta by indigenous Nok people.

Its white walls are lined with artefacts encased in glass, arranged chronologically from the oldest to the newest, each accompanied by brief notes.

A few other items of the permanent exhibition, "Echoes of the Past", especially those made of wood and metal, are laid out in such a way that visitors can touch and "feel them", the museum's head of exhibition Olusegun Adeleye, 51, said.

Low ambient lighting casts a soft glow across the gallery, giving the space a quiet, reflective atmosphere.

Lagos, the vibrant mega city of more than 20 million people, and often described as Nigeria's melting pot, inspired Odunfa's design.

- 'Coming in droves' -

Since the renovated gallery opened to the public in April, it has been drawing more visitors than before, Adedeji said, without giving figures.

Its Instagram-ready spaces are drawing more schoolchildren and young adults, with pictures and videos increasingly shared online, making it a popular destination among "content creators".

"They come here, do content and before you know it, it is all over the place," Adedeji said. "Youths are coming in droves now".

"I love the way the artefacts are displayed," Oyin Isioye, a 25-year-old photographer, visiting the museum for the first time, told AFP. "I learned a lot of things... where the artefacts are from, what they represent."

- Repatriation calls -

In one corner of the gallery, three empty cases contain a sheet of paper bearing the inscription "British museum, how far??" (meaning "what's up?" in Nigerian Pidgin).

The installation sends a message to foreign museums that Nigeria is ready to pursue the repatriation of its looted artefacts.

Western museums, including those in Britain, the Netherlands and Germany, have in recent years returned several hundred artefacts, but countless more remain in galleries in Europe and America.

"This renovation shows that we can protect and preserve our objects ourselves, we do not need any other country to do it for us," said Adedeji.

The remodeling, funded by a private entity, also aimed at creating more display areas for the collection, the bulk of which are kept in storage.

More projects are in the works. Another gallery at the Lagos museum has been shut for renovation, along with other sites nationwide.

And Nigerian authorities are seeking partners to support future upgrades in preparation for more repatriated artefacts.